III.

These were but the externals; and close observers, like Voltaire, did not misinterpret them. Betwixt the slime at the bottom and the scum on the surface rolled the great national river, which, purified by its own motion, already at intervals gave signs of its true colour, soon to display the powerful regularity of its course and the wholesome limpidity of its waters. It advanced in its native bed; every nation has one of its own, which flows down its proper slope. It is this slope which gives to each civilisation its degree and form, and it is this which we must endeavour to describe and measure.

To this end we have only to follow the travellers from the two countries who at this time crossed the Channel. Never did England regard and imitate France more, nor France England. To see the distinct current in which each nation flowed, we have but to open our eyes. Lord Chesterfield writes to his son:

"It must be owned, that the polite conversation of the men and women at Paris, though not always very deep, is much less futile and frivolous than ours here. It turns at least upon some subject, something of taste, some point of history, criticism, and even philosophy, which, though probably not quite so solid as Mr. Locke's, is however better, and more becoming rational beings, than our frivolous dissertations upon the weather or upon whist." 1

In fact, the French became civilised by conversation; not so the English. As soon as the Frenchman quits mechanical labour and coarse material life, even before he quits it, he converses: this is his goal and his

1 Chesterfield's Letters, ii. April 22, O. S., 1751, p. 131. See, for a contrast, Swift's Essay on Polite Conversation.

pleasure. Barely has he escaped from religious wars and feudal isolation, when he makes his bow and has his say. With the Hotel de Rambouillet we get the fine drawing-room talk, which is to last two centuries: Germans, English, all Europe, either novices or dullards, listen to France open-mouthed, and from time to time. clumsily attempt an imitation. How amiable are French talkers! What discrimination! What innate tact With what grace and dexterity they can persuade, interest, amuse, stroke down sickly vanity, rivet the diverted attention, insinuate dangerous truth, ever soaring a hundred feet above the tedium-point where their rivals are floundering with all their native heaviness. But, above all, how sharp they soon have become! Instinctively and without effort they light upon easy gesture, fluent speech, sustained elegance, a charac-' teristic piquancy, a perfect clearness. Their phrases, still formal under Guez de Balzac, are looser, lighter, launch out, move speedily, and under Voltaire find their wings. Did any man ever see such a desire, such an art of pleasing? Pedantic sciences, political economy, theology, the sullen denizens of the Academy and the Sorbonne, speak but in epigrams. Montesquieu's l'Esprit des Lois is also "l'Esprit sur les lois." Rousseau's periods, which begat a revolution, were balanced, turned, polished for eighteen hours in his head. Voltaire's philosophy breaks out into a million sparks. Every idea must blossom into a witticism; people only have

1 Even in 1826, Sydney Smith, arriving at Calais, writes (Life and Letters, ii. 253, 254): "What pleases me is the taste and ingenuity displayed in the shops, and the good manners and politeness of the people. Such is the state of manners, that you appear almost to have quitted a land of barbarians. I have not seen a cobbler who is not better bred than an English gentleman."

flashes of thought; all truth, the most intricate and the most sacred, becomes a pleasant drawing-room conceit, thrown backward and forward, like a gilded shuttlecock, by delicate women's hands, without sullying the lace sleeves from which their slim arms emerge, or the garlands which the rosy Cupids unfold on the wainscoting. Everything must glitter, sparkle, or smile. The passions are deadened, love is rendered insipid, the proprieties are multiplied, good manners are exaggerated. The refined man becomes "sensitive." From his wadded taffeta dressing-gown he keeps pluck-. ing his worked handkerchief to whisk away the moist omen of a tear; he lays his hand on his heart, he grows tender; he has become so delicate and correct, that an Englishman knows not whether to take him for an hysterical young woman or a dancing-master. Take a near view of this beribboned puppy, in his light-green dress, lisping out the songs of Florian. The genius of society which has led him to these fooleries has also led him elsewhere; for conversation, in France at least, is a chase after ideas. To this day, in spite of modern distrust and sadness, it is at table, after dinner, over the coffee especially, that deep politics and the loftiest philosophy crop up. To think, above all to think rapidly, is a recreation. The mind finds in it a sort of

See in Evelina, by Miss Burney, 3 vols., 1784, the character of the poor, genteel Frenchman, M. Dubois, who is made to tremble even whilst lying in the gutter. These very correct young ladies go to see Congreve's Love for Love; their parents are not afraid of showing them Miss Prue. See also, in Evelina, by way of contrast, the boorish character of the English captain; he throws Mrs. Duval twice in the mud; he says to his daughter Molly: "I charge you, as you value my favour, that you'll never again be so impertinent as to have a taste of your own before my face" (i. 190). The change, even from sixty years ago, is surprising.

This is

ball; think how eagerly it hastens thither. the source of all French culture. At the dawn of the century, the ladies, between a couple of bows, produced studied portraits and subtle dissertations; they understand Descartes, appreciate Nicole, approve Bossuet. Presently little suppers are introduced, and during the dessert they discuss the existence of God. Are not theology, morality, set forth in a noble or piquant style, pleasures for the drawing-room and adornments of luxury? Fancy finds place amongst them, floats about and sparkles like a light flame over all the subjects on which it feeds. How lofty a flight did intelligence take during this eighteenth century! Was society ever more anxious for sublime truths, more bold in their search, more quick to discover, more ardent in embracing them? These perfumed marquises, these laced. coxcombs, all these pretty, well-dressed, gallant, frivolous people, crowd to hear philosophy discussed, as they go to hear an opera. The origin of animated beings, the eels of Needham,' the adventures of Jacques the Fatalist, and the question of freewill, the principles of political economy, and the calculations of the Man with Forty Crowns, all is to them a matter for paradoxes and discoveries. All the heavy rocks, which the men who had made it their business, were hewing and undermining laboriously in solitude, being carried along and polished in the public torrent, roll in myriads, mingled together with a joyous clatter, hurried onwards with an ever-increasing rapidity.

1 Needham (1713-1781), a learned English naturalist, made and published microscopical discoveries and remarks on the generation of organic bodies.-TR.

2 The title of a philosophical novel by Diderot.—TR. The title of a philosophical tale by Voltaire.-TR.

There was no bar, no collision; they were not checked by the practicability of their plans: they thought for thinking's sake; theories could be expanded at ease. In fact, this is how in France men have always conversed. They play with general truths; they glean one nimbly from the heap of facts in which it lay concealed, and develop it; they hover above observation in reason and rhetoric; they find themselves uncomfortable and commonplace when they are not in the region of pure ideas. And in this respect the eighteenth century continues the seventeenth. The philosophers had described good breeding, flattery, misanthropy, avarice; they now instituted inquiries into liberty, tyranny, religion; they had studied man in himself; they now study him in the abstract. Religious and monarchical writers are of the same school as impious and revolutionary writers; Boileau leads up to Rousseau, Racine to Robespierre. Oratorical reasoning

formed the regular theatre and classical preaching; it also produced the Declaration of Rights and the Contrat Social. They form for themselves a certain idea of man, of his inclinations, faculties, duties; a mutilated idea, but the more clear as it was the more reduced. From being aristocratic it becomes popular; instead of being an amusement, it is a faith; from delicate and sceptical hands it passes to coarse and enthusiastic hands. From the lustre of the drawingroom they make a brand and a torch. Such is the current on which the French mind floated for two centuries, caressed by the refinements of an exquisite politeness, amused by a swarm of brilliant ideas, charmed by the promises of golden theories, until, thinking that it touched the cloud-palace, made bright by the future,