In the Name of Love: Women, Masochism, and the Gothic

active drives aggression anal anal stage Anna Freud argues authority beaten beating drama beating fantasy becomes believe child courtship cultural curiosity Danvers desire domination dream erotic exhibitionism eyes father is beating feel female feminine feminist gaze gender genre girl Gothic heroine Gothic novel heterosexual horror husband identify identity insists instincts Jacqueline Jane Eyre Jane's Joan Joan's John John's knowledge Lady Oracle Linden Hills look male Manderley marital Gothic marriage masculine masochism masochistic Maxim mother narrative narrator never nonetheless object oppression overvaluation pain passive pleasure pleasure principle plot protagonist psychic psychoanalysis punishment reality recognition recognize refusal relation remains René René's repetition repression response Rochester Rochester's Roissy role romance sadism Sadism and Masochism scopophilia seems sexual Sir Stephen social spectator spectator's story sublimation subordination suffering suggests superego tion trauma turn victim voyeurism watches wife Willa woman women Yellow Wallpaper Zosine