Lectures on the Literature of the Age of Elizabeth: And Characters of Shakespear's PlaysGeorge Bell, 1890 - Всего страниц: 515 |
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Стр. 22
... Lear is founded on an old ballad ; Othello on an Italian novel ; Hamlet on a Danish , and Macbeth on a Scotch tradition : one of which is to be found in Saxo - Grammaticus , and the last in Hollinshed . The Ghost - scenes and the ...
... Lear is founded on an old ballad ; Othello on an Italian novel ; Hamlet on a Danish , and Macbeth on a Scotch tradition : one of which is to be found in Saxo - Grammaticus , and the last in Hollinshed . The Ghost - scenes and the ...
Стр. 74
... Lear and Kent , only much weakened : and the interview between Antonio and Mellida has a strong resemblance to the still more affecting one between Lear and Cordelia , and is most wantonly disfigured by the sudden introduction of half a ...
... Lear and Kent , only much weakened : and the interview between Antonio and Mellida has a strong resemblance to the still more affecting one between Lear and Cordelia , and is most wantonly disfigured by the sudden introduction of half a ...
Стр. 100
... . " * This is a good deal borrowed from Lear ; but the in- most folds of the human heart , the sudden turns and * [ Ubi suprà , pp . 109-10 . ] windings of the fondest affection , are also laid open 100 Webster's " Vittoria Corombona . "
... . " * This is a good deal borrowed from Lear ; but the in- most folds of the human heart , the sudden turns and * [ Ubi suprà , pp . 109-10 . ] windings of the fondest affection , are also laid open 100 Webster's " Vittoria Corombona . "
Стр. 244
... Lear is not classical ; for he is a poor crazy old man , who has nothing sublime about him but his afflictions , and who dies of a broken heart . : 6 " Schlegel somewhere compares the furies of Eschy- lus to the witches of Shakspeare ...
... Lear is not classical ; for he is a poor crazy old man , who has nothing sublime about him but his afflictions , and who dies of a broken heart . : 6 " Schlegel somewhere compares the furies of Eschy- lus to the witches of Shakspeare ...
Стр. vii
... . 81 89 95 < LEAR 108 • " RICHARD II . VHENRY IV . , PART I. AND II . 126 133 . HENRY V. 143 . • HENRY VI . , IN THREE PARTS 152 RICHARD III . . 160 HENRY VIII . 167 ✓KING JOHN 171 } J. PAGE TWELFTH NIGHT ; OR , WHAT YOU WILL.
... . 81 89 95 < LEAR 108 • " RICHARD II . VHENRY IV . , PART I. AND II . 126 133 . HENRY V. 143 . • HENRY VI . , IN THREE PARTS 152 RICHARD III . . 160 HENRY VIII . 167 ✓KING JOHN 171 } J. PAGE TWELFTH NIGHT ; OR , WHAT YOU WILL.
Другие издания - Просмотреть все
Lectures on the Literature of the Age of Elizabeth: And Characters of ... William Hazlitt Полный просмотр - 1884 |
Lectures on the Literature of the Age of Elizabeth: And Characters of ... William Hazlitt Полный просмотр - 1905 |
Lectures on the Literature of the Age of Elizabeth, and Characters of ... William Hazlitt Полный просмотр - 1870 |
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¹ Act admiration affections Beaumont and Fletcher beauty Ben Jonson breath Cæsar Caliban character comedy comic Coriolanus CYMBELINE death dost doth dramatic Duke edition Endymion English Eumenides eyes Falstaff fancy fear feeling fool friends genius give grace hand hast hath heart heaven Hecate Henry History honour Hubert human Iago Ibid imagination Jonson Julius Cæsar king kiss Lear live look lord Macbeth Malvolio manner Memoir Midsummer Night's Dream mind moral nature never night noble Notes Othello passages passion person play pleasure poem poet poetical poetry Portrait pride prince printed Prose quincunxes Regan Richard Richard III scene seems sense sentiment Shakespear sleep soul speak spirit story striking style sweet thee things thou art thought tion Titus Andronicus tragedy Trans Translated true truth unto vols Woodcuts words writers youth