Изображения страниц
PDF
EPUB
[ocr errors]

claims, "is almost the only land on earth | tal, he soon accepted the situation of tutor where people are found willing to make it a and assistant to a clergyman in Norway, point of honour that they should be ignorant where, as he says, he spent a whole year in of their fathers' tongue." The literary pa-"flogging children and converting rustics," bulum of the middle classes, who gradually while, at the same time, he suffered severely advanced in power and position after the es- from various kinds of illness, both bodily tablishment of regal autocracy in 1660, and mental. He then returned to Copenha consisted simply of meagre sermons, and yet gen to pass his "second examination;" theremore meagre chronicles, or old ballads that after studied theology, along with the modwere only a weak reflection of the sweet and ern languages, and next spring (1704) noble songs of a preceding age; songs which, underwent his theological examination with E from their very sweetness and nobleness, much success. Necessity ere long obliged failed to find admission into the hearts of him to accept once more the post of tutor; the degenerate descendants of their original this time in a family at Bergen. But in the composers. Such was the state of literary house of his new employer he stumbled upon affairs in Denmark when Holberg com- a book of travels, which to such an extent menced his career. The times needed a re- aroused within him the longing to visit forformer, and in him the reformer came- eign countries, that, in spite of the earnest came with a power and energy that were advice of every one, he gave up his situa equal to the cause for which he fought tion, sold the little he possessed, and set sail throughout a long life of severe and unre- by the first ship that happened to leave the mitting toil. The result was the intellec- harbour. He never again beheld the place tual emancipation of his countrymen, and the of his nativity. laying, fast and firm, the basis on which, in due course, was erected the entire substantial edifice of modern Danish literature. Some slight account of Holberg's life and works may therefore be acceptable to those who take an interest in the development of the different national branches of later European literature, and who, although well aware of Holberg's renown as a comic dramatist, second alone to Plautus and Molière, may yet be ignorant of the immense services which he rendered, in many most important ways, not merely to the literature of his native country, but to that of the whole north of Europe.

[graphic]

Ludvig Holberg was born at Bergen, in Norway, on the 3d December, 1684. His father, an officer in the army, had risen from the ranks to the grade of Lieutenant Colonel, had seen foreign service, and at home distinguished himself against the Swedes, especially at the relief of Trondhjem in 1658. Ludvig, the youngest of twelve children, was as yet an infant when his father died. Shortly afterwards there occurred a disastrous fire, which in a single night reduced his surviving parent to poverty. She died when her son was ten years old, and the household was broken up. At this age he was, being an officer's son, enrolled as corporal in a regiment; but his desire for study was so great that his uncle by his mother's side, who felt an interest in the lad, took him to live in his own house, and sent him to the grammar-school of Bergen. When eighteen years old, Ludvig went to prosecute his studies at the University of Copenhagen, in the summer of 1702. Lacking, however, adequate means of support in the Danish capi

Holland was, in the first instance, the goal of his travels. He had a capital of sixty Danish rix-dollars, and hoped to further him self as a teacher of languages; but he speed'ily discovered that in Amsterdam "the most learned professors were not respected so much as was a common sea-captain." On account of his slim figure and his girlish countenance, he became the object, sometimes of admiration, sometimes of impertinent questions, as for example, "Hoor gij wel, mannetje! quando deseruisti studia tua ?"-ques tions which, in similar fashion, he was not slow to answer. An obstinate fever helped to exhaust his purse, and he was compelled to borrow money for the purpose of returning home. On arriving in Norway he took up his residence at Christiansand, where he soon acquired reputation as a language master, especially as a teacher of French. At first, notwithstanding, he nearly gave mortal offence to many of the citizens by his love of paradox, and, in particular, by his zeal in defending a newly published work, which endeavoured to prove, by no fewer than sixty arguments, that women were not human be ings; yet he abjured ere long this most upgallant heresy, and continued during his subsequent career of authorship to maintain with much ardour the social equality of the female sex. His musical talents also contributed to his popularity; and for his lin guistic acquirements he became, at least in Christiansand, "as renowned as King Mithridates, who spoke twenty-two tongues." But Holberg's restless spirit would not allow him to remain; and in 1706 he undertook a voyage to England, where he lived for two years at Oxford. There he spent his time

