New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and WalcottUniversity of Georgia Press, 25 янв. 2010 г. - Всего страниц: 442 A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation. |
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... language texts are my translations unless otherwise indicated. This includes secondary critical essays and the ... languages throughout. There simply wasn't space to do so with all of the secondary materials, however. This page ...
... language to admit its failure to get nature “right.” The New World, then, is the world in which nature fuels poetic energy by undoing and reorganizing the system- atic tendencies of human language in surprising and unpredictable ways ...
... language potentially new and new futures pos- sible. This is not the Adam who is complicit with the devastation of the era of discovery or who insists on the myth of “original innocence and unity,” looking backward with “nostalgia for a ...
... language used to describe it, although also presum- ably old, rediscovers its freedom as imagination. The adamic imagination gives reason to the hope that we can understand the determinacies of our own natural and human histories ...
... language rather than to seek a new one merely is precisely the advantage the poets in this study assume. While they gesture toward a native history and language that might offer some resistance to the Adamic yearnings of European ...
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