D.H. Lawrence: Aesthetics and IdeologyClarendon Press, 1993 - Всего страниц: 211 The vast body of Lawrence scholarship has veered between the extremes of uncritical celebration and violent denigration. This first extended study of Lawrence's aesthetics draws on a number of modern critical approaches to present an original and balanced analysis of Lawrence's literary and art criticism, and of the complex cultural context from which it emerged. This fascinating and lucid study reveals Lawrence's art criticism as pluralistic and anti-authoritarian, a necessary antidote to his sometimes brutally authoritarian politics and to the dogma and rigidity that pervades so many other areas of Lawrence's thought. |
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Стр. 13
... literature , such as ' Study of Thomas Hardy ' , make frequent references to painting , and it is quite typical of Lawrence that an essay entitled ' Morality and the Novel ' should open with a meditation on Van Gogh.33 For that reason ...
... literature , such as ' Study of Thomas Hardy ' , make frequent references to painting , and it is quite typical of Lawrence that an essay entitled ' Morality and the Novel ' should open with a meditation on Van Gogh.33 For that reason ...
Стр. 62
... Literature ( 1923 ) was one of the earliest examples of an extended work of psychoanalytic criticism . If , as I have argued , some notion of ' the unconscious ' was central to Lawrence's aesthet- ics , it is necessary to ask why ...
... Literature ( 1923 ) was one of the earliest examples of an extended work of psychoanalytic criticism . If , as I have argued , some notion of ' the unconscious ' was central to Lawrence's aesthet- ics , it is necessary to ask why ...
Стр. 95
... Literature ( 1902 ) .43 Machen's treatise , though dealing with literature rather than painting , is so similar in every particular to Bell's Art that it is tempting to believe Bell had read it . For Machen , as for Bell , ecstasy is ...
... Literature ( 1902 ) .43 Machen's treatise , though dealing with literature rather than painting , is so similar in every particular to Bell's Art that it is tempting to believe Bell had read it . For Machen , as for Bell , ecstasy is ...
Содержание
Introduction I | 16 |
Lawrences Aesthetics | 34 |
Lawrences Clash with Freud | 61 |
Авторские права | |
Не показаны другие разделы: 8
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abstract Adorno aesthetic Apocalypse apple argues art-criticism art-critics art-work artist becomes Bell Bell's Art Birkin Bloomsbury Carlyle Cézanne Cézanne's chapter cited Classic American Literature concept connection consciousness Crich critics culture D. H. Lawrence deconstruction discourse distinction earth emotion emphasis essay Etruscan Places fact Freud Freudian Fry's Gerald German Gudrun Heidegger's human Ibid idea ideologies Introduction kind labour Lady Chatterley's Lover Lawrence and Heidegger Lawrence's aesthetics Lawrence's views Lawrence's writings literary Loerke logocentric London metaphor mimetic model of language modernist nature Nazism Nietzsche notion novel object organic organicism organicist painterly painting philosophical Phoenix Poetry political present pseudo-photographic Psychoanalysis realism reality Rilke Roger Fry Romantic Ruskin seems seen semantic semiotic sense significant form signified Spengler spirit Studies in Classic Study of Thomas Symbolic Meaning teleology Terry Eagleton theory things Thomas Hardy trans unconscious völkisch whole Women in Love Woolf words writings on art