Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. xxviii
... were equally convinced that the artist must express with complete integrity what his instincts move him to express . He need pay no attention to the audience . As Nietzsche had said , what has that to do with the matter ?
... were equally convinced that the artist must express with complete integrity what his instincts move him to express . He need pay no attention to the audience . As Nietzsche had said , what has that to do with the matter ?
Стр. 31
What grows upon the world is a certain matter - of - factness . The test of each century , more than of the century before , is the test of results . New countries are arising all over the world where there are no fixed sources of ...
What grows upon the world is a certain matter - of - factness . The test of each century , more than of the century before , is the test of results . New countries are arising all over the world where there are no fixed sources of ...
Стр. 233
As a matter of fact , the term is in its place only when applied to style , to that ingenious deformation of the language in Mallarmé , for instance , which can be compared with what we are accustomed to call the Greek and Latin of the ...
As a matter of fact , the term is in its place only when applied to style , to that ingenious deformation of the language in Mallarmé , for instance , which can be compared with what we are accustomed to call the Greek and Latin of the ...
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REALISM | 1 |
The decadence Holbrook Jackson The Eighteen | 24 |
Science the new | 25 |
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Realism, Naturalism, and Symbolism: Modes of Thought and Expression in ... Roland N. Stromberg Просмотр фрагмента - 1968 |
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