REYNOLDS, advantage of that acquaintance to Sir Joshua ... Mr. Burke's sentiments on that subject, xxxii. ... appointed President of the Royal Academy, .................... reason of his composing his Lectures or ........................................ an injurious calumny respecting them re- ...................................... present to him from the Empress of Russia, number of pieces exhibited by him at the his eulogy on Mr. Moser, xlvi-xlviii. & n.. ...... remarks thereon, lvii-lx. .............. on his colouring, lx, lxi. & n. account of his painting for the windows in New College Chapel, lxviii—lxx. & n. his landscapes, Ixi. list of his Historical and Miscellaneous ............ his fondness for the Metropolis, lxiii-lxviii. lxxiv. appointed principal Painter to his Majesty, REYNOLDS, presented with the freedom of the Painters' Company, lxxv. his prices for painting portraits, lxxv. compared with Vandyck's, lxxvi. his personal character, lxxvi, &c. ....... account of Portraits of himself, and the ... his love of literature and learned men, lxxxii. .... his simplicity of manners, lxxxi. ..... his turn for humour, and nice observation of ............. his observation of children, lxxxviii. occasion of his deafness, lxxxviii. & n. xcvii. & n. ..... his domestick habits, xcvii, &c. his detestation of modern reformers, cii. by him, cvi, cvii. & n. the last female portrait, cvi. loses the sight of one eye, cvi, cvii. is attacked by a disorder in his liver, cviii, ix. ..... buried in St. Paul's, cx. ............. particulars of the funeral, ex-cxvi. & n. REYNOLDS, his will, cxvii. & n. sale of his pictures, cxviii. & n. ............ Dr. Johnson's and Mr. Burke's eulogies on Dr. J. Warton's encomium on his Discourses, cxxii, cxxiii. & n. Reynolds, John, Sir Joshua's uncle, his portrait of, i. iv. & n. Rockox, portraits of, by Rubens and Vandyck, ii. 325, 326. Romano. See Julio Romano. Rombouts, a good picture by, at Ghent, ii. 258. ......... his excellence in painting Animals, ii. 294. 402. cisms on all his paintings, hereafter particularised. his method. of painting large pictures, ii. 265, ........ his particular excellence in large pictures, ii. ....... his style of painting in the Luxemburgh, on his pictures at Brussels; at the Unshod Carme- Chapel of the Arquebuse Company; his Descent of - Rubens, his Christ's Charge to Peter, ii. 175. his St. Bavon praised, ii. 253.-St. Rock, ii. 258. ........ censurable pictures by, ii. 251. 257. 259. 324. ......... his Chair, at the Academy of Painting, Ant- his Portrait, by himself, ii. 266. 331. 403. ii. 413. iii. 213. different effects of his paintings, in different cir- Rules of Art, implicit obedience to; necesary in young requisite even to works of Genius, i. 155. the reason of them to be considered, i. 281. iii. 33. 171. 182. formed on the works of those who have S Salvator Rosa, his characteristick style, i. 132. Schools of Painting, how to be classed; Roman, Flo- ........ ..... subjects of, i. 97 Dutch, peculiar merits of, ii. 369, &c. iii. 146. Dutch and Flemish; excellencies and defects English; difficulties in the way of establishing, ii. 149. modern Roman; its degeneracy, ii. 150. 233. Schutz, his Martyrdom of St. George, ii. 277. Sculpture; wherein, and in what manner, its principles |