Memoirs of the Musical Drama, Том 1R. Bentley, 1838 - Всего страниц: 464 |
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George Hogarth. Harvard College Library VERI TAS FROM THE BEQUEST OF SAMUEL SHAPLEIGH CLASS OF 1789 LIBRARIAN OF HARVARD COLLEGE 1793-1800 MUSIC LIBRARY MUSICAL DRAMA . VOL . I. MADAME ARA . Armil.
George Hogarth. Harvard College Library VERI TAS FROM THE BEQUEST OF SAMUEL SHAPLEIGH CLASS OF 1789 LIBRARIAN OF HARVARD COLLEGE 1793-1800 MUSIC LIBRARY MUSICAL DRAMA . VOL . I. MADAME ARA . Armil.
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... musical drama in France - Mysteries - Queen of Navarre -Italian opera brought into France - Italian companies in Paris - Isabella Andreini - Lulli - Opera - ballets - Quinault- Fontenelle - La Fontaine - Lulli's music - French singers ...
... musical drama in France - Mysteries - Queen of Navarre -Italian opera brought into France - Italian companies in Paris - Isabella Andreini - Lulli - Opera - ballets - Quinault- Fontenelle - La Fontaine - Lulli's music - French singers ...
Стр. x
... musical pieces - First female performers - Theatre established after the Restoration - Matthew Lock - Psyche -Macbeth - Duchess of Mazarin 110 CHAPTER VI . Dryden- " The State of Innocence ... musical drama in Germany - German CONTENTS .
... musical pieces - First female performers - Theatre established after the Restoration - Matthew Lock - Psyche -Macbeth - Duchess of Mazarin 110 CHAPTER VI . Dryden- " The State of Innocence ... musical drama in Germany - German CONTENTS .
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... musical declamation of the ancient tragedies ; and the chorus of an Italian opera is very analogous , in its functions and connexion with the drama , to the chorus of the Greeks . But the one cannot be said to have been derived from the ...
... musical declamation of the ancient tragedies ; and the chorus of an Italian opera is very analogous , in its functions and connexion with the drama , to the chorus of the Greeks . But the one cannot be said to have been derived from the ...
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... Musical Drama in all those countries where it now flourishes but it was in Italy that it first assumed a distinct form . In that country , the Mystery , or religious tragedy , gradually assumed the shape of the Oratorio , or sacred musical ...
... Musical Drama in all those countries where it now flourishes but it was in Italy that it first assumed a distinct form . In that country , the Mystery , or religious tragedy , gradually assumed the shape of the Oratorio , or sacred musical ...
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accompanied actors actress Addison admiration afterwards Albion and Albanius Alessandro Scarlatti Apostolo Zeno appears applause Aristea audience bass beautiful Burney Caffarelli called celebrated century character charms chorus composer composition court dance death Dryden duet effect England English entertainment excellent expression Farinelli Faustina favour favourite French genius give Gizziello grace Gravina Handel harpsichord Hasse hear honour Hydaspes imitation instruments introduced Italian opera Italy king lady language Leonora Baroni letter lover Lulli manner masque master Megacles melody ment merit Metastasio modern musical drama musician Naples Nicolini oratorio passages passion performed piece play poet poetry Porpora princess produced Purcell Purcell's Queen received recitative Regolo Regulus Rome sang Saverio Mattei says scene Senesino Serp Signora Bulgarini sing singer song speak Spectator spirit stage style sung talents taste theatre theorbo tion tragedy Venice verses Vienna vocal voice William Davenant words write written
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Стр. 212 - I shall say the less of Mr Collier, because in many things he has taxed me justly; and I have pleaded guilty to all thoughts and expressions of mine which can be truly argued of obscenity, profaneness, or immorality, and retract them.
Стр. 76 - One day a great feast was held ; and after dinner the representation of Solomon his Temple, and the coming of the Queen of Sheba, was made, or (as I may better say) was meant to have been made, before their Majesties, by device of the Earl of Salisbury and others.
Стр. 182 - Musick is yet but in its Nonage, a forward Child, which gives hope of what it may be hereafter in England, when the Masters of it shall find more Encouragement. 'Tis now learning Italian, which is its best Master, and studying a little of the French Air, to give it somewhat more of Gayety and Fashion. Thus being farther from the Sun, we are of later Growth than our Neighbour Countries, and must be content to shake off our Barbarity by degrees.
Стр. 77 - Sheba ; but he fell down and humbled himself before her, and was carried to an inner chamber and laid on a bed of state ; which was not a little defiled with the presents of the Queen which had been bestowed on his garments ; such as wine, cream, jelly, beverage, cakes, spices, and other good matters.
Стр. 283 - Phaedra and Hippolitus) for a people to be so stupidly fond of the Italian opera, as scarce to give a third day's hearing to that admirable tragedy ? Music is certainly a very agreeable entertainment, but if it would take the entire possession of our ears, if it would make us incapable of hearing sense, if it would exclude arts that have a much greater tendency to the refinement of human nature...
Стр. 274 - AN opera may be allowed to be extravagantly lavish in its decorations, as its only design is to gratify the senses, and keep up an indolent attention in the audience.
Стр. 173 - Fairest isle, all isles excelling, Seat of pleasures and of loves, Venus here will choose her dwelling And forsake her Cyprian groves. Cupid from his fav'rite nation Care and envy will remove, Jealousy, that poisons passion, And despair that dies for love. Gentle murmurs, sweet complaining, Sighs that blow the fire of love, Soft repulses, kind disdaining, Shall be all the pains you prove.
Стр. 276 - This strange dialogue awakened my curiosity so far, that I immediately bought the opera, by which means I perceived that the sparrows were to act the part of singing birds in a delightful grove ; though, upon a nearer inquiry, I found the sparrows put the same trick upon the audience that Sir Martin Mar-all * practised upon his mistress : for though they flew in sight, the music proceeded from a consort of flageolets and bird-calls, which were planted behind the scenes.
Стр. 106 - CHLORIS! yourself you so excel, When you vouchsafe to breathe my thought, That, like a spirit, with this spell * Of my own teaching, I am caught. That eagle's fate and mine are one, Which, on the shaft that made him die, Espied a feather of his own, Wherewith he wont to soar so high. Had Echo, with so sweet a grace, Narcissus...
Стр. 196 - ... should be as different as the tone or accent of each language ; for otherwise, what may properly express a passion in one language will not do it in another. Every one who has been long in Italy knows very well, that the cadences in the recitativo bear a remote affinity to the tone of their voices in ordinary conversation, • or, to speak more properly, are only the accents of their language made more musical and tuneful.