GENERAL INDEX. A ACADEMY, the advantages of, i. 9, 10, 11. Academy Royal, Observations on its foundation, i. 5, 6, 7. peculiar advantages of, i. 10. particulars of the origin of, xxxvii--xl. & n. Accident, how far favourable to Painters, ii. 103: iii. 82 : Action, the principal requisite in a subject for History- Affectation, a hateful quality, i. 111; 258: iii. 133. Agamemnon,-See Timanthes. Albert Durer,-See D. Allegorical Painting, defence of, i. 214. Some by Reu- Amsterdam, Pictures at, ii. 354, 355; 369, 370-The Stadt- Anachronisms in Church-pictures, how far excusable, ii. 314. Analogy of the several Arts; utility to be derived from, ii. III. Angelo Michael,-See M. Antique, the Model to be copied, iii. 48. Antwerp, Pictures at, ii. 277--336. Apollo, Statue of, criticism on, ii. 19, 20. Apostles, Statues of, in St. John Lateran's Church, de Architecture, hints as to the principles of, ii. 136, & seq. tation, &c. Arts, one cannot be engrafted on another, ii, 334. what is the object and intention of them all, i. 142. B BACK GROUND, in Pictures, rules as to, iii. 71; 152; 154, Baroccio, his defect in colouring, iii. 178. Bassano, his excellencies, i. 218.-Sec iii. 207. Basso Relievo, improvement of the Moderns in, ii. 33. the foundation of, i. 59, 60, 61: ii, its varieties, i. 62. of form alone, one great excellence in Sculpture, ii. 16: iii. 113.-See Nature. Bellino, Titian's first Master, Anecdotes of, iii. 204. Bellori, his fanciful Idea of a Painter, iii. 220, &c. his general faults, ii. 27. Bishop's Ancient Statues; an error in, corrected, ii. 200 Bologna, peculiarly worthy the attention of travelling . John de. See Rape of the Sabines. Boucher, Anecdote of, ii. 105. Bourdon, Sebast. his Return of the Ark praised, ii. 168. Bruges, Pictures at, ii. 249--252. Brussels, Pictures at, ii. 259--270. C CANDLE-LIGHT; See Colouring. Caracci, Annibal; his exactness in copying from Models. i. 19. 210. . one of his best Pictures, ii. 387. . his character, iii. 90; 210. Augustino, and Antonio; Anecdotes of, iii. . Lodovico; the excellence of his style, in what i. 122. . his mode of colouring, iii. 155: .. Anecdotes of, iii. 210. Carelessness, discouraged, i. 74. Carlo Dolci, a tolerable picture of his, ii. 388. Carlo Maratti, his opinion as to Drapery, i. 90. Carlo Maratti, his style of painting, artificial, i. 183. his want of capacity, i. 171. his defect in colouring, i. 273. Character, locality of, fault of introducing, i. 103. perfect, unfriendly to Painting and Poetry, ii. Children, Sir J. Reynolds's opinion of their natural grace- Chorus in a Tragedy, Dryden's observations on, iii. 266. Churches, arguments in favour of ornamenting them Cignani, Carlo, his Ascension of the Virgin, condemned, Cologne, Pictures at, ii. 406-409. Colouring, the new method of, noticed, i. lvi, lvii, & n. art of, not to be attained solely by copying, i. 33. . rules with respect to, i. 88: iii. 58, &c.-As cautions as to excellence in, i. 101: iii. 178. essentially requisite in flower-painting, i. 107. ii. 157. |