nolds finished my portrait ?' he would have "shifted his trumpet and only took snuff." Gainsborough was equal to an emergency, but could not bring his philosophy to bear on trivial occasions. A conceited sitter, an ill-dressed dinner, a relative visiting him in a hackney coach, disturbed his equanimity; yet when his daughter formed a matrimonial engagement without consulting him, he was calm and collected, unwilling "to have the cause of unhappiness lay upon his conscience." He has been accused of malevolence, but to such a feeling his heart was a stranger. Soon angry, he was soon appeased, and if he was the first to offend, he was the first to atone. 66 Gainsborough's chief excellence consists in the natural grace, the unaffected truth with which he invests his subject. Children at their play, chasing a butterfly, or gathering wild flowers; women returning from a woodland ramble, with mantling cheeks and careless costume; men at their field sports, or taking their morning's ride-these are the designs of his portraits, and in these he stands alone. Able as are his paintings at Dulwich and Hampton Court, it is not only by the pictures of St. Leger and Mrs. Sheridan and Mrs. Tickell that the artist's powers are estimated; in many a stately mansion, in many a shire hall, in many a yeoman's house, portraits not less charming in design, nor less free in execution, look down upon the privileged few, in all their ancestral pride, official dignity, or more retired beauty. And On Gainsborough's landscapes and fancy pictures there is no further need to dwell. They require neither catalogue nor commentator. That hand, as light as the sweep of a cloud, as swift as the flash of a sunbeam,' is known to all. That style of coloring, brilliant, sunny, harmonious, is admired by all. Those sequestred cottage homes, those picturesque peasant children, those market carts and harvest waggons, are loved by all. although Reynolds doubted if Gainsborough looked at nature with a poet's eye, and Fuseli sneeringly said, "posterity will judge whether the name of Gainsborough deserves to be ranked with those of Vandyke, Rubens, and Claude," yet the lovers of sylvan England, like Constable, regard his landscapes with joyous emotion; and, like Sir William Curtis, derive solace from contemplation of those tranquil scenes, even while sickness wrings the brow; feeling that so long as one of these works remains, "earth has still a little gilding left, not quite rubbed off, dishonored, and defaced." Then Margery sprang on my stirrup, And looped up my scarf fringed with orange, In my cap stuck her breast knot,—a favour I kissed her white brow, 'twas as snowy My men loaded carbines, all lighting And looked at their long swords and pistols, Then, doffing my steel cap and favour, I saw they were frowning and cursing- The ostler, he whistles and hisses - Not knowing a prayer more fitting; My men are all scattered and drinking ; Another bent down at a stirrip; All shouting in mirth. Our powder was spent, but we struggled My arm was so stiff and so weary, When all of a sudden old Goring, Scarce three dozen strong, Broke in through the waves of the rabble, She was up in my arms in a moment, The knaves fled like sheep from the butcher, It was noon when we rode into Derby, THE KING AT CHARING CROSS. (RESTORATION). SWING it out from tower and steeple! Now the dark crowds of the people Press and throng as if deep gladness ruled them as the moon the flood; How they scream and sway about-sing and swear, and laugh and flout, As if madness universal fevered the whole nation's blood. Drowsy watchers on the tower start to hear the sudden hour Flags from every turret hung, thousands to the chimneys clung, Closed his book, and joined the rabble, and with shouting strained his throat. Every cooper left his vat-there was sympathy in that; All the shops of Cheap and Ludgate were fast barred for that day ; The red wine that bubbled up left the toper in his cup; And his crutch and staff the cripple in his gladness threw away. Noisy bullies left their dice; tailors leapt up in a trice; The smith's fire upon the forge died in smoulder slowly out; The Protector, in his tomb slumbering till the crack of doom, Might have frowned and slowly wakened at the thunder of that shout. The hot brazier hushed his clamour, throwing by his ponderous hammer : Then the chemist, worn and pale, left the lead that cannot fail- Some were waiting for the gun; some hold ale up to the sun; While the bona roba's eyes, love sparkling, gather lustre from the wine; Thames was all alive with barges, silver prows and blazoned targes, With the matrons' hoods of satin that by thousands glow and shine. There were bullies, thieves, and churls-men from peasants up to earls; Shouting, as their fathers tell them, "Our good king is come again!" Then the tramp of many feet echoes through each lane and street, Lofty belfries reel and rock with the joy-bells' sudden shock Pulsing out fresh peals of "Welcome !" ere the last glad sounds subside. And the prentices all mustered, round each door and penthouse clustered; Close by every window stood maidens veiled in silken hood, Dark crowds down each winding street hurry, for the tramp of feet Now the sword-blades in the sun glitter, as the signal gun Flashes through the flags and pennons and the masts that line the shore; Then fast swinging from each steeple, far above the noisy people, Joy-bells over roof and gable all their thunder music pour. Oh! the horns blew long and loudly, and the kettle-drums throbbed proudly; Fast the dull beat of the drum struggles through the din and hum; Black and heaving roll the crowds, like the tempest-driven clouds, As from out that thunderous silence break the sudden shout and cheer, From the turrets and the roofs; for the sound of coming hoofs Each one listens, like a hunter waiting silent for the deer. For indeed one common soul seemed to animate the whole; You should hear the thunder claps, as the royal banner flaps, |