183 HAYES (William and Philip), Catalogue of their Compositions, etc., both Published and in MS., now in possession of their descendant A. M. Broadley. Bridport, for private circulation only, 1900. 8vo, wrappers, 5s.

184 HAYES. A Collection of 5 Anthems by them. Novello, [1914]. Roy. 8vo. cloth, 2s. 6d.

185 HELMHOLTZ (Dr. Hermann), On the Sensations of Tone as a Physiological Basis for the Theory of Music. Translated with Notes and an Appendix, by A. J. Ellis. 1875. 8vo, cloth, 12s. 6d.

186 HELMORE (Rev. T.), A Manual of Plain Song: containing a brief Directory of the Plain Song used in the Morning and Evening Prayer, Litany and Holy Communion, together with the Canticles and Psalter Noted. 1850. Large 8vo, with music, cloth, 6s.

187 HILL (James), The Choral Service, as used in the Parish Church of Leeds: arranged for the Priest and Choir. Revised by R. S. Burton and Vincent Novello. Leeds, [1848]. 8vo, wrappers, 3s. 6d.

188 HIMMEL (F. H.), Fanchon das Leyermaedchen, von A. v. Kotzebue. Clavier Auszug. Hamburg, [1805 ?]. Obl. folio, words and music engraved, 8s. 6d.

This was Himmel's most successful opera.

189 HIPKINS (A. J.), Musical Instruments, Historic, Rare, and Unique. London, 1921.

Folio, with 48 plates in

colours, drawn by William Gibb, cloth, £1 1s.

The instruments described comprise many specimens from the Loan Collection exhibited at the Royal Albert Hall in 1885.

190 HOLMES (E.), The Life of Mozart, including his correspondence. 1845. 8vo, musical illustrations, cloth, 68.

191 HOOK (James), A Manuscript Volume of Canons, Fugues, Rondos, subjects for trios, etc., etc., entirely in the autograph of James Hook, dated Novr. Decr. 1816; a MS. FULL SCORE of "Ah well a day,-Mrs. Bland," signed and dated May 8th, 1815, and other MS. music in his hand is inserted. Oblong 4to, contemporary sheep, £1 5s.

192 HOOK.

The Hermit: written by the late celebrated Dr. Goldsmith, set to music. Adapted for Two Violins, Voice and Harpsichord. Op. XXIV. S. A. & P. Thompson [1782]. Folio, vignette on title, the music and words engraved, 10s. 6d.

193 HOOK. The Hours of Love; a Collection of Sonnets containing Morning, Noon, Evening and Night, properly adapted for the Voice, Harpsicord, Violin, German Flute or Guitar. S. A. & P. Thompson, [abt. 1788]. Obl. folio, the words and music engraved, 88.

194 HOPE (John), Thoughts, in Prose and Verse, started in his walks. Stockton, printed by R. Christopher, 1780. 8vo, half calf, uncut, £1 18.

Contains the verses entitled "The New Brighthelmstone Directory," as well as the prose essay Some thoughts on music and Dancing," etc.

195 HORN (Ferdinand), Six Sonatas pour le Clavecin. Euvre 1st. Welcker, [1770 ?]. Obl. folio, the music engraved, 12s. 6d.

66

196 HORSLEY (Wm.), Audivi Vocem de Cœlo," a Motet. Welsh & Hawes, [1827 ?]. Folio, words and music engraved, presentation copy from the Author, with his MS. inscription, 58.

197 HOWARD (Samuel), A Cantata and English Songs. Walsh, [about 1745]. Folio, words and music engraved, 6s. 6d. 198 HUDSON (Robert), The Myrtle, a Collection of New English Songs for the Violin, German Flute, or Harpsicord. Peter Thompson [abt. 1758.] Folio, words and music engraved, sewed, 78. 6d.

199 HUDSON. The Myrtle, a Collection of Songs sung at Ranelagh. Book 3. C. and S. Thompson, [1767.] Folio, words and music engraved, with a printed list of subscribers, sewed, 78. 6d.

