Your noble birth, and present state requires, Over. Yes, as rocks are, When foamy billows split themselves against Their flinty ribs; or as the moon is moved, When wolves, with hunger pined, howl at her brightness. Steer on, a constant course: with mine own sword, Or the least sting of conscience. Lov. The toughness of your nature. Over. I admire "Tis for you, My lord, and for my daughter, I am marble; Nay more, if you will have my character In little, I enjoy more true delight, In my arrival to my wealth these dark And crooked ways, than you shall e'er take pleasure In spending what my industry hath compassed. My haste commands me hence; in one word, therefore, Is it a match? 1 Sin' is ter, left-handed; evil. Lov. I hope, that is past doubt now. Over. Then rest secure; not the hate of all mankind here, Nor fear of what can fall on me hereafter, Shall make me study aught but your advancement One story higher: an earl! if gold can do it. 3 Is no more shaken than Olympus* is When angry Bōreäs' loads his double head [Exit. MASSINGER. PHILIP MASSINGER, one of the first rank of the old English dramatists, was born in Salisbury in 1584, and died in London, March 17, 1640. He was educated in his native city, and at St. Alban's Hall, Oxford. He repaired to London in 1606, where he at once employed himself at dramatic composition. But little is known of his life until the publication of his first drama, the "Virgin Martyr," in 1622. He wrote many pieces, of which 18 have been preserved. The "Virgin Martyr," the "Bondman," the "Fatal Dowry," ," "The City Madam," and "A New Way to Pay Old Debts," are his best known productions. The last alone, from which the above is adapted, retains a place on the stage, for which it is indebted to its effective delineation of the character of Sir Giles Overreach. 1 Por tent', that which stretches out before or foreshows; especially, that which foretokens evil; an omen of ill. ? Blǎs' phe mous, given to the use of wicked, lying, or reproachful words toward God. 3 A`the ĭst' iċ al, relating to, implying, or containing, the disbelief or denial of the existence of God. 4 Olym' pus, a mountain range of Thessaly, on the border of Macedonia. Its summit, famed by Homer and other poets as the throne of the gods, is estimated to be 9,745 feet high. 5 Bō' re as, the north wind; in mythology, a son of Astræus and Eos, a brother of Hesperus, Boreas was worshiped as a god. He was represented with wings, which, as well as his hair and beard, were full of flakes of snow: instead of feet he had the tails of serpents, and with the train of his garment he stirred up clouds of dust. II. 37. THE THREE DOWERS. Characters: King LEAR; Duke of CORNWALL and Duke of ALBANY, Sons in-law to LEAR; GONERIL, REGAN, and CORDELIA, Daughters of LEAR; King of FRANCE, and Duke of BURGUNDY, Suitors to CORDELIA. LEA EAR. Give me the map, there.-Know that we have divided, To shake all cares and business from our age; Where merit doth most challenge it.—Goneril, Do love you more than words can wield the matter: Beyond what can be valued, rich or rare; No less than life, with grace, health, beauty, honor: A love that makes breath poor, and speech unable; Lear. Of all these bounds, even from this line to this, Reg. I am made of that self-metal as my sister, Only she comes too short-that I profess Which the most precious square of sense possesses, In your dear highness' love. Lear. To thee and thine, hereditary ever, Remain this ample third of our fair kingdom; No less in space, validity, and pleasure, Lear. Cor. Nothing? Nothing. Lear. Nothing can come of nothing: speak again. My heart into my mouth. I love your majesty Lear. How, how, Cordelia! mend your speech a little, may mar your fortunes. Lest it They love you all? Haply, when I shall wed, That lord, whose hand must take my plight, shall carry Half my love with him, half my care and duty. Lear. But goes this with thy heart? Cor. Ay, good my lord. Lear. So young, and so untender? Cor. So young, my lord, and true. Lear. Let it be so. Thy truth then be thy dower: For, by the sacred radiance of the sun; The mysteries of Hecate and the night; By all the operations of the orbs, From whom we do exist, and cease to be; And as a stranger to my heart and me Hold thee, from this, forever.-Cornwall and Albany, With my two daughters' dowers digěst this third: Let pride, which she calls plainness, marry her. Preeminence, and all the large effects That troop with majesty.-My Lord of Bur'gundy, Or cease your quest of love? Bur. Most royal majesty, Give but that portion which yourself proposed, And here I take Cordeliä by the hand, Duchess of Bur'gundy. Lear. Nothing: I have swōrn; I am firm. Bur. I am sorry, then, you have so lost a father, That you must lose a husband. [To CORDELIA. Cor. Peace be with Burgundy! Since that respects of fortune are his love, I shall not be his wife. Fra. Fairest Cordeliä, that art most rich, being poor; Be it lawful, I take up what's cast away. Thy dowerless daughter, king, thrown to my chance, queen of us, of ours, and our fair France:- Is Bid them farewell, Cordelia, though unkind: Thou losest here, a better where to find. Lear. Thou hast her, France: let her be thine; for we Without our grace, our love, our benison. III. 38. ENJOYING MONEY. SHAKSPEARE. Characters: Dr. Wentworth, the Host; BUEL, a Parson; BACON, a Judge; EDWARDS, a Teacher; and BRETT, a benevolent Merchant and Manufacturer. [All sitting under a great elm on the lawn.] B ACON. Brett, have you noticed Dr. Wentworth's conservatory? I wonder you do not add one to your house. I am sure you spend too much money on benevolence. You owe a little now and then to selfishness. Why, my dear fellow, you |