New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and WalcottUniversity of Georgia Press, 25 янв. 2010 г. - Всего страниц: 442 A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation. |
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... living in Venezuela. To Helen Houghton for giving me my first book of Derek Walcott's poetry and for passing on her love of poetry. To my brother Bill because he always stands by my efforts and is my most trusted critic. To my parents ...
... living world and the poet who responds to this dynamic life with metaphors directed at a third party, the reader. In order to aid my own perception of the living world that inspired their poetry it seemed necessary to 10 | Introduction.
... living world that inspired their poetry it seemed necessary to me that in addition to expending the critic's obligatory efforts in archives and libraries I needed to acquaint myself with the lands, seas, and rivers of these poets. I ...
... living in a new world. Is it, after all, an accident that Europeans were discovering and exploring what to them were new worlds of territory at the same time that scientists began to discover that nature itself had become a new kind of ...
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