New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and WalcottUniversity of Georgia Press, 25 янв. 2010 г. - Всего страниц: 442 A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation. |
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... created that requires endless frontiers of new lands . According to Annette Kolodny , land - as - woman became a useful image for nation building , but the image was flawed by an internal tension " between the initial urge to return to ...
... and imminently knowable, was full of surprising beauty and wonder, creating what Grove calls an “empirical aesthetic” that made it possible “to recognize nature's qualities rather than its 'defeat' ” (47). 24 | Chapter One.
... created is to present another category of ethical inquiry, that of our relationship to the natural world, that at least temporarily contextualizes our social ethics within a broader range of choices. American societies have not learned ...
... created equal, and not all readers are Don Quixote. There is in this exchange between empirical aes- thetic experience in nature and the natural sciences the potential, however tenuous, for a process of revision and readjustment ...
... creating language itself by naming the elements of the scene about him” (5). Lewis and others criticized this mythical tendency of American letters because it tended to whitewash the past and exempt American experience from the ...
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