Lawrence Durrell, Postmodernism and the Ethics of Alterity

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Rodopi, 1999 - Всего страниц: 334
Lawrence Durrell, Postmodernism and the Ethics of Alterity is of interest for any reader wishing to explore the interface between literature, and critical and cultural theory. The volume investigates the notions of alterity which underlie the work of Lawrence Durrell and postmodernist theory. The introduction sketches the Levinasian ethics of alterity and re-evaluates Durrell's fiction within the context of postmodernism. For the first time a study calls upon Durrell's later work, especially The Avignon Quintet, to propose an other reading of Durrell. Criticising the notion of the canon and extending the context of a postmodernist ethics of alterity, this reading embraces the alterity of receiving the un(re)ceivable text as the only possibility of reading Durrell's work today. The volume then focuses on the notion of alterity in the context of Durrell's gnostic philosophy, which it compares to postmodernist world views or cosmologies. The resulting critique of alterity is seen as central to defining the relation between postmodernism, as a dominant discourse in contemporary Western culture, and e.g. its postcolonial others. Other aspects of the study are the common concern of postmodernism and Durrell's writings with the other of time and history, or with the time of the event, the notion of an intrinsic alterity in the individual psyche and Durrell's post-identitarian and post-individual Quintet (in the context of contemporary psychoanalytical theories about the subject). The Avignon Quintet has to be understood as a project of cultural translation the colonial politics of which is inscribed into the debate about globalisation, difference and cultural hybridisation. This study criticises the underlying notions of alterity in the Quintet and postmodernisms, it argues instead for an ethics of translation which pluralises the concepts of alterity and language in order to achieve a more positive exchange between postmodernist and postcolonial theories and literatures.

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C
5
II
15
D
52
Durrell Postmodernism
58
IV
123
V
166
Durrell and the Politics
239
Hybridity and the Absence of Translation
277
Durrell
303
C
313
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Стр. 34 - We know now that a text is not a line of words releasing a single 'theological' meaning (the 'message' of the Author-God) but a multidimensional space in which a variety of writings, none of them original, blend and clash.
Стр. 222 - A poet is the most unpoetical of any thing in existence, because he has no Identity — he is continually in for and filling some other Body — The Sun, the Moon, the Sea and Men and Women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute; the poet has none, no identity — he is certainly the most unpoetical of all God's Creatures.
Стр. 34 - We shall never know, for the good reason that writing is the destruction of every voice, of every point of origin. Writing is that neutral, composite, oblique space where our subject slips away, the negative where all identity is lost, starting with the very identity of the body writing.
Стр. 34 - Succeeding the Author, the scriptor no longer bears within him passions, humours, feelings, impressions, but rather this immense dictionary from which he draws a writing that can know no halt: life never does more than imitate the book, and the book itself is only a tissue of signs, an imitation that is lost, infinitely deferred.
Стр. 141 - effective' to the degree that it introduces discontinuity into our very being - as it divides our emotions, dramatizes our instincts, multiplies our body and sets it against itself. 'Effective' history deprives the self of the reassuring stability of life and nature, and it will not permit itself to be transported by a voiceless obstinacy toward a millennial ending. It will up-root its traditional foundations and relentlessly disrupt its pre-tended continuity. This is because knowledge is not made...
Стр. 169 - The fact would seem to be, if in my Situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak...
Стр. 130 - The future can only be anticipated in the form of an absolute danger. It is that which breaks absolutely with constituted normality and can only be proclaimed, presented, as a sort of monstrosity.
Стр. 96 - Man acts as though he were the shaper and master of language, while in fact language remains the master of man.
Стр. 190 - Yes, one day I found myself writing down with trembling fingers the four words (four letters! four faces!) with which every story-teller since the world began has staked his slender claim to the attention of his fellow-men. Words which presage simply the old story of an artist coming of age. I wrote: "Once upon a time . . ." And I felt as if the whole universe had given me a nudge!
Стр. 53 - If, as individuals, we now occupy 'roles' rather than 'selves', then the study of characters in novels may provide a useful model for understanding the construction of subjectivity in the world outside novels. If our knowledge of this world is now seen to be mediated through language, then literary fiction (worlds constructed entirely of language) becomes a useful model for learning about the construction of 'reality

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