The Literary Works of Sir Joshua Reynolds: First President of the Royal Academy, Том 2T. Cadell, 1835 |
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Стр. 14
... drapery from the figure , in order to give the appear- ance of flying in the air ; — Of making different plans in the same bas - re- lievos ; Of attempting to represent the effects of per- spective : - To these we may add the ill effect ...
... drapery from the figure , in order to give the appear- ance of flying in the air ; — Of making different plans in the same bas - re- lievos ; Of attempting to represent the effects of per- spective : - To these we may add the ill effect ...
Стр. 15
... drapery for the greater part close to the figure ; the folds of which , following the order of the limbs , when- ever the drapery is seen , the eye is led to trace the form and attitude of the figure at the same time . * Some years ...
... drapery for the greater part close to the figure ; the folds of which , following the order of the limbs , when- ever the drapery is seen , the eye is led to trace the form and attitude of the figure at the same time . * Some years ...
Стр. 16
... drapery of those figures , from being disposed in large masses , gives undoubtedly that air of grandeur which magni- tude or quantity is sure to produce . But though it should be acknowledged , that it is managed with great skill and ...
... drapery of those figures , from being disposed in large masses , gives undoubtedly that air of grandeur which magni- tude or quantity is sure to produce . But though it should be acknowledged , that it is managed with great skill and ...
Стр. 17
... drapery in stone must always produce in statues , yet in bas - relievos it is totally different ; those detached parts of drapery the Sculptor has here as much power over as the Painter , by uniting and losing it in the ground , so that ...
... drapery in stone must always produce in statues , yet in bas - relievos it is totally different ; those detached parts of drapery the Sculptor has here as much power over as the Painter , by uniting and losing it in the ground , so that ...
Стр. 20
... drapery , must be sparingly employed . In short , whatever partakes of fancy or caprice , or goes under the denomination of Picturesque , ( however to be admired in its proper place , ) is incompatible with that sobriety and gravity ...
... drapery , must be sparingly employed . In short , whatever partakes of fancy or caprice , or goes under the denomination of Picturesque , ( however to be admired in its proper place , ) is incompatible with that sobriety and gravity ...
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The Literary Works of Sir Joshua Reynolds: First President of the Royal Academy Sir Joshua Reynolds Недоступно для просмотра - 2016 |
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admirable Albert Durer altar ancient Andrea Antwerp appears artist atque attention beauty called Caracci Caravaggio certainly character Christ church colouring composition Correggio defects detto Domenichino Domenico Feti drapery drawing drawn effect excellence expression figures finished Francesco Francis Fresnoy genius Giacomo Giov give grace grandeur Guercino hand head History Bologna History Florence idea imagination imitation invention Jan Steen judgment kind labour Landsc landscape light and shadow likewise look Luca Giordano Ludovico Carracci manner Masaccio master means Michael Angelo mind nature never noble object observed ornament painted Painter passions Paul Veronese perfect perhaps picture Pietro Pietro Perugino Poem Poet Poetry portrait possessed principal produced Prospero Fontana quæ racter Raffaelle Rembrandt represented Rome Rubens Rubens's rules Sculpture shade spectator style taste thing tion Titian true truth ture Vandyck Venice VERSE Virgin whole
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Стр. 131 - The Italian, attends only to the invariable, the great and general ; ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
Стр. 134 - Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom : custom makes, in a certain sense, white black, and black white ; it is custom alone determines our preference of the colour of the Europeans to the .(Ethiopians, and they, for the same reason, prefer their own colour to ours.
Стр. 259 - Nomentanus?" pergis pugnantia secum frontibus adversis componere. non ego avarum cum veto te fieri, vappam iubeo ac nebulonem. est inter Tanain quiddam socerumque Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Стр. 423 - Bid her be all that cheers or softens life, The tender sister, daughter, friend, and wife : Bid her be all that makes mankind adore; Then view this marble, and be vain no more ! Yet still her charms in breathing paint engage; Her modest cheek shall warm a future age. Beauty, frail flower ! that every season fears, Blooms in thy colours for a thousand years.
Стр. 410 - Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Стр. 132 - As we are then more accustomed to beauty than deformity, we may conclude that to be the reason why we approve and admire it, as we approve and admire customs and fashions of dress for no other reason than that we are used to them...
Стр. 403 - A happy genius is the gift of nature : it depends on the influence of the stars, say the astrologers ; on the organs of the body, say the naturalists ; it is the particular gift of heaven, say the divines, both Christians and heathens. How to improve it, many books can teach us ; how to obtain it, none ; that nothing can be done without it, all agree — Tu nihil invita dices faciesve Mintrva.
Стр. 51 - Though I have been led on to a longer digression respecting this great Painter than I intended, yet I cannot avoid mentioning another excellence which he possessed in a very eminent degree ; he was as much distinguished among his contemporaries for his diligence and industry, as he was for the natural faculties of his mind. We are told, that his whole attention was absorbed in the pursuit of his art, and that he acquired the name of Masaccio*, from his total disregard to his dress, his person, and...
Стр. 125 - You would not then have seen an upright figure standing equally on both legs, and both hands stretched forward in the same direction, and his drapery^ to all appearance, without the least art of disposition.
Стр. 128 - ... minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.