studying in the libraries, partly Church his- |
tory, partly modern history, and the law of
nations; he held familiar intercourse with the
students, and became in many ways ac-
quainted with the various aspects of English
life. At first he and a fellow-countryman,
who had been his travelling companion, were
forced to live so parsimoniously that for a
whole quarter of a year they only every
fourth day tasted animal food--a mode of
diet which was quite congenial to Holberg's
constitution, but which brought his comrade
to the verge of despair, so that Ludvig had
to console him with the words of the sage
Bion, "It is unreasonable to tear the hair
for sorrow, as if sorrow could be cured by
baldness." Ere long he managed to support
himself as teacher of foreign languages and
flute-playing; in musical society his pre-
sence was indispensable. He pursued his
own quiet path, during a lengthened period,
bearing the name of "Myn Heer," which
title some persons had heard given to him by
his barber, who believed him to be a Ger-
man, and wished to show his own knowledge
of the language. As there was no evil in
tention in such a misnomer, Holberg never
heeded to correct it, and his real name would
scarcely have been discovered if he had not
by accident met an English student called
Holber, with whom he forthwith formed ac-
quaintance as a namesake, and perhaps a
relative, through one of his ancestors who
had sailed to England along with Canute the
Great. By the Oxford students Holberg
was greatly liked. When he was preparing
to depart, one of them came to him as a dep-
uty from Magdalen College, and offered him
a considerable sum of money to defray the
expenses of his journey; but with grateful
thanks he declined their friendly proffer.
From London he sailed in a Swedish ship
to Elsinore, and thence walked on foot to
Copenhagen, arriving there in the summer

of 1708.

Here he thought of commencing as public lecturer, and actually began a series of dis courses on what he had witnessed in foreign countries. Hearers he had in plenty, but when the time for paying their instructor came, they suddenly, to his mortification, vanished; his only recompense was a low bow when he chanced to meet any of them on the street. Most opportunely, however, at this crisis, he was offered, and accepted, the appointment of travelling-tutor to a young man about to visit Germany-a country which in general seems to have had less attraction for Holberg than some other lands. On his return he was fortunate enough to receive free residence in Borch's Collegium for five years, and, in addition, a small salary

[ocr errors]

therewith connected. Now, at last, he had more leisure for his studies. The duty which devolved upon him, of taking part in academical exercises, he discharged by composing Latin declamationes, all relating to subjects with which he was practically acquainted: scientific travels in foreign regions, history, music, and languages. He lived, both from choice and necessity, in a very frugal manner, and made frequent pedestrian excursions for the sake of his health, but otherwise dwelt entirely among his books. At the age of twenty-seven he published his first work, for which he had gathered materials in Oxford, Introduction to the History of the European Kingdoms (1711), and afterwards a statistical appendix to the same. A treatise, on the Achievements of Christian the Fourth and Frederick the Third, composed, like the former, "for the use of the Crown Prince," and sent in manuscript to King Frederick the Fourth, procured the nomination of its author as Professor Extraordinarius" in 1714, to the chagrin of the learned pedants of the day, who refused to rank him with the rightful Academici. Shortly before he had been assigned a stipend of one hundred rix-dollars for four years, and on the strength of this meagre income he undertook, in the spring of 1714, his fourth and longest foreign journey. Having first proceeded to Holland, he walked all the way to Paris; and, although so long a teacher of languages, he had such difficulty in making himself understood, that he sometimes heard the people say, Il parle Français comme un cheval Allemand. By degrees he formed acquaintances as well with various Parisians as with some of his countrymen who resided in the capital. He was an assiduous frequenter of the libraries, and saw all that was to be seen in the city. Sometimes he attended the public tribunals to hear the pleadings of the advocates, sometimes he was present at public discussions on the advantages of the Catholic religion, and about this latter point he had also many private disputations. After residing a year and a half in Paris he hap. pened to be informed by a French student that one could travel to Rome for twenty rix-dollars, and Holberg was not able to resist the temptation of such a journey. started forthwith for the Eternal City, provided with a passport, in which he was described as Mikkel Rög of Aix-la-Chapelle; and that was the name he bore during his Italian expedition. Arrived at Genoa, he was assailed by a dangerous fever, and believed himself to be dying. In his helpless state, and under the roof of an extortionate landlord, who, every time that "Signor Recco" was prostrated by illness, reckoned tanto

