Four and Twenty MindsThomas Y. Crowell Company, 1922 - Всего страниц: 324 |
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Стр. 8
... understand Dante - and cer- tain scholars took offense at this simple state- ment of fact . Yet if they would ... understanding of Dante . Critics in general study Dante just as they might study an obscure mock- heroic poet or an ...
... understand Dante - and cer- tain scholars took offense at this simple state- ment of fact . Yet if they would ... understanding of Dante . Critics in general study Dante just as they might study an obscure mock- heroic poet or an ...
Стр. 8
... understand Dante - and cer- tain scholars took offense at this simple state- ment of fact . Yet if they would ... understanding of Dante . Critics in general study Dante just as they might study an obscure mock- heroic poet or an ...
... understand Dante - and cer- tain scholars took offense at this simple state- ment of fact . Yet if they would ... understanding of Dante . Critics in general study Dante just as they might study an obscure mock- heroic poet or an ...
Стр. 9
... understand the Divine Comedy lies in the limited nature of the ideas regarding Dante which have been held by certain very intelligent men . Some , like Car- lyle , have seen in him a prophet ; some , like Mazzini , an apostle of Italian ...
... understand the Divine Comedy lies in the limited nature of the ideas regarding Dante which have been held by certain very intelligent men . Some , like Car- lyle , have seen in him a prophet ; some , like Mazzini , an apostle of Italian ...
Стр. 11
... understand the significance of this act of his we must realize that his idea of divine vicarage was very differ- ent from that represented by the Roman tra- dition . The Catholic church was primarily a continuation of the apostolic ...
... understand the significance of this act of his we must realize that his idea of divine vicarage was very differ- ent from that represented by the Roman tra- dition . The Catholic church was primarily a continuation of the apostolic ...
Стр. 22
... understand that the great men of the past are in reality instru- ments of the present , themes on which we may build personality , fragments of olden time through which we may learn to analyze our- selves , dead bodies to which we may ...
... understand that the great men of the past are in reality instru- ments of the present , themes on which we may build personality , fragments of olden time through which we may learn to analyze our- selves , dead bodies to which we may ...
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æsthetic appears ARMANDO SPADINI artist beauty believe Berkeley Berkeley's better body Calderón Carolina Invernizio century Christian color Comedy concepts Cosima Wagner criticism Croce Dante dead death divine Divine Comedy Don Quixote drama dream earth essays expression F. C. S. SCHILLER fact famous Farinelli friends genius GIOVANNI PAPINI give Gulliver's Travels Hamlet Hegel Hegelian human idea individual intuition invented Italian Italy Kwang-tze Leaves of Grass Leonardo less literary living lyric Maeterlinck marvelous means ment merely metaphysical modern moral mystery mystic nature never Nietzsche novel Oriani painting Papini Paul Rée philosopher poems poet poetry pure readers reality reason Remy de Gourmont reveal Sancho seek seems sense Shakespeare sing Soffici songs sought soul Spadini Spencer spirit Swift Tâoism theories things thought tion translation true truth turn understand universal Walt Whitman whole words write
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Стр. 133 - THERE was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years.
Стр. 154 - Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass...
Стр. 141 - I am not the poet of goodness only, I do not decline to be the poet of wickedness also. What blurt is this about virtue and about vice? Evil propels me and reform of evil propels me, I stand indifferent, My gait is no fault-finder's or rejecter's gait, I moisten the roots of all that has grown.
Стр. 140 - Prais'd be the fathomless universe, For life and joy, and for objects and knowledge curious, And for love, sweet love - but praise! praise! praise! For the sure-enwinding arms of cool-enfolding death. Dark mother always gliding near with soft feet, Have none chanted for thee a chant of fullest welcome? Then I chant it for thee, I glorify thee above all, I bring thee a song that when thou must indeed come, come unfalteringly.
Стр. 158 - Have we not stood here like trees in the ground long enough? Have we not grovel'd here long enough, eating and drinking like mere brutes? Have we not darken'd and dazed ourselves with books long enough...
Стр. 153 - I do not despise you priests, all time, the world over, My faith is the greatest of faiths and the least of faiths, Enclosing worship ancient and modern and all between ancient and modern, Believing I shall come again upon the earth after five thousand years...
Стр. 150 - From this hour I ordain myself loos'd of limits and imaginary lines, Going where I list, my own master total and absolute, Listening to others, considering well what they say, Pausing, searching, receiving, contemplating, Gently, but with undeniable will, divesting myself of the holds that would hold me.
Стр. 136 - Now I am terrified at the Earth! it is that calm and patient, It grows such sweet things out of such corruptions...
Стр. 140 - When it is so, when thou hast taken them I joyously sing the dead, ; Lost in the loving floating ocean of thee, Laved in the flood of thy bliss O death.
Стр. 132 - And these tend inward to me, and I tend outward to them, And such as it is to be of these more or less I am, And of these one and all I weave the song of myself.