The Elusive Synthesis: Aesthetics and ScienceA.I. Tauber Springer Science & Business Media, 6 дек. 2012 г. - Всего страниц: 329 The tension between art and science may be traced back to the Greeks. What became "natural philosophy" and later "science" has traditionally been posed as a fundamental alternative to poetry and art. It is a theme that has commanded central attention in Western thought, as it captures the ancient conflict of Apollo and Dionysus over what deserves to order our thought and serve as the aspiration of our cultural efforts. The modern schi sm between art and science was again clearly articulated in the Romantic period and seemingly grew to a crescendo fifty years aga as a result of the debate concerning atomic power. The discussion has not abated in the physical sciences, and in fact has dramatically expanded most prominently into the domains of ecology and medicine. Issues concerning the role of science in modern society, although heavily political, must be regarded at heart as deeply embedded in our cultural values. Although each generation addresses them anew, the philosophical problems which lay at the foundation of these fundamental concerns always appear fresh and difficult. This anthology of original essays considers how science might have a greater commonality with art than was perhaps realized in a more positivist era. The contributors are concerned with how the aesthetic participates in science, both as a factor in constructing theory and influencing practice. The collec tion is thus no less than a spectrum of how Beauty and Science might be regarded through the same prism. |
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Стр. 1
... perspective of the writer . This collection is no less than a spectrum of how art / beauty / aesthetics and science might be regarded through the same prism , and the refracted images are startling for their diversity . But there is ...
... perspective of the writer . This collection is no less than a spectrum of how art / beauty / aesthetics and science might be regarded through the same prism , and the refracted images are startling for their diversity . But there is ...
Стр. 4
... perspective has always been central to it . As holists , embryologists have conceptualized their research aesthetically . Harrison , for instance , looked for the order of development of different parts of the body and established rules ...
... perspective has always been central to it . As holists , embryologists have conceptualized their research aesthetically . Harrison , for instance , looked for the order of development of different parts of the body and established rules ...
Стр. 8
... perspective in art , and his understanding of symbolic forms in different fields as shaping specific " styles of art ... perspective emerged when it did . He viewed it as an " interpretation " of space in art , rather than a " natural ...
... perspective in art , and his understanding of symbolic forms in different fields as shaping specific " styles of art ... perspective emerged when it did . He viewed it as an " interpretation " of space in art , rather than a " natural ...
Стр. 9
... perspective is pursued by Alicia Faxon , who reviews these matters from the perspective of an art historian . She grapples with how the traditional intersection between science and painting is blurred in a post - modern aesthetic , and ...
... perspective is pursued by Alicia Faxon , who reviews these matters from the perspective of an art historian . She grapples with how the traditional intersection between science and painting is blurred in a post - modern aesthetic , and ...
Стр. 14
... perspective , Darwin's metaphors are hardly ornamental . Rather , I will argue they play important cognitive and emotional roles in the transition between Darwin's understanding of natural phenomena and his logically structured ...
... perspective , Darwin's metaphors are hardly ornamental . Rather , I will argue they play important cognitive and emotional roles in the transition between Darwin's understanding of natural phenomena and his logically structured ...
Содержание
1 | |
ROBERT S ROOTBERNSTEIN The Sciences and Arts Share | 49 |
HOLMES Beautiful Experiments in the Life Sciences | 83 |
MICHAEL LYNCH and SAMUEL Y EDGERTON JR Abstract | 103 |
SAHOTRA SARKAR Form and Function in the Molecularization | 152 |
JAMES W MCALLISTER Scientists Aesthetic Preferences Among | 169 |
False Leads from T S Kuhn | 189 |
LEON CHERNYAK and DAVID KAZHDAN Kant and the Aesthetic | 203 |
The German Tradition | 226 |
ALICIA CRAIG FAXON Intersections of Art and Science to Create | 251 |
Museum Exhibitions | 267 |
TAUBER From Descartes Dream to Husserls Nightmare | 289 |
NAME INDEX | 313 |
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The Elusive Synthesis: Aesthetics and Science: Aesthetics and Science A.I. Tauber Ограниченный просмотр - 1996 |
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abstract aesthetic aesthetic experience Aesthetics and Science artistic astronomers Beagle Beagle Channel beauty Cambridge Cassirer cell century color comma-free code complex concept construction Copernican Copernicus Copernicus's theory criteria Critique Critique of Judgement culture Darwin's discovery Elusive Synthesis embryo embryology emotional empirical entangled bank Essays exhibits experimental expression fact finitude formal function genetics geometric Goethe Goethe's Heidegger Heisenberg holism human idea image processing interpretation intuition ISBN Kant Kant's Kantian Kepler's knowledge Kuhn Kuhn's language linear perspective mathematics meaning Meselson-Stahl experiment modern molecular biology museums natural selection Nietzsche notion object organic organicism Origin painting Panofsky perspective phenomena Philosophy of Science physics postmodern principles problem quantum R.S. Cohen rationality reality Reason replication representation Root-Bernstein science and art scientific scientists sense simplicity space structure style symbolic symmetry Synthese Library Tauber tion tradition understanding University Press visual wedging metaphor York