He

[ocr errors]
[ocr errors]

per la notte e tanto per il giorno,-apprehensive | culcate good morals, and refine the language of monkish visitation, longing for spiritual as well as the manners of his countrymen. comfort and physical support, he would in The determination bore fruit in the inimita all probability have succumbed to his disease, ble mock-heroic poem, Peder Paars, to which had it not been for the attention and kind- we shall afterwards at greater length refer. ness of a complete stranger, whom, however, Peder Paars was published in 1719, and soon he subsequently found out to be a country- gained such popularity that it passed through th man of his own. It was in the autumn of a number of editions, and was also largely i 1715, shortly after the decease of Louis the circulated in Sweden and in Germany, where Fourteenth; and Holberg tells us that he people learned Danish for the sole purpose used to draw patience from the thought, of being enabled to read the work. But the "What is thy life compared with that of singular success of Peder Paars was a small such a man?" Sailing from Genoa, he and matter compared with Holberg's subsequent his fellow-passengers, a whole company of literary triumphs. His genius had now dis monks and females, were nearly captured by covered the secret of its true power, and pirates. Amid the universal cries of terror, hasted to achieve fresh victories. A troop he stood on deck, worn out by illness, with of French actors, who had for some time his sword by his side, and, like the rest, been performing at the Palace, aroused a invoked St. Antony, when, most fortunately, general desire for the establishment of a the pirate vessel left them, and attacked theatre in Copenhagen. It was opened in another ship. After this happy escape he 1722, with the representation of Molière's reached Rome in safety, and the sight of St. L'Avare, translated into Danish; but, in order Peter's made him forget all his past troubles that they might have original Danish plays and dangers. In Rome he lived according as well as French translations, the promoters to the customs of the people, cooked his own of the theatre had naturally recourse to the food, and sat by the hearth, "with a book in author of Peder Paars, and he with small one hand and a ladle in the other." He reluctance agreed to meet their wishes. Holprosecuted his studies zealously in the public berg used the same form of comedy which libraries, and also devoted much attention had been employed before him by Plautus to the monuments of antiquity. After and Molière, but, more than they, he kept spending the winter in Rome, he made his his own time and his own land in view, inas way on foot back to Paris, "with fever," as much as his chief object was "to depict the he tells us, "the whole way, for his fellow-national faults and follies which had not been traveller." It was only when he reached castigated in other comedies;" and his knowl Amsterdam, that he felt completely restored edge of mankind was so rich and varied, his to health, not, strangely enough, by medi- lively fancy so inexhaustible, that in a very cine, but by playing on the violin all night few years he penned in swift succession no in the company of some kindred spirits. fewer than between twenty and thirty comic Fully reinvigorated in mind and body, he re- dramas, replete with vivid typical delineaturned to Copenhagen in the summer of 1716. tions of the most dissimilar human characters, There he lived a year and a half in compara- who, through some ridiculous habit, or the tive poverty, until the Chair of Metaphysics in favourite follies either of certain individuals the University became vacant, and, although or certain social conditions, only all too far from being a friend of metaphysical stud- easily became the butt of the author's telling ies, he agreed to accept it. A second vacancy satire. Already, in 1722, The State Tinker shortly occurring, he was appointed Profes- was performed to such a large audience that sor of Latin and Rhetoric, and also made a many were compelled to stand in the passages. member of the Consistory (Assessor), by The same year there followed The Ficklewhich his income was materially improved. minded, Jean de France, Jeppe paa Bjerget, and And now, with so fortunate a change in his Gert Westphaler; in 1723 appeared The outward prospects, there came a correspond- Eleventh of June and The Lying-in Chamber; ing change in his literary activity, a change in 1724 there were represented as many as which resulted in the production of that eight new pieces, among them The Christmas series of works which have mainly rendered Party-which could scarcely be played to him illustrious. At this period he was in the close for the laughter of the spectators, the thirty-fifth year of his age. Since and at last of the actors themselves,-Jacob his boyhood he had never written verses, Von Tybo, Ulysses of Ithacia a merciless and "could not hear the finest piece of parody on the productions of the German poetry read to him without a weary yawn." stage,--Melampe-a tragi-comedy, which evo But after the lapse of long years he deter- keď at once tears and smiles,-and Henrich mined to try his hand once more at poeti and Pernille, where the chief figures are two cal composition of the didactic kind, to in- servants, a valet and lady's-maid, who have

