Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian CultureCornell University Press, 1993 - Всего страниц: 250 Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility. |
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Стр. 108
... Gaskell's Mary Barton and Ruth Like her contemporary and occasional publisher Charles Dickens , Elizabeth Gaskell was interested in the fallen woman as both a social problem and a literary topos . " Lizzie Leigh , " Gaskell's first ...
... Gaskell's Mary Barton and Ruth Like her contemporary and occasional publisher Charles Dickens , Elizabeth Gaskell was interested in the fallen woman as both a social problem and a literary topos . " Lizzie Leigh , " Gaskell's first ...
Стр. 109
... Gaskell's recurrent ambivalence toward the workers she wants to help is registered here in the use of the word " miserable , " which both blames the workers for a mis- perception and evokes their immiseration . Yet Gaskell also displays ...
... Gaskell's recurrent ambivalence toward the workers she wants to help is registered here in the use of the word " miserable , " which both blames the workers for a mis- perception and evokes their immiseration . Yet Gaskell also displays ...
Стр. 120
... Gaskell textual inscription and death are becoming figures for each other ; it is for good reason , then , that many have wondered at the proliferation of corpses in the novel.19 Much has been made of the " actual basis " for Gaskell's ...
... Gaskell textual inscription and death are becoming figures for each other ; it is for good reason , then , that many have wondered at the proliferation of corpses in the novel.19 Much has been made of the " actual basis " for Gaskell's ...
Содержание
Social Science and the Great Social Evil | 22 |
SelfReading | 66 |
Agency and Exchange | 141 |
Авторские права | |
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Другие издания - Просмотреть все
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Ограниченный просмотр - 2018 |
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Ограниченный просмотр - 2018 |
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Просмотр фрагмента - 1993 |
Часто встречающиеся слова и выражения
action aesthetic agency Annie anxiety approach argues Aurora Leigh autonomy Barrett Browning Barrett Browning's becomes chapter character Charles Dickens claim communicative conception consciousness constitutes critics critique David Copperfield desire determined Dickens Dickens's discourse discussion Dombey Dombey and Son Dombey's Edith Elizabeth Barrett Browning Elizabeth Gaskell encounter Esther face fall fallen woman feminine feminist fiction figure Gaskell's gender Greg Habermas human ideal identity individual insists insofar intersubjective Jenny Jenny's John Stuart Mill Laclau literary Magdalenism Mary Barton masculine melodrama Mill Mill's moral narrative normative novel perspective poem political poststructuralism poststructuralist precisely prostitute prostitute's purity reading reform relation representation reveals rhetoric of fallenness Romney Romney's Rossetti's Ruth Ruth's scene self-reading selfhood sexual social society speaker Spivak story strategic essentialism Subaltern Studies sympathetic sympathy systemic Tait tension theory transformation Urania Cottage Victorian culture virtue W. R. Greg women writes
Ссылки на эту книгу
The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century ... Patrick Brantlinger Ограниченный просмотр - 1998 |
Gender at Work in Victorian Culture: Literature, Art and Masculinity Martin A. Danahay Недоступно для просмотра - 2005 |