200 HUMPHRIES (J. S.), XII Sonatas for Two Violins ; with a Through Bass for the Harpsichord. Opera prima. Walsh, [abt. 1730]. The 3 parts, folio, the music engraved,

188.

201 HUNT (John, Organist of Hereford), [12] Songs. Cramer, Addison & Beale, [1843]. Folio, wrappers, 68. The songs are by Burns, Herrick, Kirke White, etc.

202 HUSK (W. H.), An Account of the Musical Celebrations on St. Cecilia's Day in the 16th, 17th, and 18th Centuries. To which is appended a Collection of Odes on St. Cecilia's Day. 1857. 8vo, cloth, uncut, 7s. 6d.

203 HYMNS, Carols and Anthems, by Dr. Henry Campion, Mr. Rosimgrave, Wm. Markham, W. Turner, Wm. Bird, M. Wise and others. MANUSCRIPT TRANSCRIPT, (about 1800), written on 103 pages. Sm. obl. 4to, original sheep, with clasp, 158.

204 JACKSON (William, of Exeter), Twelve Canzonets for Two Voices. Op. 9. Printed for the Author [1770 ?] Folio, FIRST EDITION, words and music engraved, UNCUT COPY, sewed, 12s.

205 JACKSON. [Six] Elegies [for three male voices]. Op. III. Muzio Clementi & Co., [abt. 1805]. Folio, words and music engraved, 5s.

206 JACOX (Francis), Bible Music: being Variations, in Many Keys, on Musical Themes from Scripture. London, 1872. 8vo, cloth, 5s.

207 JOHNSTONE (J. A.), Modern Tendencies and Old Standards in Musical Art. [1911.] 8vo, cloth, top edges gilt, 6s.

208 JONES (Rev. William, of Nayland), Ten Church Pieces for the Organ, with Four Anthems in Score. Composed for the Use of the Church of Nayland in Suffolk. Op. 11. London, printed for the Author, [1789]. Folio, the music engraved, half calf, 7s. 6d.

209 JOWETT (Joseph), Musæ Solitariæ.

A Collection of

Original Melodies, adapted to various measures of Psalms and Hymns; with words at length, and a Full Accompaniment for the Piano-Forte or Organ. 1823. 4to, words and music engraved, sewed, 58.

210 KELLER (Godfrey), Rules, or a Compleat Method for attaining to play a Thorough Bass upon the Harpsicord Organ or Arch Lute; together with Variety of proper Lessons & Fuges and the most Jenuin Examples & Explinations of ye several Rules throughout the whole Work to which is added an exact Scale for Tuneing the Harpsicord or Spinnet by the same Author. J. Walsh and J. Hare [about 1717]. Folio, engraved throughout, with music, sewed, £1 10s.

The second work printed in England on musical theory; the first being Locke's.

211 KENDALL (Edward, Organist of Falmouth), Six Voluntaries for the Harpsicord or Organ, by different Masters, never before printed. Longman, Lukey & Co. [1755 ?]. Oblong folio, the music engraved, 4s. 6d.

212 KIRCHENORDNUNG wie es inn des Herren Wolffgangs, Pfalzgraven Bey Rhein . . . Fürsten thumben unnd Landen, biss anhero mit der Christlichen Lehr . . . gehalten worden. Erstlich zu Zwaypruckh, Anno 1557. Und hernacher zu Neuburg an der Thunaw anno 1560 zum andern mal auszgangen und publicirt. Jetzund aber, Durch Philipps Ludwigen, und Johansen, gebrüder, beide Pfaltzgraven bey Rhein . . . widerumb erholet, und in Druck gegeben. Kirchengesarng Teutsch und Lateinisch, davon in Newburgischer und Zweybruckischer gleichförmiger Kirchenordnung meldung geschicht. Gedruckt zu Nürmberg, durch Dieterich Gerlat:, 1570. Two parts in 1 vol. folio, Gothic Letter, titles and some headings printed in red and black, the music printed (square notes), ornamental capitals, and two full-page armorial woodcuts by Virgil Solis, fine copy, marone morocco extra, blind-tooled, gilt edges, rare, £15 15s.

