Critical and Miscellaneous Essays, Том 1Weeks, Jordan & Company, 1840 |
Результаты поиска по книге
Результаты 1 – 5 из 47
Стр. 20
... necessary to the mechanical operations of the musician , the sculptor , and the painter . But language , the machine of the poet , is best fitted for his purpose in its rudest state . Nations , like individuals , first perceive , and ...
... necessary to the mechanical operations of the musician , the sculptor , and the painter . But language , the machine of the poet , is best fitted for his purpose in its rudest state . Nations , like individuals , first perceive , and ...
Стр. 37
... necessary therefore for him to abstain from giving such a shock to their understandings , as might break the charm which it was his object to throw over their imaginations . This is the real explanation of the indistinct- ness and ...
... necessary therefore for him to abstain from giving such a shock to their understandings , as might break the charm which it was his object to throw over their imaginations . This is the real explanation of the indistinct- ness and ...
Стр. 38
... necessary . Still it is a fault . His supernat- ural agents excite an interest ; but it is not the interest which is proper to supernatural agents . We feel that we could talk with his ghosts and demons , without any emotion of ...
... necessary . Still it is a fault . His supernat- ural agents excite an interest ; but it is not the interest which is proper to supernatural agents . We feel that we could talk with his ghosts and demons , without any emotion of ...
Стр. 47
... necessary to keep under close re- straint . One part of the empire there was so unhappily circumstanced , that at that time its misery was necessary to our happiness , and its slavery to our freedom ! These are the parts of the ...
... necessary to keep under close re- straint . One part of the empire there was so unhappily circumstanced , that at that time its misery was necessary to our happiness , and its slavery to our freedom ! These are the parts of the ...
Стр. 53
... necessary . The violence of those outrages will always be proportioned to the ferocity and ignorance of the people : and the ferocity and ignorance of the people will be proportioned to the oppression and degradation under which they ...
... necessary . The violence of those outrages will always be proportioned to the ferocity and ignorance of the people : and the ferocity and ignorance of the people will be proportioned to the oppression and degradation under which they ...
Другие издания - Просмотреть все
Critical and Miscellaneous Essays, Том 1 Thomas Babington Macaulay Baron Macaulay Полный просмотр - 1843 |
Critical and Miscellaneous Essays, Том 1 Thomas Babington Macaulay Baron Macaulay Полный просмотр - 1840 |
Critical and Miscellaneous Essays, Том 1 Thomas Babington Macaulay Baron Macaulay Полный просмотр - 1860 |
Часто встречающиеся слова и выражения
absurd admiration appear army beauty Bunyan Catholic century character Charles Church civil conceive considered constitution critics Cromwell Dante Divine Comedy doctrines doubt Dryden Edinburgh Review effect eminent enemies England English evil excited executive government favor feelings genius Greeks Hallam Herodotus historians honor House human imagination imitation interest Italy King language less liberty literary literature lived Livy Long Parliament Lord Byron Machiavelli manner means ment merit Milton mind moral nature never noble opinion Othello Paradise Lost Parliament party passions peculiar persecution persons Pilgrim's Progress poems poet poetry political Pope Prince principles produced Puritans reason reign religion rendered resembled respect Revolution Roundheads royal prerogative scarcely seems Shakspeare society sophisms Southey Southey's spirit statesman Strafford strong style Tacitus talents taste thought Thucydides tion truth tyrant virtues wealth Whigs whole writers
Популярные отрывки
Стр. 30 - I should much commend the tragical part, if the lyrical did not ravish me with a certain Doric delicacy in your songs and odes, whereunto I must plainly confess to have seen yet nothing parallel in our language : Ipsa mollities.
Стр. 56 - Many politicians of our time are in the habit of laying it down as a self-evident proposition, that no people ought to be free till they are fit to use their freedom.
Стр. 31 - And drenches with Elysian dew (List, mortals, if your ears be true) Beds of hyacinth and roses, Where young Adonis oft reposes, Waxing well of his deep wound, In slumber soft, and on the ground Sadly sits the Assyrian queen.
Стр. 137 - Partridge, with a contemptuous sneer; "why, I could act as well as he myself. I am sure if I had seen a ghost I should have looked in the very same manner, and done just as he did.
Стр. 456 - Ho! Philip, send, for charity, thy Mexican pistoles, That Antwerp monks may sing a mass for thy poor spearmen's souls. Ho ! gallant nobles of the League, look that your arms be bright ; Ho ! burghers of Saint Genevieve, keep watch and ward to-night.
Стр. 71 - What! have you let the false enchanter scape? O ye mistook; ye should have snatched his wand, And bound him fast. Without his rod reversed, And backward mutters of dissevering power, We cannot free the Lady that sits here In stony fetters fixed and motionless.
Стр. 21 - fine frenzy " which he ascribes to the poet, — a fine frenzy doubtless, but still a frenzy. Truth, indeed, is essential to poetry ; but it is the truth of madness. The reasonings are just ; but the premises are false. After the first suppositions have been made...
Стр. 23 - And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age. As the light of knowledge breaks in upon its exhibitions, as the outlines of certainty become more and more definite, and the shades of probability...
Стр. 432 - The wicket gate, and the desolate swamp which separates it from the City of Destruction, the long line of road, as straight as a rule can make it, the Interpreter's house and all its fair shows, the prisoner in the iron cage, the palace, at the doors of which armed men kept guard, and on the battlements of which walked persons clothed all in gold, the cross and the sepulchre, the steep hill and the pleasant...
Стр. 32 - The poetry of Milton differs from that of Dante as the Hieroglyphics of Egypt differed from the picture-writing of Mexico. The images which Dante employs speak for themselves ; they stand simply for what they are. Those of Milton have a signification which is often discernible only to the initiated. Their value depends less on what they directly represent than on what they remotely suggest.