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31. Home.

32. The Emigrant's Farewell.
33. Translation of Elijah.
34. An Evening Walk.
35. The Earthquake.
36. The Volcano.

37. A Winter Landscape.
38. The Sabbath.

39. The Seasons.

40. April Flowers.

41. The Return of Birds.

42. The Rose.

43. The Daisy.
44. The Violet.
45. The Butterfly.
46. The Cuckoo.
47. The Nightingale.
48. The Lark.

49. The Eagle.

50. Rural Pleasures.

51. Omnipresence of God.

52. Seed Time.

53. Harvest.

54. The Forest.

55. Gladness of Nature.

56. Hope beyond the Grave.

57. The Soldier's Return.

58. The Rivulet.

59. A Winter Storm.

60. The Desert.

FINIS.

MURRAY AND GIBB, PRINTERS, EDINBURGH.

ELLIOT'S COMPLETE PRACTICAL COURSE.

In One Vol. 8vo, Price 5s., and illustrated with Diagrams, A Complete Treatise on Practical Geometry and Mensuration. BY JAMES ELLIOT,

MATHEMATICAL TEACHER IN THE EDINBURGH INSTITUTION.

In One Vol. 8vo, Price 6s.,
Key to the above Treatise.

In 8vo, pp. 224, Price 5s., with Diagrams,

A Practical Treatise on Logarithms, and on Plane Trigonometry.

In One Vol. 8vo, Price 3s.,
Key to the last-mentioned Treatise.

ELLIOT'S ELEMENTARY PRACTICAL COURSE.

In 12mo, Price 2s., by Post, 2s. 6d.,
TREATISE ON ALGEBRA.

In 12mo, Price 2s. 6d., by Post, 38.
GEOMETRY AND MENSURATION.

In 12mo, Price 2s. 6d., by Post, 3s.,
ELEMENTARY LOGARITHMS AND TRIGONOMETRY,

The above Three Works in One Volume, Cloth, Price 6s. 6d.

In 12mo, Price 2s., by Post 2s. 6d.,

KEY TO THE TREATISE ON ALCEBRA.

In 12mo, Price 2s. 6d., by Post, 3s.,

KEY TO THE TREATISE ON GEOMETRY AND MENSURATION.

KEY TO THE TREATISE ON LOGARITHMS.

[In the Press.

RAE'S FIRST LESSONS IN ARITHMETIC.

Stereotype edition, enlarged, 18mo, 6d., by Post, 9d., Key, 6d. This Work contains 72 pages of matter, closely but clearly printed, and is the best Elementary Arithmetic in use.

EDINBURGH: SUTHERLAND AND KNOX.
LONDON: SIMPKIN, MARSHALL, AND CO.

RHETORICAL READINGS.

Second Edition, in 12mo, pp. 312, price 2s. 6d., strongly bound,
RHETORICAL READINGS FOR SCHOOLS,

BY WILLIAM M'DOWALL,

INSPECTOR OF THE HERIOT FOUNDATION SCHOOLS, EDINBURGH.

SELECTIONS FROM CRITICAL OPINIONS.

"We have never before seen Rhetorical Readings so well selected. Mr M'Dowall's volume has been compiled with singularly good taste and judg ment, gleaning from the whole range of English literature, ancient and modern, and so mingling gaiety with gravity, poetry with prose, as to call forth by turns all the emotions, and to exercise every faculty. It is a capital School-book, and we confidently recommend it to all our readers who desire to practice themselves, their children, or their pupils, in the most useful, but most neglected, art of reading aloud."-The Critic.

"The selection of passages from the best authors has been made with taste and judgment. Old favourites, it is true, are made to give place to the writers of the day; and the volume is not composed in the usual proportion-onethird Shakspeare, a second third shared between Pope, Dryden, and Milton, and the remainder to the Spectator, Rambler, Parliamentary Debates on the American War, the Revolution of '89, and the Slave Trade. On the contrary, Mr M'Dowall has wisely introduced to his juvenile readers such modern authors as Hare, Carlyle, Alison, Dickens, Sydney Smith, Peel, Keates, Whately, Robert Hall, Longfellow, Jerrold, Cobbett, O'Connell, Basil Hall, &c. We hope to hear that his labours are appreciated."-Educational Times.

"This selection has this great advantage over its predecessors-it consists, for the greater part, of extracts from the works of living writers. The class of books to which it belongs are generally such mere repetitions of each otherthe changes from Brutus and Cassius' to 'The Corsair,' are so very few, that the reader acquires little knowledge of literature from them, and seldom any at all of the literature of our own time. In Mr M'Dowall's book he will not only find a fair collection of more recent 'beauties,' but also obtain clues and openings to the standard works from which they have been culled.”—Athenæum. "Mr M'Dowall's work is intended to facilitate the acquisition of an art much neglected amongst us-the art of reading well. It will be found a useful School-book, and will be substituted in many establishments for Enfield's Speaker, and other similar works of that date, as calculated to afford an introduction to the most eminent among recent and living writers."-Literary Gazette. "A good modern Speaker, the exercises in which are judicious, interesting, and varied. Travels, oratory, morality, politics, poetry, and essay-there is something of everything, and in more than one case very excellent fragments have been drawn from stores not usually ransacked for this purpose. It is indeed an excellent collection."-Atlas.

EDINBURGH: SUTHERLAND AND KNOX.

LONDON: SIMPKIN, MARSHALL, AND CO.

Second Edition, in 12mo, Price 2s., cloth,

A PRACTICAL INTRODUCTION TO ENGLISH COMPOSITION.

PART I.

BY ROBERT ARMSTRONG,

HEAD MASTER, NORMAL INSTITUTION, EDINBURGH.

BOOK I. ON THE SIMPLE SENTENCE.

II. ON THE COMPLEX SENTENCE.

III. ON PUNCTUATION AND DICTATION.

IV. ON SIMPLE NARRATIVE.

PART II. of the Work on the Higher Branches of English Composition is now ready.

OPINIONS OF THE PRESS.

"A book fully answering to its title. It is intended for schools, and will be found, on trial, very useful as a first book. It contains a clear and sufficient account of the construction of sentences, both simple and complex, and of the rules of punctuation; the whole being illustrated by well chosen examples, and followed up by directions for the composition of simple narrative. There is an abundance of exercises under every rule; and as they are all preceded by a model, the pupil will be able to do them without difficulty. But Mr Armstrong has been careful not to make them too easy. Nobody can do them without some attention and thought. They are so adapted to the growing ability and increasing knowledge of the pupil as to insure his improvement, and at the same time rather to interest than dishearten him."-Athenaeum.

"We have carefully examined this new treatise on English composition, and can confidently pronounce it a most valuable addition to the list of school-books on the subject. It is simpler than Parker's or Reid's, and more perspicuous in its arrangement than Cornwall's. A happy consecutiveness characterises the numerous and judicious exercises, fitting them for conducting the learner by the easiest stages to the practice of original composition. The author promises a 'Second Part,' in which he proposes to treat of the higher departments of the subject; and from the specimen he has afforded of his authorship in 'Part First,' we augur well of his future performances."-Montrose Review.

"The author is head master of the Normal Institution, Edinburgh, and evidently possesses in an eminent degree the qualifications necessary to a master of style."-Educational Times.

"We can confidently recommend this admirable little work to schoolmasters and persons engaged in private tuition. It is well conceived, and skilfully executed, and not only forms a valuable addition to the list of our school-books, but may be advantageously studied for improvement in style by many who imagine they have little nothing to learn in the art of composition."-Aber

deen Herald.

or

EDINBURG

LONDO

NOX.

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