Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914Roland N. Stromberg Walker, 1968 - Всего страниц: 296 The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. 98
... production , land and capital , now chiefly the means of enslaving and exploiting labor , into mere instruments of free and associated labor . But this is ... production . If cooperative production is not to remain a sham and a snare REALISM.
... production , land and capital , now chiefly the means of enslaving and exploiting labor , into mere instruments of free and associated labor . But this is ... production . If cooperative production is not to remain a sham and a snare REALISM.
Стр. 99
... production is not to remain a sham and a snare ; if it is to supersede the capitalist system ; if united cooperative societies are to regulate national production upon a common plan , thus taking it under their own control , and putting ...
... production is not to remain a sham and a snare ; if it is to supersede the capitalist system ; if united cooperative societies are to regulate national production upon a common plan , thus taking it under their own control , and putting ...
Стр. 208
... production , he naturally tried to say what he had to say in such a way that his production might be understood by everybody . But when an artist composed for a small circle of people , who were living in exceptional conditions , or ...
... production , he naturally tried to say what he had to say in such a way that his production might be understood by everybody . But when an artist composed for a small circle of people , who were living in exceptional conditions , or ...
Содержание
The disenchantment of 1848 Alexander Herzen From | 1 |
The continuing march of science David Masson Recent | 10 |
The decadence Holbrook Jackson The Eighteen | 24 |
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aristocratic artist asked Baudelaire beauty bourgeois called century Charles Baudelaire civilization Commune cried criticism decadence dream Edouard Manet Ernest Renan existence eyes fact feeling Flaubert force France French German girl student Goncourt hand head human idea ideal impressionists intelligence John Ruskin Ladies and gentlemen lame teacher Liputin literary literature live look Lyamshin Madame Bovary Mallarmé means mind modern morality mystery National Guards nature Nietzsche novel Oscar Wilde painters painting Paris Parnassian Paul Verlaine perhaps poet poetry political quantitative question realism repression republic revolution Richard Wagner Ruskin scientific seemed Shigalyov shouted social society sort soul Stavrogin Stéphane Mallarmé stupid symbolist Tannhäuser Théophile Gautier things thought tion translation understand unintelligible universal suffrage Verkhovensky Versailles Virginsky Voltaire Wagner Walter Bagehot woman women words writers Zola