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EIGHTEEN SONNETS.

WITH NOTES.

I.

Eleven!-twelve! the agéd man is gone
With his chill breathing and his frosty hair.

And wreathed around with leaves and blossoms fair,
The New Year with his joyous gait comes on!
Old Year I love you!—they shall never say
I left you ere your death to greet the sun
Uprising o'er the eastern horizon,
Inviting all to bask beneath his ray.
You gave me a dear love whose sunny smile
Has scattered flowers upon my thorny path!
A loving friend of never-changing faith
From coldness free and every thought of guile.
You taught me truth to love, deceit to shun;
Therefore Old Year-my arm to lean upon!

finds courage to exclaim so heroically, "but let that pass," after prospects so flattering as those unfolded at the commencement of this touching soliloquy, must ever command the admiration of the candid reader. The noble sentiment conveyed in the antepenultimate verse of the stanza is only equalled by the calm and dignified tone of resignation in the succeeding couplets. Thus does the great mind bear up against and repel the assaults of adversity and misfortune!

III.

I dreamt, and in my dream the coming time
Was shadowed forth, as when the rising sun
Throws giant like upon the matin rime

The shade of him who makes his orison.

I saw the telegraph amid the clouds
Stretching from place to place without a pole,
And in balloon-ships eager-hearted crowds
Speeding like blooded racers to the goal.
The air was clear, I saw no blinding fogs

That rose before as from a mouldy fen.
The Press was pure, unswayed by demagogues,
The chairs of office boasted honest men.

All things were bright and joyful—I awoke
To other scenes and thoughts-hurrah for Polk!

How the changes of a few years, yea even of a single year, affect that strange and anomalous creature, man! The author has in this slight performance endeavored to record his obligations to the by-gone year. Alas! it has flitted away like the dry leaf of autumn to bury itself in the silent tomb of the Past. Another volume The author here, it will be seen, indulges in of our life is closed: we have turned over a new prophecy, and like all prophets of the present leaf, (though not in the favorable acceptation of day, his predictions are sufficiently striking, if the phrase,) each day, and in spite of the cheer- not very certain of fulfilment. ful expressions made use of in the text, we rise from the perusal scarcely persuaded of any thing save the vanity of human wishes. The Future is before us, but we resolutely turn our eyes upon the Past, seeking for what, alas! we find notconsolation. As the ringing sounds of the midnight bell die away in the frosty air, our thoughts go forth with lightning speed, and finding noth-ved to a large and intelligent audience that the ing but a cheerless void, come back to tell us that all is vexation of spirit.

The author, being in this pitiable state of mind, would call the reader's attention to the following.

II.

I knew a politician warmer far

Than lovers' vows or steaks of eating-house, And "Ah!" I cried, "sure 'tis my lucky star That points where I so freely may carouse, And bid my weary soul with trouble torn,

Like to these elbows and this beaver here,
Eat, drink, enjoy herself, no longer mourn-
Seize on the golden hour withouten fear.
But ah for mortal hopes, alas! alas!

Twas when I had a vote the sun did shine:
I threw it clear away-but let that pass,
Whatever comes no freeborn man should whine,

I did it and was done in Forty-four

And now in Forty-eight I'm done once more!

The Future, however, that bank which fools draw so largely upon without estimating their credit, and wise men invest their substance in, will present the best evidence of his claims on this head.

The telegraph is universally considered a very remarkable affair. As for ourselves we candidly confess that since the evening, when it was pro

learned professor had patented the lightning and a striking quotation from the book of Job on the same subject, since that time we have fully coincided in this opinion, and from not entirely comprehending the theory of this wonderful instrument, have watched in the simplicity of our hearts to see the news go by.

By the means alluded to in the sixth line of the text, the learned professor will hereafter be enabled to stretch his line whither and in whatever manner he pleases without asking leave of any one to plant his poles. If the manner of carrying out this great improvement is not fully explained, we can only regret the fact. We have, further, too much respect for scientific books to reflect upon them in this particular.

A balloon-ship would be a novelty, but many persons doubt the possibility of such a contrivance and assert that any attempt of the sort will fall to the ground or end in smoke. The cast of feeling here, as in the preceding, is These are possible, however, and the time for seen to be decidedly mournful. The man who them like Christmas-may be coming. In the

meanwhile, we will indulge a hope that the world in its rage for morality and improvement will attend to the subject suggested in the lines which follow. The weight is already as great as we can bear, and like the poor criminal who underwent the peine forte et dure, it requires but little more to press us to death.

