The British Plutarch: Containing the Lives of the Most Eminent Divines, Patriots, Statemen, Warriors, Philosophers, Poets, and Artists of Great Britain and Ireland, from the Accention of Henry VIII, to the Present Time, Том 2J. Mawman, 1816 |
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Стр. 2
... France , and subsequently promoted him to several appointments near his person . A sadder portion of his destiny it was , to hold his dying prince in his arms , when he exclaimed " I am faint : Lord , have mercy on me , and receive my ...
... France , and subsequently promoted him to several appointments near his person . A sadder portion of his destiny it was , to hold his dying prince in his arms , when he exclaimed " I am faint : Lord , have mercy on me , and receive my ...
Стр. 11
... France . On his arrival in Paris , Charles IX . is said to have been so much struck with his ingenuous manners and conversation , that he appointed him Gentleman Ordinary of his chamber . This promotion , however , has been generally ...
... France . On his arrival in Paris , Charles IX . is said to have been so much struck with his ingenuous manners and conversation , that he appointed him Gentleman Ordinary of his chamber . This promotion , however , has been generally ...
Стр. 16
... France . In the management of this affair , he conducted himself with so much discretion , that Lord Burghley himself , though not generally friendly to the connexions of the Earl of Leicester , pronounced upon his industry and ...
... France . In the management of this affair , he conducted himself with so much discretion , that Lord Burghley himself , though not generally friendly to the connexions of the Earl of Leicester , pronounced upon his industry and ...
Стр. 18
... France , the Machia velian Katharine of Medicis had in 1572 proposed to Elizabeth a matrimonial union with Henry Duke of Anjou , her favourite son . Upon the rejection of this * Well might that happy father , writing to his second son ...
... France , the Machia velian Katharine of Medicis had in 1572 proposed to Elizabeth a matrimonial union with Henry Duke of Anjou , her favourite son . Upon the rejection of this * Well might that happy father , writing to his second son ...
Стр. 19
... France , her personal danger in case of a conclusion of this marriage with Monsieur , and how dear she was to her own people . ( Annals of the Refor- mation , II . 567. ) For publishing a tract , however , on the same subject , Stubbs ...
... France , her personal danger in case of a conclusion of this marriage with Monsieur , and how dear she was to her own people . ( Annals of the Refor- mation , II . 567. ) For publishing a tract , however , on the same subject , Stubbs ...
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Admiral afterward appears appointed Archbishop Bacon Ben Jonson Bishop Buckingham Camden cause Cecil character Coke Comedy command Council court crown death doth Drake Duke Duke of Anjou Earl of Essex Earl of Leicester embassador enemies England English father favour favourite fleet fortune France gave hand hath Hawkins heart Henry honour Ireland James Jonson judgement justice King King's lady learning letter likewise live Lord Burghley Lord High Admiral Lordships Majesty Majesty's matter ment mind nature never noble observes occasion parliament person Philip poet prince Queen of Scots received reign reputation royal says Scythians sent Shakspeare ships Sidney Sir Edward Coke Sir Francis Sir John Sir Philip Sidney Sir Robert Cecil Sir Walter Ralegh Sovereign Spain Spaniards Spanish Spenser spirit thee thing thou thought tion took unto virtue writings
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Стр. 398 - Thy gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies, Soon break, soon wither, soon forgotten,— In folly ripe, in reason rotten. Thy belt of straw and ivy buds, Thy coral clasps and amber studs,— All these in me no means can move To come to thee and be thy love.
Стр. 397 - And I will make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroidered all with leaves of myrtle.
Стр. 484 - But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages...
Стр. 311 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight, that he was content to purchase it, by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.
Стр. 305 - His characters are not modified by the customs of particular places, unpractised by the rest of the world ; by the peculiarities of studies or professions, which can operate but upon small numbers ; or by the accidents of transient fashions or temporary opinions...
Стр. 400 - Their purpose is ambition, Their practice, only hate ; And if they once reply, Then give them all the lie. Tell them that brave it most, They beg for more by spending Who in their greatest cost Seek nothing but commending ; And if they make reply, Spare not to give the lie.
Стр. 309 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and, in view of his reward, he shortened the labour to snatch the profit. He therefore remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Стр. 99 - We have been persuaded by some, that are careful of our safety, to take heed how we commit ourselves to armed multitudes for fear of treachery ; but, I assure you, I do not desire to live to distrust my faithful and loving people.
Стр. 316 - Imitations produce pain or pleasure, not because they are mistaken for realities, but because they bring realities to mind.
Стр. 314 - The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Anthony and Cleopatra. Surely he that imagines this may imagine more.