Full of rest, the green moss lifts, As the dark waves of the sea Draw in and out of rocky rifts, Calling solemnly to thee With voices deep and hollow,To the shore Follow! O follow! To be at rest for evermore! Look how the gray, old Ocean And all sweet sounds of earth and air And in our green isle rest for evermore! And Echo half wakes in the wooded hill, Thus, on Life's weary sea, Is it not better here to be, ? To see the still seals only A restless grave, where thou shalt lie Look down beneath thy wave-worn bark, The leaden eye of the side-long shark Ever waiting there for thee: Look down and see those shapeless forms, In the whirls of their unwieldy play: That waves its arms so lank and brown, Look down beneath thy wave-worn bark Thus, on Life's lonely sea, Heareth the marinere Voices sad, from far and near, Here all is pleasant as a dream; Here is a gush of many streams, A song of many birds, And every wish and longing seems Here ever hum the golden bees At once with glowing fruit and flowers crown'd;- As if they fain would seek the shore, Thus, on Life's gloomy sea, Voices sweet, from far and near, "Here is rest and peace for thee!" AN INCIDENT IN A RAILROAD CAR He spoke of Burns: men rude and rough Press'd round to hear the praise of one Whose heart was made of manly, simple stuff, As homespun as their own. And, when he read, they forward leaned, Slowly there grew a tender awe, As if in him who read they felt and saw It was a sight for sin and wrong A sight to make our faith more pure and strong I thought, these men will carry hence Promptings their former life above, And something of a finer reverence For beauty, truth, and love. God scatters love on every side, There is no wind but soweth seeds Which burst, unlook'd-for, into high-soul'd deeds We find within these souls of ours Within the hearts of all men lie Which blossom into hopes that cannot die, All that hath been majestical And thus, among the untaught poor, O mighty brother-soul of man," Where'er thou art, in low or high, Thy skyey arches with exulting span O'er-roof infinity! All thoughts that mould the age begin Deep down within the primitive soul, And from the many slowly upward win To one who grasps the whole: In his broad breast the feeling deep That struggled on the many's tongue, Swells to a tide of thought, whose surges leap O'er the weak thrones of wrong. All thought begins in feeling,-wide In the great mass its base is hid, And, narrowing up to thought, stands glorified, A moveless pyramid. Nor is he far astray who deems That every hope, which rises and grows broad In the world's heart, by order'd impulse streams From the great heart of God. God wills, man hopes: in common souls Till from the poet's tongue the message rolls Never did Poesy appear So full of heaven to me, as when I saw how it would pierce through pride an fear To the lives of coarsest men. It may be glorious to write Thoughts that shall glad the two or three High souls, like those far stars that come in sight Once in a century; But better far it is to speak One simple word, which now and then Shall waken their free nature in the weak And friendless sons of men; To write some earnest verse or line, Shall make a clearer faith and manhood shine He who doth this, in verse or prose, May be forgotten in his day, But surely shall be crown'd at last with those Who live and speak for aye. THE HERITAGE. THE rich man's son inherits lands, And piles of brick, and stone, and gold, And he inherits soft, white hands, And tender flesh that fears the cold, A heritage, it seems to me, The rich man's son inherits cares; The bank may break, the factory burn, A breath may burst his bubble shares, And soft, white hands could hardly earn A living that would serve his turn; A heritage, it seems to me, One scarce would wish to hold in fee. The rich man's son inherits wants. His stomach craves for dainty fare; Of toiling hinds with brown arms bare, A heritage, it seems to me, One scarce would wish to hold in tee. What doth the poor man's son inherit? Stout muscles and a sinewy heart, A hardy frame, a hardier spirit; King of two hands, he does his part A heritage, it seems to me, What doth the poor man's son inherit? A king might wish to hold in fee. What doth the poor man's son inherit? To make the outcast bless his door; A heritage, it seems to me, O, rich man's son! there is a toil, But only whiten, soft, white hands,- O, poor man's son, scorn not thy state; There is worse weariness than thinc, In merely