IV.

Upon a bank of sweetest wild flowers lying
One clear and sunny day in lazy June,
Late in the pleasing, languid afternoon,
I dimly mused and fell asleep in sighing.
Methought I saw a Persian dame of mien
Most beautiful and fairy-like to see,
Straight as an aspen or a poplar tree,
And with the bearing of a gracious queen.
She passed her slender fingers through my hair-
She spoke in dulcet tones of such soft fire,
I thought some murmuring Eolian lyre
Its soul-enchanting notes poured on the air.
I woke, and at my side-no Persian dame !
I rose, and all my cheek was like a flame !

Youth-youth! what to your reckless mind, all confident of the coming years, is the proudest triumph of the grown up man!

How pleasant it is to wander forth in the balmy month of June, when the birds are singing, the green leaves gently moving to the breath of the cooling wind, the river's haze wrapping the distant landscape in a gauzy mantle, from which gleam up the glittering spire of the village church, the snowy sail of a seabound barque, or the lofty peak of a mountain range.

The author turning a deaf ear to the advisers who recommend an abandonment of his stylus for the time, in order that his soul, usurped by gloomy thoughts, may be restored, begs to introduce to the indulgent reader the following:

V.

Far on the sea the mountain billows roar
With thunder-music in their god-like voice,
Making the bold heart leap up and rejoice.
As wrapped in foam they bowl upon the shore,
Like ocean sprites that hold their revelry

Where dolphins sport and sea-birds flit along,
Filling the air with their discordant song
In honor of the raging god of sea-
My bounding soul goes forth and once again
My swift bark is careering onward fast,
Flying before the chill breath of the blast,
And bearing me across the surging main.
But then this blazing fire-these muffins hot,
Who says the sea is best? I say 'tis not!

Here the form of expression is evidently bor-
rowed. In fact the author has closely copied,
but neither wittingly nor willingly, the strong
and striking expression of the curious character
claiming so much attention in King John.
They who have crossed

"The Alps and Appenines

The Pyrenean and the river Po,"

will join at once in the sentiment here expressed. The owner's soul "goes forth upon the sea" and leaps up" to hear the "howling of the billows," the "song of the seagulls" and the "revelry of the Go at noon. Then the flowers are as still as" ocean sprites," but after skimming the breakthough the hand of death were on their fibres, ers and listening in thought to their roaring, the distant wheat reposes like a field of gold in he returns to warm his lower limbs at the chimthe bright sunlight, the birds are at rest, the ney-corner, with the cheerful expression that wholeaves all motionless, and even the school-boy deep in the mysteries of ball and marbles, deserts the play-ground and wanders into the shady wood, where lying on the sod, his hand beneath take. his cheek, his bosom open to the air, he sleeps, and sleeping-dreams. Of whom?

Alas! alas! the season of youth is brief, yea as fleeting as yon thistle down, which floats a moment motionless on air, and then is borne as on the wings of the storm-wind to the yawning waves of the treacherous sea. We were that school boy. Bread and butter was untasted, birch unheeded. Thus through all our youth we slept-and dreamt and at last have awakened. No Persian dame is at our side, neither the reality of that other. Only the shadow, alas! and that even, which we fondly dreamed would dwell in our hearts as the trace of an iron pen on a tomb of adamant, is melting away like the cool mists of summer, which make the morn so delightful, before the rays of the rising sun.

VOL. XV-3

ever may declare these striking objects more attractive, he is constrained, from personal experience, to say that his friend labors under a mis

VI.

Down with the tyrants! 'tis the PEOPLE'S voice
That comes to us in roaring thunder tones,
The lightnings of their wrath from golden thrones
Have hurled the despots, and they shout "Rejoice!
Rejoice for freedom, oh most fair and dear

Who fled from Europe's soil for many a day
And westward to Columbia took her way
To brace all breasts against the tyrant's spear."
Great hearts! whose noble cause thrills all the soul
Much need ye should with indignation join
A holy moderation most divine,

Then shall ye reach the lofty gleaming goal
Whereon your eyes are fixed with ardent hope,
Like Simeon's on the far-extended cope.

