The English Language: Its Grammar, History, and Literature, with Chapters on Composition, Versification, Paraphrasing, and PunctuationD.C. Heath & Company, 1887 - Всего страниц: 466 |
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Стр. 3
... gives life and vigour to the other . 2. The Spoken and the Written Language . — Every civilised language had existed for centuries before it was written or printed . Before it was written , then , it existed merely as a spoken language ...
... gives life and vigour to the other . 2. The Spoken and the Written Language . — Every civilised language had existed for centuries before it was written or printed . Before it was written , then , it existed merely as a spoken language ...
Стр. 7
... give eight different sounds to the one symbol ough , as in - bough , cough , dough , hiccough ( = cup ) , hough ( = hock ) , tough , through , thorough . 11. Our Alphabet . - The spoken alphabet of English contains forty - three sounds ...
... give eight different sounds to the one symbol ough , as in - bough , cough , dough , hiccough ( = cup ) , hough ( = hock ) , tough , through , thorough . 11. Our Alphabet . - The spoken alphabet of English contains forty - three sounds ...
Стр. 24
... Give me the plate ; " " If you please , " etc. 7. The Second Personal Pronoun has no distinction of gender . It has the following forms : -- SINGULAR . PLURAL . Nominative Thou You ( or Ye ) . Possessive Thine ( or Thy ) Your ( or Yours ) ...
... Give me the plate ; " " If you please , " etc. 7. The Second Personal Pronoun has no distinction of gender . It has the following forms : -- SINGULAR . PLURAL . Nominative Thou You ( or Ye ) . Possessive Thine ( or Thy ) Your ( or Yours ) ...
Стр. 38
... Give me the book , please ; " Do come back ! " " " ( i ) The Imperative Mood is the pure root of the verb without any inflexion . ( ii ) It has in reality only one person - the second . 15. The Subjunctive Mood is that form of the verb ...
... Give me the book , please ; " Do come back ! " " " ( i ) The Imperative Mood is the pure root of the verb without any inflexion . ( ii ) It has in reality only one person - the second . 15. The Subjunctive Mood is that form of the verb ...
Стр. 41
... give not only the time of an action or event , but also the state or condition of that action or event . This state may be complete or incomplete , or neither — that is , it is left indefinite . These states are oftener called perfect ...
... give not only the time of an action or event , but also the state or condition of that action or event . This state may be complete or incomplete , or neither — that is , it is left indefinite . These states are oftener called perfect ...
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accented adjective adverb amphibrachs Anglo-Saxon Ben Jonson Bible born cæsura called cends the throne century Chaucer comes compound dative dialect died direct object doublet ending England English language English words feminine French words gender German gerund grammar greatest Greek guttural Hence History iambic iambic pentameter Imperative Mood Indefinite Tense infinitive inflexions John Julius Cæsar kind King large number Latin Latin words lines literary literature living London Lord meaning Milton Mood nominative Norman Norman-French oldest English Ormulum participle passive Past Perfect Tense person phrase plural poems poet poetry Pope possessive Predicate Prefixes preposition present pronoun prose prose-writer rhymed Roman root RULE Saxon sentence Shakespeare Singular sound speak speech Spenser spoken striking struck style Subjunctive Mood suffix syllable things thou thought transitive verb translation trochees verb verse write written wrote
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Стр. 234 - Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished! Reply, reply. It is engendered in the eyes. With gazing fed ; and fancy dies In the cradle where it lies. Let us all ring fancy's knell : I'll begin it, — Ding, dong, bell.
Стр. 165 - Your fathers, where are they? and the prophets, do they live for ever?
Стр. 348 - That young lady had a talent for describing the involvements and feelings and characters of ordinary life, which is to me the most wonderful I ever met with. The Big Bow-wow strain I can do myself like any now going ; but the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment, is denied to me.
Стр. 81 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Стр. 328 - ... berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and, perhaps, the establishment of my fame.
Стр. 301 - But little do men perceive what solitude is, and how far it extendeth. For a crowd is not company, and faces are but a gallery of pictures, and talk but a tinkling cymbal, where there is no love.
Стр. 346 - Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
Стр. 328 - But my pride was soon humbled, and a sober melancholy was spread over my mind, by the idea that I had taken an everlasting leave of an old and agreeable companion, and that whatsoever might be the future fate of my History, the life of the historian must be short and precarious.
Стр. 102 - But let me scrape the dirt away That hangs upon your face; And stop and eat, for well you may Be in a hungry case.
Стр. 326 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much; Who, born for the universe, narrowed his mind, And to party gave up what was meant for mankind.