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works have been and deserve to be, they sink into obscurity when compared with the universal acceptation of Robinson Crusoe; the only thing, according to Dr. Johnson, written by mere man, that was ever wished longer by its readers, except Don Quixote and the Pilgrim's Progress. And Bunyan and Defoe had some points in common. Both came of the people, and both, without the advantages or trammels of a learned education, wrote for and to the people; they slighted no source of pathos or eloquence as being too humble, and cared little for homeliness of phrase, if it expressed their meaning clearly and strongly. It is needless to give any account of a book which in one shape or other-for in the numerous reprints it has often been curtailed and mutilated-must be familiar to every reader. The story is well known to be identical with that of Alexander Selkirk, who, after a solitary abode of four years on the island of Juan Fernandez, returned to England in 1709. Defoe has been charged with surreptitiously obtaining and making an unfair use of this man's papers; but there seems to be no ground whatever for the accusation. Selkirk's story had been made public in several forms seven years at least before Robinson Crusoe was written, and it was free to Defoe or to any man to take it as the ground upon which to build a tale. And far from Selkirk's papers having been traced into Defoe's hands, it does not even appear that these pretended papers ever were in existence: indeed Selkirk seems, from the published accounts of him, to have been so much below the fictitious Crusoe in the extent of his resources, and the fertility of his ingenuity (and we say this with no desire to undervalue his active spirit and contented temper), that it is hardly possible that he should have furnished more than the

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Robinson Crusoe building his Boat. From a design by Stothard, R.A.

first hint, which Defoe has expanded into so instructive, fascinating, and varied a story.

The following lively criticism of this remarkable work is extracted from Dunlop's History of Fiction:-

"Defoe and Swift, though differing very widely in education, opinions, and character, have at the same time some strong points of resemblance. Both are remarkable for the unaffected simplicity of their narratives-both intermingle so many minute circumstances, and state so particularly names of persons, and dates, and places, that the reader is involuntarily surprised into a persuasion of their truth. It seems impossible that what is so artlessly told should be a fiction, especially as the narrators begin the account of their voyages with such references to persons living, or whom they assert to be alive, and whose place of residence is so accurately mentioned, that one is led to believe a relation must be genuine, which could, if false, have been so easily convicted of falsehood. The incidents too are so very circumstantial, that we think it impossible they could have been mentioned except they had been real.". Speaking of the moral of Robinson Crusoe, he continues, " We are delighted with the spectacle of difficulty overcome, and with the power of human ingenuity and contrivance to provide not only accommodation but comfort, in the most unfavourable circumstances. Never did human being excite more sympathy in his fate than this shipwrecked mariner: we enter into all his doubts and difficulties, and every rusty nail which he acquires fills us with satisfaction. We thus learn to appreciate our own comforts, and we acquire, at the same time, a habit of activity; but above all we attain a trust and devout confidence in Divine mercy and goodness.

The author, also, by placing his hero in an uninhabited island in the Western Ocean, had an opportunity of introducing scenes which, with the merit of truth, have all the wildness and horror of the most incredible fiction. That foot in the sandthose Indians who land on the solitary shore to devour their captives-fill us with alarm and terror ; and, after being relieved from the fear of Crusoe perishing by famine, we are agitated by new apprehensions for his safety. The deliverance of Friday, and the whole character of that young Indian, are painted in the most beautiful manner; and, in short, of all the works of fiction that have ever been composed, Robinson Crusoe is perhaps the most interesting and attractive."

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RICHARD BENTLEY was the son, not of a low mechanic, as the earlier narratives of his life assert, but of a respectable yeoman, possessed of a small estate. That fact has been established by his latest and most accurate, as well as most copious biographer, Dr. Monk, now Bishop of Gloucester. Bentley was born in Yorkshire, January 27, 1661-2, at Oulton, near Wakefield; and educated at Wakefield school, and St. John's College, Cambridge, where he pursued his studies with unwearied industry. No fellowship to which he was eligible having fallen vacant, he was appointed Master of Spalding school, in 1682; over which he had presided only one year, when his critical learning recommended him to Dr. Stillingfleet, then Dean of St. Paul's, as a private tutor for his son. In 1689 he attended his pupil to Wadham College in Oxford, where he was incorporated Master of Arts on the

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