Acts of War: The Representation of Military Conflict on the British Stage and Television Since 1945Tony Howard, John Stokes Scolar Press, 1996 - Всего страниц: 203 For fifty years the theatre, followed by television drama, has explored the myths and the consequences of the states of war which have loomed in the background of British life. This survey shows how succeeding generations of British playwrights have recognised war as a determining presence in the political consciousness of the nation. In their treatment of military conflict dramatists invariably find themselves engaging with underlying issues of class, of gender and of political authority. |
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Стр. 63
... characters in The Dark River : Most of the people in this country seem to refuse to believe that there's going to be a war - and if there is they think it won't be any different from the last one . Their eyes are fixed on the past ...
... characters in The Dark River : Most of the people in this country seem to refuse to believe that there's going to be a war - and if there is they think it won't be any different from the last one . Their eyes are fixed on the past ...
Стр. 71
... characters can escape from the realities of war and its aftermath , not least because Ackland insists on bringing its effects into the heart of the club . Ackland achieves this through two characters : Michael Crowley , ' an artist who ...
... characters can escape from the realities of war and its aftermath , not least because Ackland insists on bringing its effects into the heart of the club . Ackland achieves this through two characters : Michael Crowley , ' an artist who ...
Стр. 74
... characters are ' seemingly doomed to repeat the same discordant refrain'.30 Because of this , Ackland seems to give more weight to the one character , Nigel , who does begin to break out of the circle which surrounds all the characters ...
... characters are ' seemingly doomed to repeat the same discordant refrain'.30 Because of this , Ackland seems to give more weight to the one character , Nigel , who does begin to break out of the circle which surrounds all the characters ...
Содержание
Ballet Beauty and the Representation of Battle | 27 |
Representations | 45 |
Rodney Acklands The Pink Room | 61 |
Авторские права | |
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Часто встречающиеся слова и выражения
Absolute Hell Ackland actor army atomic audience Barker's play battle Birmingham Royal Ballet Bite Bond Bond's Britain British characters comedy Common Chorus conflict confront cultural Curteis dance Dark River death documentary drama dramatised Dresden essay experience Falklands Falklands Play Falklands War film gender genre German given after quotations Green Table Greenham Harrison Helen hero Hiroshima human ideology Joan Littlewood John Jooss killed later lives London look Lovely Lovely War MacColl male memory metaphor Methuen military missiles Monocled Mutineer mother myth nuclear apocalypse nuclear bomb Peace Peace Play performed Peter Pink Room playwright political post-war present Priestley production Robert Rodney Ackland role Royal Court Royal Court Theatre Savage scene Second World sense Sink the Belgrano social soldier stage television Theatre Workshop theatrical Tony Tony Harrison trilogy Troy Tumbledown University of Warwick violence wartime West End Woman women Wood's writing
Ссылки на эту книгу
The Cambridge History of British Theatre, Том 3 Jane Milling,Peter Thomson,Baz Kershaw,Joseph Walter Donohue (Jr.) Недоступно для просмотра - 2004 |