 | 1915 - Страниц: 826
...unity, that first essential of any work of art, as Walter Pater rails it in his most brilliant essay, " that architectural conception of work, which foresees...undiminished vigour, unfold and justify the first — a condition of literary art which ... I shall call the necessity of mind in style."1 In an interesting... | |
 | Walter Pater - 1889 - Страниц: 284
...other art, structure is all-important, felt, or painfully missed, everywhere ? — that architec tural conception of work, which foresees the end in the...undiminished vigour, unfold and justify the first — a condition of literary art, which, in contradistinction to another quality of the artist himself,... | |
 | 1889 - Страниц: 860
...literary as in all other art, structure is all-important, felt or painfully missed every where ? — that architectural conception of work, which foresees...till the last sentence does but, with undiminished vigor, unfold and justify the first — a condition of literary art, which, in contradistinction to... | |
 | Andrew Lang - 1890 - Страниц: 108
...literary artist, except because, in literary ary as in all other arts, structure is all important, felt or painfully missed, everywhere ? — that architectural...undiminished vigour, unfold and justify the first — a condition of literary art, which, in contradistinction to another quality of the artist himself,... | |
 | 1915 - Страниц: 680
...stories are perfect illustrations — of "that architectural conception of the work which perceives the end in the beginning and never loses sight of...till the last sentence does but, with undiminished vigor, unfold and justify the first." In fact it is not the surprise at the end that reveals the technical... | |
 | Walter Pater - 1895 - Страниц: 290
...why are these abhorrent to the true literary artist, except because, in literary as in all other art, structure is all-important, felt, or painfully missed,...but, with undiminished vigour, unfold and justify the first—a condition of literary art, which, in contradistinction to another quality of the artist himself,... | |
 | Matthew Arnold - 1895 - Страниц: 172
...true literary artist, except because, in literary as iri all other art, structure is all- important, felt, or painfully missed, everywhere ? — that architectural...undiminished vigour, unfold and justify the first — a condition of literary art, which, in contradistinction to another quality of the artist himself,... | |
 | Arlo Bates - 1896 - Страниц: 342
...Pater means when he speaks of — That architectural conception of a work which foresees the end from the beginning, and never loses sight of it, and in every part is conscious of all the rest, till the very last sentence does but, with undiminished vigor, unfold and justify the first. The conclusion... | |
 | Arlo Bates - 1896 - Страниц: 342
...Pater means when he speaks of — That architectural conception of a work which foresees the end from the beginning, and never loses sight of it, and in every part is conscious of all the rest, till the very last sentence does but, with undiinhushed vigor, unfold and justify the first. The conclusion... | |
 | Arlo Bates - 1896 - Страниц: 396
...Pater means when he speaks of — That architectural conception of a work which foresees the end from the beginning, and never loses sight of it, and in every part is conscious of all the rest, till the very last sentence does but, with undiminished vigor, unfold and justify the first. . The conclusion... | |
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... that architectural conception of work, which foresees the end in the beginning and never loses sight of it, and in every part is conscious of all the rest, till the last sentence does but, with undiminished vigour, unfold and justify the first... 
