Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 6
... phrase “ extended her neck " gives a precise feel- ing about Rose and about her relationship to Sal . It's a small , odd , physical action , and others will follow : Sal sat up straight and confident as he poured milk 6 LET THE CRAZY ...
... phrase “ extended her neck " gives a precise feel- ing about Rose and about her relationship to Sal . It's a small , odd , physical action , and others will follow : Sal sat up straight and confident as he poured milk 6 LET THE CRAZY ...
Стр. 14
... phrase in it somewhere could be what you should start with, because it excites your Crazy Child. You stand to write pow- erfully anytime your creative unconscious is engaged. And you'll have fun in the process. Interview An effective ...
... phrase in it somewhere could be what you should start with, because it excites your Crazy Child. You stand to write pow- erfully anytime your creative unconscious is engaged. And you'll have fun in the process. Interview An effective ...
Стр. 19
... phrases are working. Was it the description of his face, or of his jacket, or of how he was moving? It's to your advantage to ask for verbatim feedback. The workshop should try to recall your exact words. The Author's Job You have an ...
... phrases are working. Was it the description of his face, or of his jacket, or of how he was moving? It's to your advantage to ask for verbatim feedback. The workshop should try to recall your exact words. The Author's Job You have an ...
Стр. 25
... event in much the same way as we see the three - legged dog . The instant we hear the phrase “ three - legged dog , " we automatically imagine the dog standing in such a way that its legs are visible. We can count the legs. 25.
... event in much the same way as we see the three - legged dog . The instant we hear the phrase “ three - legged dog , " we automatically imagine the dog standing in such a way that its legs are visible. We can count the legs. 25.
Стр. 46
... phrases work as hooks . They are hooks because each one is part of a larger picture . Each one suggests some other significant action , or several other actions . Each phrase is a small piece of a jigsaw puzzle . We are curious what ...
... phrases work as hooks . They are hooks because each one is part of a larger picture . Each one suggests some other significant action , or several other actions . Each phrase is a small piece of a jigsaw puzzle . We are curious what ...
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Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words