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A SIGHT IN CAMP IN THE DAYBREAK GRAY AND DIM.

A SIGHT in camp in the daybreak gray and dim,

As from my tent I em rge so early sleepless,

As slow I walk in the cool fresh air the path near by the hospital

tent,

Three forms I see on stretchers lying, brought out there untended

lying,

Over each the blanket spread, ample brownish woolen blanket, Gray and heavy blanket, folding, covering all.

Curious I halt and silent stand,

Then with light ingers I from the face of the nearest the first just ift the blanket;

Who are you elderly man so gaunt and grim, with well-gray'd hair, and flesh all sunken about the eyes?

Who are you my dear comrade?

Then to the second I step- and who are you my child and darling?

Who are you sweet boy with cheeks yet blooming?

Then to the third -a face nor child nor old, very calm, as of beautiful yellow-white ivory;

Young man I think I know you-I think this face is the face of the Christ himself,

Dead and divine and brother of all, and here again he lies.

AS TOILSOME I WANDER'D VIRGINIA'S WOODS.

As toilsome I wander'd Virginia's woods,

To the music of rustling leaves kick'd by my feet, (for 'twas autumn,)

I mark'd at the foot of a tree the grave of a soldier;

Mortally wounded he and buried on the retreat, (easily all could I understand,)

The halt of a mid-day hour, when up! no time to lose yet this sign left,

On a tablet scrawl'd and nail'd on the tree by the grave,

Bold, cautious, true, and my loving comrade.

Long, long I muse, then on my way go wandering,

Many a changeful season to follow, and many a scene of life,

Yet at times through changeful season and scene, abrupt, alone, or in the crowded street,

Comes before me the unknown soldier's grave, comes the inscription rude in Virginia's woods,

Bold, cautious, true, and my loving comrade.

NOT THE PILOT.

NOT the pilot has charged himself to bring his ship into port, though beaten back and many times baffled;

Not the pathfinder penetrating inland weary and long,

By deserts parch'd, snows chill'd, rivers wet, perseveres till he reaches his destination,

More than I have charged myself, heeded or unheeded, to compose a march for these States,

For a battle-call, rousing to arms if need be, years, centuries hence.

YEAR THAT TREMBLED AND REEL'D BENEATH ME. +

YEAR that trembled and reel'd beneath me!

breathed)

Your summer wind was warm enough, yet the air I breathed

froze me,

A thick gloom fell through the sunshine and darken'd me,
Must I change my triumphant songs? said I to myself,
Must I indeed learn to chant the cold dirges of the baffled?
And sullen hymns of defeat?

THE WOUND-DRESSER.

I

An old man bending I come among new faces,

Years looking backward resuming in answer to children,
Come tell us old man, as from young men and maidens that love

me,

(Arous'd and angry, I'd thought to beat the alarum, and urge relentless war,

But soon my fingers fail'd me, my face droop'd and I resign'd myself,

To sit by the wounded and soothe them, or silently watch the

dead ;)

Years hence of these scenes, of these furious passions, these

chances,

Of unsurpass'd heroes, (was one side so brave? the other wat equally brave ;)

Now be witness again, paint the mightiest armies of earth,

Of those armies so rapid so wondrous what saw you to tell us? What stays with you latest and deepest? of curious panics,

Of hard-fought engagements or sieges tremendous what deepest remains ?

2

O maidens and young men I love and that love me,

What you ask of my days those the strangest and sudden your talking recalls,

Soldier alert I arrive after a long march cover'd with sweat and dust,

In the nick of time I come, plunge in the fight, loudly shout in the rush of successful charge,

Enter the captur'd works- yet lo, like a swift-running river they fade,

Pass and are gone they fade-I dwell not on soldiers' perils or soldiers' joys,

(Both I remember well-many the hardships, few the joys, yet I was content.)

But in silence, in dreams' projections,

While the world of gain and appearance and mirth goes on,

So soon what is over forgotten, and waves wash the imprints off the sand,

With hinged knees returning I enter the doors, (while for you up

there,

Whoever you are, follow without noise and be of strong heart.)

Bearing the bandages, water and sponge,

Straight and swift to my wounded I go,

Where they lie on the ground after the battle brought in,
Where their priceless blood reddens the grass the ground,

Or to the rows of the hospital tent, or under the roof'd hospital,

To the long rows of cots up and down each side I return,

To each and all one after another I draw near, not one do I miss,
An attendant follows holding a tray, he carries a refuse pail,
Soon to be fill'd with clotted rags and blood, emptied, and fill'd
again.

I onward go, I stop,

With hinged knees and steady hand to dress wounds,

I am firm with each, the pangs are sharp yet unavoidable,

One turns to me his appealing eyes-poor boy! I never knew

you,

Yet I think I could not refuse this moment to die for you, if that would save you.

3

On, on I go, (open doors of time! open hospital doors!)

The crush'd head I dress, (poor crazed hand tear not the bandage

away,)

The neck of the cavalry-man with the bullet through and through I examine,

Hard the breathing rattles, quite glazed already the eye, yet life struggles hard,

(Come sweet death! be persuaded O beautiful death!

In mercy come quickly.)

From the stump of the arm, the amputated hand,

I undo the clotted lint, remove the slough, wash off the matter and blood,

Back on his pillow the soldier bends with curv'd neck and sidefalling head,

His eyes are closed, his face is pale, he dares not look on the bloody stump,

And has not yet look'd on it.

I dress a wound in the side, deep, deep,

But a day or two more, for see the frame all wasted and sinking, And the yellow-blue countenance see.

I dress the perforated shoulder, the foot with the bullet-wound, Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,

While the attendant stands behind aside me holding the tray and pail.

I am faithful, I do not give out,

The fractur'd thigh, the knee, the wound in the abdomen, These and more I dress with impassive hand, (yet deep in my breast a fire, a burning flame.)

4

Thus in silence in dreams' projections,

Returning, resuming, I thread my way through the hospitals,
The hurt and wounded I pacify with soothing hand,

I sit by the restless all the dark night, some are so young,

Some suffer so much, I recall the experience sweet and sad, (Many a soldier's loving arms about this neck have cross'd and rested,

Many a soldier's kiss dwells on these bearded lips.)

LONG, TOO LONG AMERICA.

LONG, too long America,

Traveling roads all even and peaceful you learn'd from joys and prosperity only,

But now, ah now, to learn from crises of anguish, advancing, grappling with direst fate and recoiling not,

And now to conceive and show to the world what your children en-masse really are,

(For who except myself has yet conceiv'd what your children en-masse really are?)

GIVE ME THE SPLENDID SILENT SUN.

I

GIVE me the splendid silent sun with all his beams full-dazzling, Give me juicy autumnal fruit ripe and red from the orchard, Give me a field where the unmow'd grass grows,

Give me an arbor, give me the trellis'd grape,

Give me fresh corn and wheat, give me serene-moving animals teaching content,

Give me nights perfectly quiet as on high plateaus west of the Mississippi, and I looking up at the stars,

Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturb'd,

Give me for marriage a sweet-breath'd woman of whom I should never tire,

Give me a perfect child, give me away aside from the noise of the world a rural domestic life,

Give me to warble spontaneous songs recluse by myself, for my own ears only,

Give me solitude, give me Nature, give me again O Nature your primal sanities !

[graphic]

These demanding to have them, (tired with ceaseless excitement, and rack'd by the war-strife,)

These to procure incessantly asking, rising in cries from my heart, While yet incessantly asking still I adhere to my city,

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