The Musical Topic: Hunt, Military and PastoralIndiana University Press, 21 сент. 2006 г. - Всего страниц: 304 The Musical Topic discusses three tropes prominently featured in Western European music: the hunt, the military, and the pastoral. Raymond Monelle provides an in-depth cultural and historical study of musical topics -- short melodic figures, harmonic or rhythmic formulae carrying literal or lexical meaning -- through consideration of their origin, thematization, manifestation, and meaning. The Musical Topic shows the connections of musical meaning to literature, social history, and the fine arts. |
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Стр. 3
... word; it has a conventional meaning, understood by all hearers. It does not “express emotion”, except insofar as all linguistic syntagmas carry some kind of emotion. It is a simple statement about the time of day, and the activities and ...
... word; it has a conventional meaning, understood by all hearers. It does not “express emotion”, except insofar as all linguistic syntagmas carry some kind of emotion. It is a simple statement about the time of day, and the activities and ...
Стр. 4
... word painting. He refers to Haydn's “Drum Roll” Symphony, no. 103 in E ®at, which may illustrate the Battle of Vienna ... words “weeping” or “tears” do not appear. The orchestra plays it when Donna Anna enters in Don Giovanni, stricken ...
... word painting. He refers to Haydn's “Drum Roll” Symphony, no. 103 in E ®at, which may illustrate the Battle of Vienna ... words “weeping” or “tears” do not appear. The orchestra plays it when Donna Anna enters in Don Giovanni, stricken ...
Стр. 17
... words are recorded: Mit deiner schallmeyen thue jetzt schweigen, Ein hopper tantz dir ich will geigen. Ja unser spill wär gar nit gantz, Wan du nit wärest bey unserem tantz. Your shawm must now be silent—I will ¤ddle a sprightlier dance ...
... words are recorded: Mit deiner schallmeyen thue jetzt schweigen, Ein hopper tantz dir ich will geigen. Ja unser spill wär gar nit gantz, Wan du nit wärest bey unserem tantz. Your shawm must now be silent—I will ¤ddle a sprightlier dance ...
Стр. 18
... words, kitsch. The grim ¤gure of Death lures away a young woman, partly naked, who is portrayed as a bride, her bridal veil turning into a shroud. In a parallel development of the ancient theme, the sexual risk and scandal of the waltz ...
... words, kitsch. The grim ¤gure of Death lures away a young woman, partly naked, who is portrayed as a bride, her bridal veil turning into a shroud. In a parallel development of the ancient theme, the sexual risk and scandal of the waltz ...
Стр. 20
... word “thing” is unsuitable for the analysis here undertaken, because in popular us- age it is restricted to material substances—a fact which has led philosophers to favour the terms “entity”, “ens” or “object” as the general name for ...
... word “thing” is unsuitable for the analysis here undertaken, because in popular us- age it is restricted to material substances—a fact which has led philosophers to favour the terms “entity”, “ens” or “object” as the general name for ...
Содержание
3 | |
11 | |
20 | |
Huntsmen | 33 |
The Hunting Horn | 35 |
Hunts Noble and Ignoble | 59 |
6 Musical Hunts | 72 |
7 The Topic Established | 95 |
Shepherds | 183 |
The Myth | 185 |
13 The Pastoral Signifier | 207 |
14 The Pastoral in Music | 229 |
15 New Pastorals | 251 |
16 Epilogue | 272 |
Appendix 1 | 275 |
Appendix 2 | 281 |
Soldiers | 111 |
1 The March | 113 |
2 The Military Trumpet and Its Players | 134 |
10 The Military Signified | 142 |
11 The Soldier Represented | 160 |
Bibliography | 291 |
Index | 299 |
Back cover | 307 |
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Часто встречающиеся слова и выражения
alla breve alphorn aria army associations auloi aulós Bach’s bagpipe bands bass Beethoven’s bicinia Brahms’s brass bugle Cantata chasse chie®y chorus collection composer concert contemporary cultural unit Dampierre dance drones drum echo eighteenth century evocation evoke example fanfare Figure folksong French genre German gure halali harmonic Haydn’s horn calls horse hounds hunt topic hunting calls hunting horn huntsmen imitation infantry instrument later literary Mahler’s melody meter military signal military topic modern musette musical topic musicians natural horn nature noble oboes octave of¤cers opera orchestral oxhorn parforce pastoral peasants pedal point perhaps piano piece pifferari played players poem poet Pöschl posthorn quoted re®ected reference repertoire resembles rhythm Romantic rst movement rustic scene semiotic shawm shepherds siciliana signi¤er simple singing soldiers solo song sound speci¤cally spirit stag strings style Symphony syrinx theme Theocritus tradition triadic trumpet calls trumpet signals tune violin words writes zampogna
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Стр. 205 - Five years have past ; five summers, with the length Of five long winters ! and again I hear These waters, rolling from their mountain-springs With a soft inland murmur. — Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion ; and connect The landscape with the quiet of the sky. The day is come when I again repose Here, under this dark sycamore, and view...
Стр. 108 - The Sick Rose O rose, thou art sick; The invisible worm That flies in the night, In the howling storm, Has found out thy bed Of crimson joy, And his dark secret love Does thy life destroy.
Стр. 203 - See, where the winding vale its lavish stores, Irriguous, spreads. See, how the lily drinks The latent rill, scarce oozing through the grass, Of growth luxuriant; or the humid bank, In fair profusion, decks.
Стр. 15 - The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there.
Стр. 15 - Imbrowned the noontide bowers : thus was this place A happy rural seat of various view ; — Groves whose rich trees wept odorous gums and balm, Others, whose fruit, burnished with golden rind, Hung amiable, Hesperian fables * true, If true, here only, and of delicious taste...
Стр. 15 - The birds their choir apply ; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan, Knit with the Graces and the Hours in dance, Led on the eternal Spring.
Стр. 109 - THE splendour falls on castle walls And snowy summits old in story : The long light shakes across the lakes, And the wild cataract leaps in glory.
Стр. 205 - Of sportive wood run wild: these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The hermit sits alone.
Стр. 26 - A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody, that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object. It stands for that object, not in all respects, but in reference to a sort of idea, which I have sometimes called the ground of the representamen.
Стр. 15 - I dreamed that, as I wander'd by the way, Bare Winter suddenly was changed to Spring, And gentle odours led my steps astray, Mix'd with a sound of waters murmuring...