being rich and great; Toil only gives the soul to shine, And makes rest fragrant and benign; A heritage, it seems to me, Both, heirs to some six feet of sod, Are equal in the earth at last; TO THE FUTURE. O, LAND of Promise! from what Pisgah's height Can I behold thy stretch of peaceful bowers? Thy golden harvests flowing out of sight, Thy nestled homes and sun-illumined towers? Gazing upon the sunset's high-heap'd gold, Its crags of opal and of crysolite, Its deeps on deeps of glory that unfold Still brightening abysses, And blazing precipices, Whence but a scanty leap it seems to heaven, Of thy more gorgeous realm, thy more unstinted blisses. O, Land of Quiet! to thy shore the surf Of the perturbed Present rolls and sleeps; Our storms breathe soft as June upon thy turf And lure out blossoms: to thy bosom leaps, As to a mother's, the o'er-wearied heart, Hearing far off and dim the toiling mart, The hurrying feet, the curses without numoer, Out of its very cares wooes charms for peace and slumber. To thee the Earth lifts up her fetter'd hands And cries for vengeance; with a pitying smile Thou blessest her, and she forgets her bands, And her old wo-worn face a little while Grows young and noble; unto thee the Oppressor Looks, and is dumb with awe; The eternal law Which makes the crime its own blindfold redresser, Shadows his heart with perilous foreboding, And he can see the grim-eyed Doom From out the trembling gloom Its silent-footed steeds toward his palace goading. What promises hast thou for Poets' eyes, Aweary of the turmoil and the wrong! To all their hopes what overjoy'd replies! What undream'd ecstasies for blissful song! Thy happy plains no war-trumps braw ling clangor Disturbs, and fools the poor to hate the poor; The humble glares not on the high with anger; Love leaves no grudge at less, no greed for more; In vain strives self the godlike sense to smother; From the soul's deeps It throbs and leaps; The noble 'neath foul rags beholds his long lost brother. To thee the Martyr looketh, and his fires Unlock their fangs and leave his spirit free; To thee the Poet 'mid his toil aspires, And grief and hunger climb about his knee Welcome as children: thou upholdest The lone Inventor by his demon haunted; The Prophet cries to thee when hearts are coldest, And, gazing o'er the midnight's bleak abyss, Sces the drowsed soul awaken at thy kiss, And stretch its happy arms and leap up disenchanted. Thou bringest vengeance, but so loving-kindly The guilty thinks it pity; taught by thee Fierce tyrants drop the scourges wherewith blindly Their own souls they were scarring; conquerors see With horror in their hands the accursed spear The beauty of man's soul to man revealing; Pierce error's guilty heart, but only pierce for healing. O, whither, whither, glory-winged dreams, From out Life's sweat and turmoil would ye Shut, gates of Fancy, on your golden gleams, The ancestral buckler calls, Vth words of unshorn truth, with love that never wearies. JAMES T. FIELDS. [Born, 1820.] a clear, cold, merry sparkle, and a rapidity of metrical motion (the very verse seeming to go on runners), which bring the quick jingle of bells and the moon making diamonds out of snow-flakes, vividly home to the fancy. Perhaps his most characteristic poem, in respect to subtlety of sentiment and delicacy of illustration, is "A Bridal Melody." There is a mystical beauty in it which eludes a careless eye and untuned ear. Besides his serious poems, he has produced some very original mirthful pieces, in which are adroit touches of wit, felicitous hits at current follies, and instances of quaint humour, laughing through prim and decorous lines, which evince a genius for vers de sociéte. MR. FIELDS is a native of Portsmouth, New Hampshire, but has long resided in Boston. He is a partner in a well-known publishing and bookHis principal poems selling house in that city. are "Commerce," read before the Boston Mercantile Library Association on its anniversary in 1838, when he was associated as poet with EDWARD EvERETT, who delivered on the occasion one of his most brilliant orations; and "The Post of Honour," read before the same society in 1848, when DANIEL WEBSTER preceded him as orator. For several years he has been an occasional contributor to the magazines, and a few of his poems, as "The Fair Dirge for a Young Wind," "Yankee Ships," and Girl," have been copied from them into the newspapers of all parts of the Union. The general style of his serious pieces