Explaining Creativity: The Science of Human InnovationOxford University Press, 19 янв. 2006 г. - Всего страниц: 368 Explaining Creativity is an accessible introduction to the latest scientific research on creativity. In the last 50 yearss, psychologists, anthropologists, and sociologists have increasingly studied creativity, and we now know more about creativity that at any point in history. Explaining Creativity considers not only arts like painting and writing, but also science, stage performance, and business innovation. Until about a decade ago, creativity researchers tended to focus on highly valued activities like fine art painting and Nobel prize winning science. Sawyer brings this research up to date by including movies, music videos, cartoons, videogames, hypertext fiction, and computer technology. For example, this is the first book on creativity to include studies of performance and improvisation. Sawyer draws on the latest research findings to show the importance of collaboration and context in all of these creative activities. Today's science of creativity is interdisciplinary; in addition to psychological studies of creativity, Explaining Creativity includes research by anthropologists on creativity in non-Western cultures, and research by sociologists about the situations, contexts, and networks of creative activity. Explaining Creativity brings these approaches together within the sociocultural approach to creativity pioneered by Howard Becker, Mihaly Csikszentmihalyi and Howard Gardner. The sociocultural approach moves beyond the individual to consider the social and cultural contexts of creativity, emphasizing the role of collaboration and context in the creative process. |
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Стр. 9
... retirement, he stayed in touch with those Master of Fine Arts (MFA) students from the early 1960s as they pursued their careers as artists. These studies resulted in the 1976 9 Conceptions of Creativity Chapter 2 Conceptions of Creativity.
... retirement, he stayed in touch with those Master of Fine Arts (MFA) students from the early 1960s as they pursued their careers as artists. These studies resulted in the 1976 9 Conceptions of Creativity Chapter 2 Conceptions of Creativity.
Стр. 10
... careers. In the 1980s and 1990s, Dr. Csikszentmihalyi continued his studies of creativity, and helped to found the scientific approach that I call the sociocultural Figure 2.1. Mihaly Csikszentmilhalyi mountain climbing in Colorado in ...
... careers. In the 1980s and 1990s, Dr. Csikszentmihalyi continued his studies of creativity, and helped to found the scientific approach that I call the sociocultural Figure 2.1. Mihaly Csikszentmilhalyi mountain climbing in Colorado in ...
Стр. 20
... career—even though visual artists have never been known for their verbal skills (see chapter 10). Contemporary artists who simply paint or sculpt because they enjoy the process, or artists who just paint images that look cool to them ...
... career—even though visual artists have never been known for their verbal skills (see chapter 10). Contemporary artists who simply paint or sculpt because they enjoy the process, or artists who just paint images that look cool to them ...
Стр. 28
... career writing such music, inventing and constructing his own unique instruments to perform his compositions (see chapter 12). Certainly no one would disagree with the novelty of this work, nor that it failed to satisfy criteria of ...
... career writing such music, inventing and constructing his own unique instruments to perform his compositions (see chapter 12). Certainly no one would disagree with the novelty of this work, nor that it failed to satisfy criteria of ...
Стр. 29
... careers are characterized by first discovering a new style and then continuing to explore that style, for years or even decades. Many popular bands continue to play in the same familiar style for their entire careers. In both painting ...
... careers are characterized by first discovering a new style and then continuing to explore that style, for years or even decades. Many popular bands continue to play in the same familiar style for their entire careers. In both painting ...
Содержание
37 | |
Contextualist Approaches | 115 |
Artistic Creativity | 175 |
Everyday Creativity | 261 |
Epilogue | 315 |
References | 319 |
Index | 347 |
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19th century actors argued art world Artificial creators artists associated ativity audience began believe brain can’t career chapter cognitive collaborative complex composed conceptions of creativity conventions convergent thinking created creative domain creative process creative products creativity myths creativity requires creativity research Csikszentmihalyi culture culture’s developed divergent thinking doesn’t electronica emerge emphasize evaluation everyday example experience explain creativity explanation of creativity field Figure focus genius genres hard historical historiometric human idea important improvisation incubation individual innovation inspiration installation art jazz learned mental illness mini-insights modern musicians novel ofthe Organ original outsider art Pablo Picasso painters painting performance personality psychology Picasso play problem problem-finding psychologists result role Sawyer scientific scientists script selection Simonton social society sociocultural approach song stage story studies of creativity style theater theory there’s they’re thought Thought Experiments tion unique Wham-O writing Xerox PARC