 For the literary architecture, if it is to be rich and expressive, involves not only foresight of the end in the beginning, but also development or growth of design, in the process of execution, with many irregularities, surprises, and afterthoughts ;...  Principles and Method in the Study of English Literature - Стр. 5авторы: William MacPherson (M. A.) - 1908 - Страниц: 92Полный просмотр - Подробнее о книге
 | 1889 - Страниц: 860
...contrivance, much adjustment, to bring a highly qualified matter into compass at one view. For the literary architecture, if it is to be rich and expressive,...necessary being subsumed under the unity of the whole. As truly, to the lack of such architectural design, of a single, almost visual, image, vigorously informing... | |
 | Walter Pater - 1889 - Страниц: 284
...contrivance, much adjustment, to bring a highly qualified matter into compass at one view, For the literary architecture, if it is to be rich and expressive,...irregularities, surprises, and afterthoughts ; the con • tingent as well as the necessary being subsume' ; under the unity of the whole. . As truly,... | |
 | Matthew Arnold - 1895 - Страниц: 172
...contrivance, much adjustment, to bring a highly qualified matter into compass at one view. For the literary architecture, if it is to be rich and expressive,...necessary being subsumed under the unity of the whole. As truly, to the lack of such architectural design, of a single, almost visual, image, vigorously informing... | |
 | Walter Pater - 1895 - Страниц: 290
...contrivance, much adjustment, to bring a highly qualified matter into compass at one view. fTbr the literary architecture, if it is to be rich and expressive,...necessary being subsumed under the unity of the whole. As truly, to the lack; of such architectural design, of a single, almost visual, image, vigorously... | |
 | Sir Henry Craik - 1896 - Страниц: 800
...contrivance, much adjustment, to bring a highly qualified matter into compass at one view. For the literary architecture, if it is to be rich and expressive,...necessary being subsumed under the unity of the whole. As truly, to the lack of such architectural design of a single, almost visual, image, vigorously informing... | |
 | Arlo Bates - 1901 - Страниц: 312
...instance, may be by conjunctions : Goethe's sage mind and Byron's force. — MATTHEW ARNOLD. For the literary architecture, if it is to be rich and expressive,...development or growth of design in the process of execution. — WALTER PATER : Style. by prepositions : The great safeguard for a correct use is to catch the grammatical... | |
 | Arlo Bates - 1901 - Страниц: 306
...instance, may be by conjunctions : Goethe's sage mind and Byron's force. — MATTHEW ARNOLD. For the literary architecture, if it is to be rich and expressive,...development or growth of design in the process of execution. — WALTER PATER : Style. by prepositions : The great safeguard for a correct use is to catch the grammatical... | |
 | Arlo Bates - 1901 - Страниц: 280
...instance, may be by conjunctions : Goethe's sage mind and Byron's force. — MATTHEW ARNOLD. For the literary architecture, if it is to be rich and expressive,...development or growth of design in the process of execution. — WALTER PATER : Style. by prepositions: The great safeguard for a correct use is to catch the grammatical... | |
 | Walter Pater - 1901 - Страниц: 360
...contrivance, much ad' justment, to bring a highly qualified matter into compass at one view. For the literary architecture, if it is to be rich and expressive, involves not only 25 foresight of the end in the beginning, but also development or growth of design, in the, process... | |
 | Matthew Arnold - 1904 - Страниц: 156
...contrivance, much adjustment, to bring a highly qualified matter into compass at one view. For the literary architecture, if it is to be rich and expressive,...the process of execution, with many irregularities, r surprises, and afterthoughts; the contingent as well as the necessary being subsumed under the unity... | |
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