is pure, sweet, thought-ly ful, and harmonious; and though evidently unlabored, they are characterized by much refinement of taste and an intuitive perception of metrical proprieties. His lyrics are clear, strong, and bright, in expression, and dashing in movement, and have that charm which comes from a "polished want of polish," in which spontaneous sensibility is allied with instinctive taste. The "Sleighing Song" has ON A PAIR OF ANTLERS, BROUGHT FROM GERMANY. GIFT, from the land of song and wine- I heard the huntsman's bugle play, Again the crumbling tower appears, With memories of a thousand years; To fill again my charmed ear With echoes of the Rodenstein- Mute emblems now of "auld lang syne," When Youth and Hope went hand in hand To roam the dear old German land. The poems Mr. FIELDS has given us are evidentthe careless products of a singularly sensitive and fertile mind-indications rather than exponents of its powers-furnishing evidence of a capacity which it is to be hoped the engageinents of business will not wholly absorb. In 1847 and the following year Mr. FIELDS visited Europe, and soon after his return a collection of his poems was published by Ticknor and Company, of Boston. BALLAD OF THE TEMPEST. We were crowded in the cabin, To be shatter'd in the blast, Each one busy in his prayers"We are lost!" the captain shouted, As he stagger'd down the stairs. But his little daughter whisper'd, As she took his icy hand, "Isn't God upon the ocean, Just the same as on the land?" Then we kiss'd the little maiden, And we spoke in better cheer, And we anchor'd safe in harbor When the morn was shining clear. 573 A VALENTINE. SHE that is fair, though never vain or proud, More fond of home than fashion's changing crowd; Whose taste refined even female friends admire, Dress'd not for show, but robed in neat attire; She who has learn'd, with mild, forgiving breast, To pardon frailties, hidden or confess'd; True to herself, yet willing to submit, More sway'd by love than ruled by worldly wit: Though young, discreet-though ready, ne'er unBlest with no pedant's, but a woman's mind: [kind, She wins our hearts, toward her our thoughts inSo at her door go leave my Valentine. [cline, ON A BOOK OF SEA-MOSSES, To him who sang of Venice, and reveal'd FROM THE POST OF HONOUR." GLORY. UNCHANGING Power! thy genius still presides O'er vanquish'd fields, and ocean's purpled tides; Sits like a spectre at the soldier's board, Adds Spartan steps to many a broken sword; For thee and thine combining squadrons form To sweep the field with Glory's awful storm; The intrepid warrior shouts thy deathless name, And plucks new valour from thy torch of fame; For him the bell shall wake its loudest song, For him the cannon's thunder echo long, For him a nation weave the unfading crown, And swell the triumph of his sweet renown. SO NELSON watch'd, long ere Trafalgar's days, Thy radian orb, prophetic Glory, blazeSaw Victory wait, to weep his bleeding scars, And plant his breast with Honour's burning stars. So the young hero, with expiring breath, Bequeaths fresh courage in the hour of death, Bids hra e comrades hear the inspiring blast, And nail their colours dauntless to the mast; Then dies, like LAWRENCE, trembling on his lip That cry of Honour, "Don't give up the ship!" TRUE HONOUR. The painter's skill life's lincaments may trace, Though Dryburgh's walls still hold their sacred dust, WEBSTER. [dance, Let blooming boys, from stagnant cloisters freed, Sneer at old virtues and the patriot's creed; Forget the lessons taught at Valour's side, And all their country's honest fame deride. All are not such: some glowing blood remains To warm the icy current of our veinsSome from the watch-towers still descry afar The faintest glimmer of an adverse star. When faction storms, when meaner statesmen quail, Full high advanced, our eagle meets the gale! On some great point where Honour takes her stand, The Ehrenbreitstein of our native landSee, in the front, to strike for Freedom's cause, The mail'd defender of her rights and laws! On his great arm behold a nation lean, And parcel empire with the island queen; Great in the council, peerless in debate, Who follows WEBSTER takes the field too late Go track the globe, its changing climes explore, From crippled Europe to the Arab's shore; See Albion's lion guard her stormy seas, See Gallia's lilies float on every breeze, Roam through the world, but find no brighter names Than those true honour for Columbia claims. 1 |