In presenting this small poem to the public the author is sorry to say that every critic has a right to examine it with his most fault-finding specta

cles. Milton and other ancient writers, who en- | a touching effect on the heart of the young lady. joyed much popularity in their time, have cele- The Italian word of endearment is here used brated in odes, sonnets and poems, the dawn, in order to give that flowing sound to the rhythm meridian and sunset of liberty. But these great which is found in the old poets, and also as inwriters lived long before the nineteenth century. finitely more ardent and expressive than the They had not examined the glorious sample of common English "dearest." independence unrolled before the world by America, brighter in the tints and more striking in the pattern, if the indulgent reader will allow of the expression, than any ever yet thrown down on the counter of the world.

VIII.

Dumas, when o'er thy gasconading page,

I follow thee through never ending scenes
That gurgle out as from unstopped canteens
The grateful draught-when all the middle age
Comes forth in burnished armor as to say,

"By mighty spell of great enchanter's wand
We come to thee from distant shadow-land
Where long in darkest tombs of dust we lay"-
When Athos, Porthos, Aramis arise

Great, splendid, elegant, with many more,
I wonder at the hugeness of the store,
I'm full of admiration and surprise!
But then those poor dear creditors' demands,
Indeed Mossieu, 'twas shabby at your hands!

The allusion to St. Simeon, in the concluding verse, was suggested by a perusal of Mr. Tennyson's poem on the subject, in which the martyr to be, is represented as standing on the summit of a lofty column, anxiously expecting the moment, which he states to be at a "quarter before twelve," when the angels will come to bear away his soul. Mr. Tennyson being only the "poet of a set," as the "New Timon" declares, and that in a far distant country, the author humbly sugThe late trial of M. Dumas for breach of engests that his candor in acknowledging his obligagement to write for the "Presse" and other gation should be duly appreciated. If he ever dresses Lara in the costume of a "Nomad from the Parisian world, renders this subject of peculiar newspapers, which created so great a sensation in the land of Morn," he will endeavor to be equally interest. plain with the reader.

VII.

Oh, Mary! if a heart that beats for thee,
Thee only, dearest, may thy love procure,
May move thy virgin heart so soft and pure,
So full of love and sweet humanity-
If thou wilt smile on one, whose only store
Is fond affection, jealous care for thee,
To shield thy form from dark adversity
And wear thee in his spirit's inmost core,
Then turn on me thine eyes of liquid light
Give me thy lily hand in mine to press
And thou wilt fill my soul with happiness
My heart carissima! with deep delight.
She turned-her features like the blushing rose-
And placed her dexter thumb upon her nose.

The gesture here alluded to, of placing the right thumb upon the tip of the nose and gently moving the expanded hand in a circular direction, is thought to convey a playful species of satire, and if our memory deceives us not, was often accompanied with the jocular phrase "no you don't though!"

At any rate it appears that in this instance the gesture was only half repulsive, for the fair lady smiled and tripped away so provokingly that we were persuaded to follow.

Notwithstanding the reprehensive terms used in the text, M. Dumas is, in the author's opinion, fully exonerated from the charges of fraud brought against him. What in another man would be fresh of promise is in this great writer a simple defect of memory.

What! shall he whom the Duke of Montpensier has written to by special courier to come and arrange the Spanish marriage, whose doors are besieged by turbaned Turks with missives from the Dey of Tunis to come and hunt the lion with him on the plains of Africa, whom even the great Southern statesman so earnestly entreats to leave Belle France and come to America,-is this great character to bend his lordly mind and eyes to mean accounts with sordid tradesmen ?

We humbly think not. M. Dumas conducted six novels in as many papers at one and the same time, couriers were ready day and night to bear off the glowing sheets to the cavernous presses as they flowed like burning lava from the fiery breast of the great composer, the "Theatre historique," with its immense popularity, was to be supplied with food, and the indefatigable manufacturer, grown pale and thin above the midnight lamp, must go abroad upon the Boulevards or take a trip into the country to recruit his health. Instead of the Boulevard he went to Spain, in place of the fields of Picardy to the deserts of Africa.

The author would recommend the form of address used in this performance as one highly artistic and calculated to move the heart. The allusion to his jealous care to shield her form M. Dumas agreed to write one hundred volfrom the blasts of adversity, though he candidly umes in a given time, he could only write some confesses his entire want of any buckler for the fifty or three score; is M. Dumas then to blame purpose, has often, to our knowledge, produced for the confidence he reposed in his mighty ge

nius, or responsible for the money he has pocketed?

