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Стр. 172
a at Bosola's feet ( stage center ) and gasp , “ Mercy . ” Horne has a note to Phelps : “ All the terrors ( worn [ ? ] and abated by the excess of the original ) are still left here in their genuine tragic force .
a at Bosola's feet ( stage center ) and gasp , “ Mercy . ” Horne has a note to Phelps : “ All the terrors ( worn [ ? ] and abated by the excess of the original ) are still left here in their genuine tragic force .
Стр. 337
Since the husband is killed before he has a chance to appear on stage , this fantasy can be maintained ; it would be hard , however , to put him on stage and give him the appeal that Serafina suggests he had .
Since the husband is killed before he has a chance to appear on stage , this fantasy can be maintained ; it would be hard , however , to put him on stage and give him the appeal that Serafina suggests he had .
Стр. 340
a these scenes are not shown , why these characters are kept out of sight , beyond the fact that the playwright's ambivalence would occasion a different audience reaction from the one he wants if he put them on stage as he suggests them ...
a these scenes are not shown , why these characters are kept out of sight , beyond the fact that the playwright's ambivalence would occasion a different audience reaction from the one he wants if he put them on stage as he suggests them ...
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Содержание
FOREWORD | 3 |
JAMES D SIMMONDS Vaughans Love Poetry | 27 |
ARTHUR W PITTS JR Proverbs as Testimony in Donnes Style | 43 |
Авторские права | |
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action angels appears become beginning believe Buckminster calls century characters Christian comedy course critics dark death drama Dryden early effect Elizabethan England English essay example expression eyes fact feel Fidelia final give hand Harding Heaven Henry hero heroic human idea important John kind King language later least letters light lines literary live London look Lost lover Manly means Milton mind moral nature never night novel Olivia Paradise passage play poem poet poetry present problem proverb provides Puritan question reader reason references Richard says scene seems sense significant soul speaks speech spirit stage Stevens story structure suggests Swift tells things thought tion tradition Trollope true turn University values Vaughan virtue woman York young