Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914Roland N. Stromberg Walker, 1968 - Всего страниц: 296 The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. ix
... true , nineteenth century writers certainly found repose in no single style , but had to experiment constantly . If it is true that each generation is impelled to assert its individuality , and each individual his uniqueness , it was ...
... true , nineteenth century writers certainly found repose in no single style , but had to experiment constantly . If it is true that each generation is impelled to assert its individuality , and each individual his uniqueness , it was ...
Стр. 26
... true world which science reveals to us is much superior to the fantastic world created by the imagination . Had one dared the human spirit to conceive of more astonishing marvels , had one freed it from the limitations which fulfillment ...
... true world which science reveals to us is much superior to the fantastic world created by the imagination . Had one dared the human spirit to conceive of more astonishing marvels , had one freed it from the limitations which fulfillment ...
Стр. 247
... true to some extent , but it is not completely true . It communicates in its own manner , and by the means which are appropriate to it . In music , as in painting and even in the written word , which is the most explicit of the arts ...
... true to some extent , but it is not completely true . It communicates in its own manner , and by the means which are appropriate to it . In music , as in painting and even in the written word , which is the most explicit of the arts ...
Содержание
The disenchantment of 1848 Alexander Herzen From | 1 |
The continuing march of science David Masson Recent | 10 |
The decadence Holbrook Jackson The Eighteen | 24 |
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aristocratic artist asked Baudelaire beauty bourgeois called century Charles Baudelaire civilization Commune cried criticism decadence dream Edouard Manet Ernest Renan existence eyes fact feeling Flaubert force France French German girl student Goncourt hand head human idea ideal impressionists intelligence John Ruskin Ladies and gentlemen lame teacher Liputin literary literature live look Lyamshin Madame Bovary Mallarmé means mind modern morality mystery National Guards nature Nietzsche novel Oscar Wilde painters painting Paris Parnassian Paul Verlaine perhaps poet poetry political quantitative question realism repression republic revolution Richard Wagner Ruskin scientific seemed Shigalyov shouted social society sort soul Stavrogin Stéphane Mallarmé stupid symbolist Tannhäuser Théophile Gautier things thought tion translation understand unintelligible universal suffrage Verkhovensky Versailles Virginsky Voltaire Wagner Walter Bagehot woman women words writers Zola