Walt Whitman's Leaves of GrassOxford University Press, 15 апр. 2005 г. - Всего страниц: 184 As featured in AMC's Breaking Bad, given by Gale Boetticher to Walter White and discovered by Hank Schrader. "I celebrate myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease....observing a spear of summer grass." So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature. The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world. This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines. This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry. |
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Стр. ii
... Entered according to Act of Congress in the year 1855 , by WALTER WHITMAN , in the Clerk's office of the District Court of the United States for the Southern District of New York . Preface AMERICA does not repel the past or what it.
... Entered according to Act of Congress in the year 1855 , by WALTER WHITMAN , in the Clerk's office of the District Court of the United States for the Southern District of New York . Preface AMERICA does not repel the past or what it.
Стр. iii
Walt Whitman David S. Reynolds. Preface AMERICA does not repel the past or what it has produced under its forms or amid other politics or the idea of castes or the old religions .... accepts the lesson with calmness ... is not so ...
Walt Whitman David S. Reynolds. Preface AMERICA does not repel the past or what it has produced under its forms or amid other politics or the idea of castes or the old religions .... accepts the lesson with calmness ... is not so ...
Стр. iv
... past and present events — of the enormous diversity of tempera- ture and agriculture and mines - the tribes of red aborigines — the weather- beaten vessels entering new ports or mak- ing landings on rocky coasts the first settlements ...
... past and present events — of the enormous diversity of tempera- ture and agriculture and mines - the tribes of red aborigines — the weather- beaten vessels entering new ports or mak- ing landings on rocky coasts the first settlements ...
Стр. vi
... past is past . If he does not expose superior models and prove himself by every step he takes he is not what is wanted . The presence of the great- est poet conquers ... not parleying or strug- gling or any prepared attempts . Now he ...
... past is past . If he does not expose superior models and prove himself by every step he takes he is not what is wanted . The presence of the great- est poet conquers ... not parleying or strug- gling or any prepared attempts . Now he ...
Стр. vii
... Past and present and future are not disjoined but joined . The greatest poet forms the consistence of what is to be from what has been and is . He drags the dead out of their coffins and stands them again on their feet .... he says to ...
... Past and present and future are not disjoined but joined . The greatest poet forms the consistence of what is to be from what has been and is . He drags the dead out of their coffins and stands them again on their feet .... he says to ...
Содержание
Leaves of Grass | 1 |
Afterword | 85 |
Reviews of the 1855 Edition of Leaves of Grass | 107 |
Ralph Waldo Emersons Letter to Walt Whitman | 161 |
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African Americans Alfred Tennyson American animals artist b'hoy bard blood body Bowery Boy breath Brooklyn Daily Brooklyn Daily Eagle called child Collected Prose corpse dark death divine doughfaces earth edition of Leaves Emerson Emory Holloway equally eternal expression Extract eyes face feel George Lippard give greatest poet hand head hear heaven human Junius Brutus Booth kosmos Leaves of Grass less lines literature live look lover master mother nation nature neck never night pass passion perfect person poems poetic Poetry and Collected political corruption politics preface present Press quotations Ralph Waldo Emerson readers rest roughs slave sleep Song soul spirit stand stars style things thought transcendentalist Traubel truth verse voice volume wait walk Walt Whitman Whitman in Camden woman women wonderful words writing York York Daily young
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