New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and WalcottUniversity of Georgia Press, 25 янв. 2010 г. - Всего страниц: 442 A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation. |
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... inevitable prophecy of perpetual New World victimization , both human and natural . What is particularly striking about Walcott's argument is how nature's cause for cautious optimism and renewal also becomes a cross - cultural poetics ...
... inevitable human center to which criticism always seems to return to the point of redundancy. The anthropocentric impulse of most criticism makes it necessary to restate the obvious: an environ- mental imagination needs to extend into a ...
... inevitable victim of human destruction. It becomes a sign of an always dying present that paradoxically makes poetic language potentially new and new futures pos- sible. This is not the Adam who is complicit with the devastation of the ...
... inevitable death of nature and the end of human history, especially within an imaginary influenced by Christian apocalypticism. The problem is how to avoid the unfruitful dichotomy that apocalyptic thinking produces, that is, the notion ...
... inevitably encounters evidence — even if it is not always admitted into the court of literature— of this deep colonial and even precolonial history of human - instigated environmental change . Any modest attempt to learn the flora and ...
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