A grand copy of this beautifully printed work, so valuable musically and liturgically. Many of the tunes are in four parts. It is one of the scarcest of the Lutheran service books.

213 KIRKMAN (Jacob, Organist of St. George Hanover Square), A Collection of Six Voluntaries, for the Organ, Harpischord, and Piano Forte. Op. IX. Longman & Broderip, [1790]. Obl. folio, the music engraved, 12s.

The Composer was probably a nephew of Jacob Kirkman the maker of harpsichords and pianofortes, though in Grove's Dictionary he is wrongly identified with him, while Fétis calls him Jean Kirkman."

214 KIRNBERGER (J. P.), Trio, Flauto, Violino con Cembalo. MANUSCRIPT (separate parts), 10 pp. Folio, 10s.

215 KNAPP (William), New Church Melody; being a set of Anthems, Psalms, Hymns, &c. in Four Parts on Various Occasions. To which is added, An Imploration to the King of Kings, wrote by Charles I during his Captivity in Carisbrook Castle, 1648. Together with an Anthem for the Martyrdom of that blessed Prince. London [1753]. 8vo, FIRST EDITION, the words and music engraved (some headlines cut into), old sheep, 158.

Knapp was Parish Clerk of Poole, and most of his tunes are named after neighbouring places in Dorsetshire, though the well-known tune Wareham is here called "Blandford."

216 KRUL (Jan. Harmensz), Minne-Spiegel ter Deugden.-Alcip, en Amarillis, Bly-eynd-spel.-Faustina Blyeindt-Spel.-Celion en Bellinde. Pastorel. Bly-Eyndt-Spel. -Wegh-Wyser ter Deughden. T" Amsterdam, 1639. In 1 vol. 4to, brilliant impressions of the engraved title and 38 engravings, and with the MUSIC of the songs, half vellum, £2 10s. 217 KUNZEN (A. C.), XII Sonatas for the Harpischord. Op. I. John Johnson, [1755 ?]. Obl. folio, title within chippendale border, engraved by Wm. Clark, the music engraved, 10s.

218 LADIES CATCH CLUB.-A Collection of Programmes and Words of Catches and Glees sung at the Subscription Concerts of the Ladies' Catch Club. [Abt. 1793– 96.] In 1 vol. 8vo, old half calf, 12s. 6d.

219 LA MOTTE (Franz), A Solo for the Violin and a Bass for the Harpsichord, or Violoncello. Wm. Forster, [1783 ?]. Folio, the music engraved, 10s.

220 LAMPE (J. F.), A plain and compendious method of teaching Thorough Bass, after the most rational manner. With proper rules for practice. London, 1737. 4to, with 93 engraved plates of music, some folding, half calf, 9s.

221 LAMPE. Songs and Duettos in the Burlesque Opera, call'd The Dragon of Wantley, as performed at the Theatre Royal in Covent-Garden. [Words by Henry Carey.] John Wilcox, 1738. Folio, FULL SCORE, composer's signature on back of titlepage, words and music engraved by B. Cole, half bound, 108.

222 LAMPE. Songs and Duetto's in the Burlesque Opera call'd Margery, being a Sequel to the Dragon of Wantley. John Wilcox, 1739. Large 4to, FULL SCORE, printed title page, words and music engraved on 101 pages, one corner damaged by damp, sewed, £2 2s.

VERY RARE. Not in the British Museum Catalogue of Music.

223 LANGDON (Richard), Twelve Songs and Two Cantatas. Op. IV. Printed for the Author by Messrs. Thompson's, [1770 ?] Folio, FULL SCORE, the words and music engraved, sewed, 18s.

Dedicated to George Pitt, Envoy at Turin. The Composer was successively Organist of Exeter, Ely, Bristol and Armagh Cathedrals.