The world must arrive at the irresistible conclusion that the writer is a great genius, and that he overtops his adversaries in matters of finance a thousand cubits.

IX.

Careering onward, queenly in her pride

The maid upon her milk-white palfrey borne,
Seemed like the rosy goddess of the morn
When reining in her coursers eagle-eyed
She shoots her radiant glances o'er the plains.
Above her raven locks a snowy wreath

Of every flower that blossoms on yon heath,
When May comes blooming with the April rains,
Shone like a diadem of pearl and gold!

And in her lily hand the bridal-rein
So closely lay, methought that it was fain
To linger ever, never quit its hold.

But oh disastrous chance! oh villain girth!

Why died not sheep before your wool had birth!

The author regrets to state that the reader, from a perusal of this short effusion, can gain no knowledge of the circumstances as they actually happened. A just regard for historical accuracy entails, however, an explanation. The "milkwhite palfrey," who is subsequently designated as resembling the "eagled-eyed coursers" of the sun, was in reality a grey horse of unexceptionable gait and gentleness of temper, but somewhat deficient in that fiery vigor so happily expressed in the fourth verse. He is further not aware that the young lady was clad with airy grace, or that her fingers were filled with leaves and flowers as the great painter has represented his " "young Aurora." He is still further compelled to state that the aforesaid accident took place in his attempt to assist the young lady to the ground.

The subject is one which, in itself, could not be supposed to interest, but a judicious embellishment has raised it from the mud of commonplace to the niche of poetic dignity.

Thus does the imaginative mind invest even the occurrences of every day life with a poetical coloring!

X.

Fair Mexico! amid the blooming groves
That gem thy radiant and most happy land,
Where joyously the Aztec maiden roves

And weaves of orange flowers a golden band
For her fair brow far purer than their hue

At early morn, when bending toward the ground They sparkie bright bespangled with the dew Like chalices with jewels set aroundMethinks upon thy lofty table lands,

Or on the bright sands of thy gleaming shore, With one whose slightest wishes were command This weary heart might feel at last secure. But then the general's mouth so hugous great! I might's well live contented with my state.

Rabelais, so happily cut out in profile by Mr. Pope, tells us of a certain giant who came near making a meal upon his hero and some pilgrim friars. Mother Goose also, that best of mothers, over whose memory we hang with mingled tears and laughter, relates a pleasing account of a young man called Thumb who met with nearly a similar fate.

We recollect the tremor of affright we experienced on perusing these narrations, and so strong is the force of early impressions, like the brand on the juvenile thief, that our mind has never entirely recovered its equanimity on the subject. This accounts for the sudden reflection which follows the interesting picture drawn by the author's imagination of "I might 's well live contented with my state."

XI.

Strange! that the man exists whose sterile soul
Finds nought of pleasure in the dodal earth,
Nor in the azure waves that grandly roll
Where the great sun will give the morrow birth-
Whose mind, entranced with sordid thirst of gain,
Neglects the vocal groves, the sunset glow
And smiling pity, turns with cold disdain

From the fair scenes that make a heaven below.
When Buena Vista rolled its lurid smoke

The cannon, drawn by oxen, passed me by, Dull beasts, with heads bowed down beneath the yoke Their feet on bleeding hearts that gave no sigh, Behold your image, man of sordid clay!

A lifeless mass bright with no quickening ray!

The moralizing tone is here attempted, though the author is aware with only moderate success. The soliloquy is supposed to be uttered by a pale young gentleman, walking with folded arms by moonlight and reflecting on the rebuff his disinterested affection has received from the refusal of some elderly curmudgeon to bestow on him the hand of his young and wealthy ward.

It does not appear whether there was a necessity for his presence at the remarkable battle, alluded to in the text, or not, as he might have seen in some newspapers an account of it. But the beautiful allusion to the guardian's neck as "beneath the yoke" of avarice, with his feet "on bleeding hearts," his own to wit and that of the young lady, we submit belong entirely to the aforesaid melancholic youth.

How completely are our opinions and feelings colored and moulded by circumstances over which we have no control! Alas! that we resemble so much the bubbles on the shoreless sea of time, cast hither and thither by the surging waves, buffeted by the winds of misfortune and going out at last like a candle burnt to the socket, suddenly, totally,

Into such a train of reflection is the contem- to come in contact with the material earth, her plative mind at all times liable to be led!

