Musicology and Difference: Gender and Sexuality in Music ScholarshipRuth A. Solie University of California Press, 1993 - Всего страниц: 355 Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony. |
Содержание
Gender and Other Dualities of Music History | 23 |
Difference and Power in Music | 46 |
Barbara Engh | 66 |
Charles Ives and Gender Ideology | 83 |
The Ethnomusicologist as Midwife | 107 |
A Question of Class | 125 |
Elizabeth Wood | 164 |
Reading as an Opera Queen | 184 |
Schwarze Gredel and the Engendered Minor Mode in Mozarts Operas | 201 |
Opera or the Envoicing of Women | 225 |
Brittens Dream | 259 |
Suzanne G Cusick | 281 |
Carnaval CrossDressing and the Woman in the Mirror | 305 |
CONTRIBUTORS 1 | 345 |
Другие издания - Просмотреть все
Musicology and Difference: Gender and Sexuality in Music Scholarship Ruth A. Solie Ограниченный просмотр - 1993 |
Musicology and Difference: Gender and Sexuality in Music Scholarship Ruth A. Solie Ограниченный просмотр - 2023 |
Musicology and Difference: Gender and Sexuality in Music Scholarship Ruth A. Solie Ограниченный просмотр - 1995 |
Часто встречающиеся слова и выражения
Absolute Music aesthetic Alcina American arias artists authority Barthes Barthes's Beethoven Benjamin Britten Brahms Britten Caccini's Carnaval castrato century chant character Charles Ives Clara Schumann composer constructed context conventional critical critique cultural Dahlhaus difference discourse dominant essay Ethel Smyth European farbrengens female feminine Feminism feminist gender genres homosexual Ibid identity ideology Impressions That Remained interpretation isha Ives's Jochanaan's language Lawrence Kramer Leipzig lesbian Lisl Lubavitcher māhū Major male Mapuche masculine masquerade Maynard Solomon McClary meaning Melissa melody minor keys minor mode mirror Mozart musicians musicology narrative nineteenth nineteenth-century notion opera queens performance Peter Grimes pianist piano play political position practice question relationship role Ruggiero Salome Salome's scene Schumann sense sexual singer singing social society sonata song sound speak structure suggest Susan McClary Symphony theme theory tonal tonic tradition trans understand voice woman women writes Yes Yes York