Technique and Vision in Bleak House, Little Dorrit, and Our Mutual Friend, Том 2University of Wisconsin--Madison, 1962 - Всего страниц: 826 |
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Стр. 265
... social novelist always an impor- tant thing , he turns us towards the social chorus who sit on the side- lines , waiting their cue to comment on what we have seen . And the comment resides not only in their verbal responses but also in ...
... social novelist always an impor- tant thing , he turns us towards the social chorus who sit on the side- lines , waiting their cue to comment on what we have seen . And the comment resides not only in their verbal responses but also in ...
Стр. 311
... social scale , whose naturalistic representation is the ooze and slime of the river bed , with the veneer of social artificiality , which , suitably , has no naturalistic representation , but is imaged by " varnish " and references to ...
... social scale , whose naturalistic representation is the ooze and slime of the river bed , with the veneer of social artificiality , which , suitably , has no naturalistic representation , but is imaged by " varnish " and references to ...
Стр. 338
... social orientation : " The forces that play into an individual's dream are social forces , not world - powers . And the figures in these stories " repre- sent a generalized , heightened conception of the social forces in question : not ...
... social orientation : " The forces that play into an individual's dream are social forces , not world - powers . And the figures in these stories " repre- sent a generalized , heightened conception of the social forces in question : not ...
Часто встречающиеся слова и выражения
alive appears aspects become believe belong Bleak House Boffin Book called Chapter characters Charles Dickens comes completely concerned condition course dark dead death depths described device Dickens drama dust effect elements enter Eugene evil example existence experience exploration external eyes fact fairy tale fanciful figures forces function gather gives hand Hexam human idea imagination important John kind language least Letters literal Little Little Dorrit living Lizzie London looking meaning method mind moral mounds Mutual Friend myth nature never novel novelist perhaps person physical plans plot Podsnap point of view present prison question reader reality reflects relation represents responsible Review Riderhood river says scene seems sense social society soliloquy spirit story streets structure suggestion surface symbol technique things truth understand universe Veneerings Victorian vision Wegg whole writer York