Have you reckon'd them for your trade or farm-work? or for the profits of your store? Or to achieve yourself a position? or to fill a gentleman's leisure, or a lady's leisure? Have you reckon'd that the landscape took substance and form that it might be painted in a picture? Or men and women that they might be written of, and songs sung? Or the attraction of gravity, and the great laws and harmonious combinations and the fluids of the air, as subjects for the savans? Or the brown land and the blue sea for maps and charts? Or the stars to be put in constellations and named fancy names? Or that the growth of seeds is for agricultural tables, or agriculture itself? Old institutions, these arts, libraries, legends, collections, and the practice handed along in manufactures, will we rate them so high? Will we rate our cash and business high? I have no objection, I rate them as high as the highest-then a child born of a woman and man I rate beyond all rate. We thought our Union grand, and our Constitution grand, I am this day just as much in love with them as you, Then I am in love with You, and with all my fellows upon the earth. We consider bibles and religions divine-I do not say they are not divine, I say they have all grown out of you, and may grow out of you still, It is not they who give the life, it is you who give the life, Leaves are not more shed from the trees, or trees from the earth, than they are shed out of you. 4 The sum of all known reverence I add up in you whoever you are, The President is there in the White House for you, it is not you who are here for him, The Secretaries act in their bureaus for you, not you here for them, The Congress convenes every Twelfth-month for you, Laws, courts, the forming of States, the charters of cities, the going and coming of commerce and mails, are all for you. List close my scholars dear, Doctrines, politics and civilization exurge from you, Sculpture and monuments and any thing inscribed anywhere are tallied in you, The gist of histories and statistics as far back as the records reach is in you this hour, and myths and tales the same, If you were not breathing and walking here, where would they all be? The most renown'd poems would be ashes, orations and plays would be vacuums. All architecture is what you do to it when you look upon it, (Did you think it was in the white or gray stone? or the lines of the arches and cornices ?) All music is what awakes from you when you are reminded by the instruments, It is not the violins and the cornets, it is not the oboe nor the beating drums, nor the score of the baritone singer singing his sweet romanza, nor that of the men's chorus, nor that of the women's chorus, It is nearer and farther than they. 5 Will the whole come back then? Can each see signs of the best by a look in the looking-glass? is there nothing greater or more? Does all sit there with you, with the mystic unseen soul? Strange and hard that paradox true I give, Objects gross and the unseen soul are one. House-building, measuring, sawing the boards, Blacksmithing, glass-blowing, nail-making, coopering, tin-roof ing, shingle-dressing, Ship-joining, dock-building, fish-curing, flagging of sidewalks by flaggers, [brick-kiln, The pump, the pile-driver, the great derrick, the coal-kiln and Coal-mines and all that is down there, the lamps in the darkness, echoes, songs, what meditations, what vast native thoughts looking through smutch'd faces, Iron-works, forge-fires in the mountains or by river-banks, men around feeling the melt with huge crowbars, lumps of ore, the due combining of ore, limestone, coal, The blast-furnace and the puddling-furnace, the loup-lump at the bottom of the melt at last, the rolling-mill, the stumpy bars of pig-iron, the strong clean-shaped T-rail for railroads, Oil-works, silk-works, white-lead-works, the sugar-house, steam-saws, the great mills and factories, Stone-cutting, shapely trimmings for façades or window or doorlintels, the mallet, the tooth-chisel, the jib to protect the thumb, The calking-iron, the kettle of boiling vault-cement, and the fire under the kettle, The cotton-bale, the stevedore's hook, the saw and buck of the sawyer, the mould of the moulder, the working-knife of the butcher, the ice-saw, and all the work with ice, The work and tools of the rigger, grappler, sail-maker, block maker, Goods of gutta-percha, papier-maché, colors, brushes, brush making, glazier's implements, The veneer and glue-pot, the confectioner's ornaments, the decanter and glasses, the shears and flat-iron, The awl and knee-strap, the pint measure and quart measure, the counter and stool, the writing-pen of quill or metal, the making of all sorts of edged tools, The brewery, brewing, the malt, the vats, everything that is done by brewers, wine-makers, vinegar-makers, Leather-dressing, coach-making, boiler-making, rope-twisting, distilling, sign-painting, lime-burning, cotton-picking, electroplating, electrotyping, stereotyping, Stave-machines, planing-machines, reaping-machines, ploughingmachines, thrashing-machines, steam wagons, The cart of the carman, the omnibus, the ponderous dray, Pyrotechny, letting off color'd fireworks at night, fancy figures and jets ; Beef on the butcher's stall, the slaughter-house of the butcher, the butcher in his killing-clothes, The pens of live pork, the killing-hammer, the hog-hook, the scalder's tub, gutting, the cutter's cleaver, the packer's maul, and the plenteous winterwork of pork-packing, Flour-works, grinding of wheat, rye, maize, rice, the barrels and the half and quarter barrels, the loaded barges, the high piles on wharves and levees, The men and the work of the men on ferries, railroads, coasters, fish-boats, canals; The hourly routine of your own or any man's life, the shop, . yard, store, or factory, These shows all near you by day and night-workman! whoever you are, your daily life! In that and them the heft of the heaviest in that and them far more than you estimated, (and far less also,) in them poems for you and me, In them realities for you and me, gardless of estimation, [sibilities. In them the development good-in them all themes, hints, pos |