New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and WalcottUniversity of Georgia Press, 25 янв. 2010 г. - Всего страниц: 442 A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation. |
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... inspire has led some to insist on a categorical distinction between natural and human histories. Untouched nature, uncontaminated by human hands, signifies something eternal that defies the inexorable march of human his- tory toward an ...
... living world and the poet who responds to this dynamic life with metaphors directed at a third party, the reader. In order to aid my own perception of the living world that inspired their poetry it seemed necessary to 10 | Introduction.
... inspired their poetry it seemed necessary to me that in addition to expending the critic's obligatory efforts in ... inspiration for, say, Walcott'sOmeros and Neruda's autobiographical accounts of Temuco. To be clear, I have never made ...
... inspire the attempt to tame nature into a recovered Eden , brought back into the catenation of Western history . Consequently , the colonial machine would ... inspired historian Alfred Crosby to call the Old World pioneer “a 22 | Chapter One.
... inspired colonial scientists to reimagine the fate of the Garden's fall as still yet to be determined. If deforestation, soil erosion, and extinction continued, “the human race appeared to face expulsion from the garden altogether ...
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