The Contemporary Review, Том 28A. Strahan, 1876 |
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Стр. 245
... open vowel - sound of o and diminish the close consonant- sound of r . The singer's practice of pronouncing the word " wind " like " mind , " giving the i its y - sound instead of the e - sound which it has in speaking , is a device of ...
... open vowel - sound of o and diminish the close consonant- sound of r . The singer's practice of pronouncing the word " wind " like " mind , " giving the i its y - sound instead of the e - sound which it has in speaking , is a device of ...
Стр. 247
... open vowels that can be obtained the better . A mingling of the close vowels with them adds a charm to the harmony of language intended for recitation . only , as in the stanza of Coleridge's " Day - dream , " which Leigh Hunt cites in ...
... open vowels that can be obtained the better . A mingling of the close vowels with them adds a charm to the harmony of language intended for recitation . only , as in the stanza of Coleridge's " Day - dream , " which Leigh Hunt cites in ...
Стр. 254
... open sounds . This may be instanced by the vowels . Selecting three of Shakspere's songs at random , we find in " Where the bee sucks , " forty - one open vowels to thirteen close ; in " Who is Silvia ? " sixty - four to forty- five ...
... open sounds . This may be instanced by the vowels . Selecting three of Shakspere's songs at random , we find in " Where the bee sucks , " forty - one open vowels to thirteen close ; in " Who is Silvia ? " sixty - four to forty- five ...
Стр. 255
... open vowels . Selecting the same examples as before , we find in Shakespere forty - five close con- sonants ( including w ) thus corrected to twenty - six uncorrected ; in Milton forty - seven to thirty - seven ; in Herrick , fifty ...
... open vowels . Selecting the same examples as before , we find in Shakespere forty - five close con- sonants ( including w ) thus corrected to twenty - six uncorrected ; in Milton forty - seven to thirty - seven ; in Herrick , fifty ...
Стр. 259
... open vowels ( ninety - eight ) barely exceeds that of the close ( ninety- three ) . Such a line as- " Joy grew to grief , grief grew to me , " containing seven close vowels in succession , would require to be pronounced with pursed lips ...
... open vowels ( ninety - eight ) barely exceeds that of the close ( ninety- three ) . Such a line as- " Joy grew to grief , grief grew to me , " containing seven close vowels in succession , would require to be pronounced with pursed lips ...
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admit Aiolos Apostles appears Athenè authority Bacon believe Bible Bishop called century character Charles Christ Christian Church Clarendon close vowels Constantinople Court criticism death Diomed divine doctrine doubt England English Essex evidence expression fact faith Father favour Gaul give Gospel Government Greek Gregory of Nyssa hand hath Herè honour human Irenæus Jesus judgment King Koran language less letter live Long Parliament Lord Mahommedan Märklin matter meaning ment mind moral nature never object Odüsseus open vowels opinion original Oxenham Pantheism Parliament pass passages Persia poet political popular Poseidon present prophecy Queen question reason reference religion religious Scripture seamen seems sense songs Spedding spirit Strauss suppose Tehran Testament testimony things thought tion translation true truth Turkey Turkish Tyndale verse whole words writings Zeus καὶ
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