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PREFACE.

CHANGE is the lot of man; and it were folly to repine at that which is one of the conditions on which he holds existence. From the operation of this universal law of Nature, his works are not exempt, any more than himself. I am naturally led to this reflection at the present moment, when I have to perform the duty of introducing to the public the twentieth volume of this Miscellany. During the twenty years of its career, this work has partaken of that character of change which attaches to all human things. Born in helplessness, it soon started into adolescence, and advanced from youth to manhood; and I fear no contradiction, when I assert that, in these different stages of its existence, the professed aim and object of this publication—to amuse the mind, to improve the heart, to cultivate the purest affections, to encourage the highest and holiest feelings of our nature-have never been lost sight of.

But if the pervading spirit and principle continue the same, how different the agents! How many of those to whose aid the earliest volumes of this Annual were indebted have passed, mostly in the flower of their age, to "that undiscovered country from whose bourne no

traveller returns!" how many others have retired from the field of literature to the more productive labours of practical pursuits! Almost a new generation occupies the theatre of life.

It were in vain to deny that in another respect a change has taken place, by which this publication, like all the rest of its class, has been deeply affected. Whether through fashion, caprice, or the positive demerits of some of those new competitors which started each succeeding year in the race of imitation, and mostly broke down in their first course, certain it is that the Annuals, from especial favourites of the public, have come to be regarded almost with indifference. There may be other causes for this change besides those to which I have just adverted; but it might not be prudent to investigate them too closely, for truth is very often like physic-too unpalatable to be retained by the stomach, and of no benefit if rejected by it. In spite, however, of all fluctuations and vicissitudes, through good repute and evil repute, so long as it shall be my lot to stand in the same relation to this work that I have done from its commencement, it shall be my strenuous endeavour, with the aid of those able assistants who have rallied round it, to uphold the character which it early acquired that of being, in point of literary merit, as in age, the first of the Annuals.

In fact, let any one turn over the volumes which compose the series, and I would then challenge him to point out any miscellany containing, within the like

compass, so copious a mine of brilliant gems, so rich a store of compositions of all classes, gay and grave — interesting either by their humour, their pathos, and their information, and which the first living writers might be proud to own.

Of the present volume, individually, little need be said it is before the reader, and will speak for itself. One thing, however, I must not omit, namely, this public expression of the grateful acknowledgments of the publishers to Colonel de Ceva, aide-de-camp to His Majesty the King of the Netherlands. To the liberality of that gentleman they are indebted for the subjects of two of the embellishments, which he permitted to be copied for this work, from paintings in his elegant gallery at the Hague. They are those which have been entitled "Louis XI. at Plessis-les-Tours," and "The Surprise of Montrose," and to which Miss Lawrance and Allan Cunningham have furnished highlyspirited and characteristic illustrations.

PLATES.

PAGE

1. Inscription Plate. Designed and Engraved by C. RAUCH

2 Ernesta. Painted by G. HERING.

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Engraved by W. H.

Frontispiece.

3. Fort Rouge, Calais. Painted by C. BENTLEY. Engraved

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4. A Scene in Wales. Painted by Lot ISA HAWKINS. En

graved by H. ROLLS

5. Louis XI. at Plessis-les-Tours. Painted by G. WAPPERS.

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7. Rouen, Normandy. Painted and Engraved by R. BRAN

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8. The Dying Knight. Painted by G. CATTERMOLE. Engraved by J. BRAIN

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9. The Surprise of Montrose. Painted by I. I. EECKHOUT. Engraved by C. ROLLS

10. Venice. Painted by J. HOLLAND. Engraved by J.

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