New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and WalcottUniversity of Georgia Press, 25 янв. 2010 г. - Всего страниц: 442 A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation. |
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... democratic vistas are his emblem of poetry's as yet incomplete realization of its ecological relevance. According to Snyder, Whitman's New World was an incomplete and unfulfilled vision of variety and freedom, Whitman's two great ...
... democratic vistas” that extend across the Americas (the same vistas to which Walcott refers admiringly in his essay “The Muse of History”) as the very means of criticizing Whitman's own limited un- derstanding of the Americas ...
... Democratic Vistas exhibited but central atten- tion given to the dynamics of a changing , evolving natural world and the refractions and fragmentations that nature reveals of a transcultural New World story . Part 2 begins my ...
... democratic poetics of the local and the particular. In the former case I examine poems such as “Song of the Broad-Axe,” “Song of the Exposition,” and “Song of the Redwood-Tree.” In the latter among the works I examine are “Song of the ...
... democracy. Latin America became the neocolonial backyard to U.S. imperialism, which managed its profound ambivalence about itself as such by means of political sleights of hand. The force of U.S. political and economic imperialism was ...
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