The Literary Works of Sir Joshua Reynolds: First President of the Royal Academy, Том 2T. Cadell, 1835 |
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... imitation , but under the direction of the Imagination . In what manner Poetry , Painting , Acting , Gardening , and Architecture , depart from Nature ......... 21 38 60 DISCOURSE XIV . Character of Gainsborough ; his excellencies and.
... imitation , but under the direction of the Imagination . In what manner Poetry , Painting , Acting , Gardening , and Architecture , depart from Nature ......... 21 38 60 DISCOURSE XIV . Character of Gainsborough ; his excellencies and.
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... imitate , or take ideas for the improvement of their own Art from the grand style of Painting , they were not aware that ... imitation ; but they are in reality violating its essential character , by giving a different direction to its ...
... imitate , or take ideas for the improvement of their own Art from the grand style of Painting , they were not aware that ... imitation ; but they are in reality violating its essential character , by giving a different direction to its ...
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... imitation of nature , or mean ambition of pro- ducing a picturesque effect or illusion of any kind , all the grandeur of ideas which this art endeavours to excite , be degraded or destroyed , we may boldly op- pose ourselves to any such ...
... imitation of nature , or mean ambition of pro- ducing a picturesque effect or illusion of any kind , all the grandeur of ideas which this art endeavours to excite , be degraded or destroyed , we may boldly op- pose ourselves to any such ...
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First President of the Royal Academy Sir Joshua Reynolds. C ― Imitation is the means , and not the end , of art : it is employed by the Sculptor as the language by which his ideas are presented to the mind of the spectator . Poetry and ...
First President of the Royal Academy Sir Joshua Reynolds. C ― Imitation is the means , and not the end , of art : it is employed by the Sculptor as the language by which his ideas are presented to the mind of the spectator . Poetry and ...
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... imitation ( for there can be no reason why the countenance should not correspond with the atti- tude and expression of the figure ) , but is mentioned in order to infer from hence , that this frequent deficiency in ancient Sculpture ...
... imitation ( for there can be no reason why the countenance should not correspond with the atti- tude and expression of the figure ) , but is mentioned in order to infer from hence , that this frequent deficiency in ancient Sculpture ...
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admirable Albert Durer altar ancient Andrea Antwerp appears artist atque attention beauty called Caracci Caravaggio certainly character Christ church colouring composition Correggio defects detto Domenichino Domenico Feti drapery drawing drawn effect excellence expression figures finished Francesco Francis Fresnoy genius Giacomo Giov give grace grandeur Guercino hand head History Bologna History Florence idea imagination imitation invention Jan Steen judgment kind labour Landsc landscape light and shadow likewise look Luca Giordano Ludovico Carracci manner Masaccio master means Michael Angelo mind nature never noble object observed ornament painted Painter passions Paul Veronese perfect perhaps picture Pietro Pietro Perugino Poem Poet Poetry portrait possessed principal produced Prospero Fontana quæ racter Raffaelle Rembrandt represented Rome Rubens Rubens's rules Sculpture shade spectator style taste thing tion Titian true truth ture Vandyck Venice VERSE Virgin whole
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Стр. 131 - The Italian, attends only to the invariable, the great and general ; ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
Стр. 134 - Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom : custom makes, in a certain sense, white black, and black white ; it is custom alone determines our preference of the colour of the Europeans to the .(Ethiopians, and they, for the same reason, prefer their own colour to ours.
Стр. 259 - Nomentanus?" pergis pugnantia secum frontibus adversis componere. non ego avarum cum veto te fieri, vappam iubeo ac nebulonem. est inter Tanain quiddam socerumque Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Стр. 423 - Bid her be all that cheers or softens life, The tender sister, daughter, friend, and wife : Bid her be all that makes mankind adore; Then view this marble, and be vain no more ! Yet still her charms in breathing paint engage; Her modest cheek shall warm a future age. Beauty, frail flower ! that every season fears, Blooms in thy colours for a thousand years.
Стр. 410 - Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Стр. 132 - As we are then more accustomed to beauty than deformity, we may conclude that to be the reason why we approve and admire it, as we approve and admire customs and fashions of dress for no other reason than that we are used to them...
Стр. 403 - A happy genius is the gift of nature : it depends on the influence of the stars, say the astrologers ; on the organs of the body, say the naturalists ; it is the particular gift of heaven, say the divines, both Christians and heathens. How to improve it, many books can teach us ; how to obtain it, none ; that nothing can be done without it, all agree — Tu nihil invita dices faciesve Mintrva.
Стр. 51 - Though I have been led on to a longer digression respecting this great Painter than I intended, yet I cannot avoid mentioning another excellence which he possessed in a very eminent degree ; he was as much distinguished among his contemporaries for his diligence and industry, as he was for the natural faculties of his mind. We are told, that his whole attention was absorbed in the pursuit of his art, and that he acquired the name of Masaccio*, from his total disregard to his dress, his person, and...
Стр. 125 - You would not then have seen an upright figure standing equally on both legs, and both hands stretched forward in the same direction, and his drapery^ to all appearance, without the least art of disposition.
Стр. 128 - ... minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.