XII.

Methought Niagara above thy whirl

I hovered on an angel's airy wings, Cutting the smoky mists that upward curl,

And yielding me to dim imaginings.

"A change came o'er my dream"-in a small boat
Hurled with the speed of lightening to the brink,
I felt my cold heart leap up in my throat,
I see the boiling hell! I die, I sink!
"Awaking with a start," in elbow chair

I find myself so warm and softly lying,
I wonder how, through mighty tracts of air,
The frolic mind, like rapid rail-car flying,
"Played such fantastic tricks," as school-boy may,
Turning and tumbling on a holiday.

Oysters are not the most judicious fare for the evening meal. They frequently superinduce a disposition to violent starts in the sleep, caused by the strange and terrible nature of the individual's dreams. Our bed-fellow has frequently complained of ferocious assaults made upon him in the dead of night, which caused him, as he declared, great suffering. Strange to say we were, on the next morning, totally unconscious of the circumstance.

blue eye dancing with the joy of health, peace, and freedom from that bitter guest experience!

Pass on sweet one! Were I as thou my thoughts would not be now in trembling doubt upon the slippery verge of deep despair. Secure in faith and hope, my heart would rise like holy incense to the gates of heaven, and angels on their snowy wings of light would bear it weary, sad, to Paradise.

Pass on dear one! Thy heart is white and pure. No misty sophistries thy thoughts enmesh, for thou art moulded in the form of truth, and all thy spirit is unclouded yet with the deep gloom of the fast coming years.

Dear little maid! Would that like thine my heart were clear and every leaflet of its tables smooth from the deep traces of my many sins.

Pass on in peace, security; for o'er thy head the guardian angels watch, lest any impious hand should sully what was made so purely fair!

The author, cap in hand, solicits pardon of the reader for the above train of reflection which he can only defend upon the plea that his pen being new-nibbed ran away like a fiery horse.

He would further say that something seemed necessary to restore him to the reader's good Another effect of these edibles is presented opinion after the cold-blooded nature of the above in the above. The mind, like the school-boy performance-which he has translated into verse having a holiday, flies away to the ends of the from the original prose overheard by the author. world, to great waterfalls, tremendous chasms, and-so-forth, amusing itself on the way with "turning and tumbling," as expressed in the text.

We had intended to write a dissertation on this subject which, like Urn Burial and other matters which appear barren, is really full of interest and capable of a great display of learning and research, but in consideration of the fact that the reader is quite as well versed in the causes and results of the phenomenon, we refrain.

XIII.

As down the street she gaily trips along,

Her small feet twinkling like revolving wheels, With joyous spirit caroling a song

Like that which from sweet Philomela steals

I feel within my breast a happiness
Deeper than fathom line and all my heart
Goes forth to meet her, for I do confess
That little form, so lithely fair, is part
Of my own being, and lest Appius

Or any other villian should draw near
To steal the little dove to me so dear-
Hallo! you man there of the omnibus,
In one more year that little maid is mine
And with her cash it is my fate to shine.

XIV.

Before great Balsamo I stand amazed,

His wondrous tricks I view with dread delight
From that great meeting on the "Thunder Height,"
When lion-like he bore the swords that grazed
His dauntless breast, and showed no sign of fear,
To where with Andrée, Rohan, Althoras he poured
The mighty flood of crafty thought deep stored
In his great mind to Satan's only peer.
But when the thought obtrudes this thing did raise
In its degree the storm that round the head
Of Louis Philippe roared, the man who fed
Great Alexander in his youthful days-
We really have no pity for the king

Whose crimes provoked this deep, this bitter sting.

This, as the reader probably guesses, has reference to the well-known "Memoirs of a Physician," by M. Dumas, in which he agitates the questions which are now agitating Europe and presents the world with an account of the sayings and doings of the great magician Cagliostro, otherwise Count Fenix, otherwise Acharat, otherwise Joseph Balsamo. The Count, according to his story, lived many ages, had seen the revoluHow sweet to see the little maiden of fifteen tions of Egypt, the Lower Empire and other summers tripping along, her satchel upon her countries, and was either a great benefactor or a arm, her wimple gathered over her sunny locks great scoundrel-which we are not able to say of waving gold, her delicate feet scarce seeming from the confused notions of the age on these

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