 | sir Joshua Reynolds - 1801 - Страниц: 450
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - Страниц: 452
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Sir Joshua Reynolds - 1809 - Страниц: 442
...to a high degree of excellence. It is to the credit of his good sense and judgement, that he riever did attempt that style of historical painting, for...studies had made no preparation. And here it naturally ocfcurs to oppose the sensible conduct of Gainsborough in this respect, to that of our late excellent... | |
 | Alexander Chalmers - 1814 - Страниц: 544
...thousand modes of grace unselectecl, but which lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....which his previous studies had made no preparation." Nothing could have enabled Gainsborough to reach so elevated a point in the art of painting without... | |
 | Alexander Chalmers - 1814 - Страниц: 548
...thousand modes of grace unselected, but which lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....high degree of excellence. It is to the credit of his-good sense and judgment that he never did attempt that style of historical painting for which his... | |
 | sir Joshua Reynolds - 1819 - Страниц: 440
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Sir Joshua Reynolds - 1819 - Страниц: 446
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Matthew Pilkington - 1829 - Страниц: 586
...thousand modes of grace unselected, but which lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....credit of his good sense and judgment, that he never attempted that style of historical painting for which his previous studies had made no preparation."... | |
 | Matthew Pilkington - 1840 - Страниц: 794
...modes of ытясe unselected, but which lie open in the multiplied scenes and figures of life, tobe brought out by skilful and faithful observers. Upon...credit of his good sense and judgment, that he never attempted that style of historical painting for which his previous studies had made no preparation."... | |
 | 1847 - Страниц: 436
...regularly edueated, yet prohably it was suggested to him by his own natural sagaeity. It is to the eredit of his good sense and judgment that he never did attempt that style of historieal painting for whieh his previous studies had made no preparation." Gainsborough " was well... | |
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Upon the whole, we may justly say, that whatever he attempted, he carried to a high degree of excellence. It is to the credit of his good sense and judgment, that he never did attempt that style of historical painting, for which his previous studies had... 