[graphic]

played subordinate parts in several of the preceding dramas. After a short interval, caused by the bankruptcy of the theatre, five additional pieces were performed, among which we may specially mention The Man without a Moment's Leisure; contemporary with these there were also three, which were TEL not in the first instance represented, but of which at least two are among the choicest productions of the author's genius,- we mean TIL Don Ranudo and Erasmus Montanus, the latter an almost perfect specimen of genuine comedy. Thus the period of Holberg's dra matic fruitfulness may be said to have been the brief time immediately before and immediately after the fortieth year of his age. This unbroken intellectual exertion,rarely paralleled in the history of literature, began at last to tell on Holberg's physical frame; and, for the purpose of recruiting his strength, he once more went abroad, and spent the winter of 1725-26 in Paris. Reinvigorated by his residence in the French metropolis, and his intercourse there with theologians, antiquarians and other men of learning, he devoted himself, after his return to Copenhagen, with fresh zeal and assiduity to the pursuit of his favourite studies. These studies had been broken for a time by his brief but marvellously successful excursion into the territory of the comic Muse, and he now resumed them with characteristic ardour. Another circumstance may possibly have confirmed him in his resólution to stand aloof daring the future from the field of dramatic authorship. In 1727 the theatre was closed on account of the lack of popular support; next year the great fire of Copenhagen occurred, and after 1730, when King Christian the Sixth ascended the throne of Denmark, a pietistic tendency predominated in the Court and among the people, and the stage was naturally discouraged as savouring altogether of the world. On Holberg's last return from foreign travels he had been appointed to the Chair of History and Geography, his two favourite branches of study; and these were the subjects which he now handled in a series of weighty and substantial works. In Danish historical literature there are few treatises more valuable than his Dannemark's Riges Historie (History of the Realm of Denmark), published originally in three quarto volumes. There followed from his unwearied pen a Church History to the Time of the Reforma tion, a History of the Jews in two quarto volumes, and, under the title of Tales of Heroes and Heroines, a collection of comparative biographies in the style of Plutarch. These scientific works, as well as his poetical compositions, made Holberg's name renowned

far beyond the limits of his native country. In Germany, for example, they were disseminated in the form of translations, and the very sustenance of the theatres there for many years was just the comedies of Holberg. Meanwhile he continued, in yet other directions, his course of authorship. Diverging into the regions of Moral Philosophy, he published a work entitled Moral Thoughts, or commentaries on some of the Latin epigrams-about a thousand in number,-into which, from time to time, he had compressed his favourite principles and ideas. Translations of the book ere long appeared in Sweden, Holland, France, and Germany. To this period also belongs one of Holberg's most memorable productions, Niels Klim's Subterranean Journey,-a work originally written in Latin, and which we shall describe more fully afterwards. Wonderfully replete with the true Holbergian humour, it soon gained vast popularity, and Nicolai Klimi Iter Subterraneum was speedily translated into most modern languages (even into Russian and Hungarian), and was edited, studied, and criticised throughout nearly the whole of Europe.

[graphic]
[graphic]
[ocr errors]

As Holberg was never married, and lived with great economy, he had by degrees amassed a considerable fortune, which he intended to devote, after his death, to some public object. He had bought an estate in the charming district of Sorö, where he generally spent the summer, returning in winter to the capital. At the age of sixtythree he was elevated by King Frederick the Fifth to the rank of Baron,-an exaltatation which he himself says was less paradoxical than that of various German literati, inasmuch as their baronies lay in the moon, while his, on the other hand, actually existed on the earth's surface, and lay in the province of Zealand." In his new position he lived as frugally as when he was a simple Professor, and continued with unrelaxing zeal to prosecute his studies. His chief work after this period was his Epistles, a collection, in the form of letters, of brief essays on a multitude of themes, historical, political, metaphysical, moral, philosophical, and humorous. Above five hundred of these Epistles were published, in five volumes, the last volume appearing after the author's death. That event was now not far distant. Having prepared for it by devising his property-a noble bequest-to the new Academy of Sorö, he calmly anticipated the hour of departure. After his return from the country in the summer of 1753 his bodily powers began rapidly to decay, and it soon became evident that the end was fast approaching. During his last illness he exhibited signs of

[graphic]

devotion, but declined to converse on any religious topic, as indeed might have been expected from his whole mental tone and tendency. He expired in his seventieth year, on the 28th January 1754, and was buried at Sorö, beside the grave of Archbishop Absalon.*

[ocr errors]

What largely contributes to increase our astonishment at Holberg's marvellous literary fertility, is the fact, to which he himself so often alludes, that he was borne down by almost continual bodily suffering,-that, like Schiller, he scarcely ever passed a day without enduring pain. Doubtless this bodily suffering was alleviated by the simple and frugal mode of life to which he had been accustomed from his boyhood. He imagined, and rightly, that the peculiar nature of his ailments demanded the observance of strict rules, both with reference to exercise and diet. It was for such a reason that he made long pedestrian excursions, and only partook of the plainest kinds of food. His sole luxury, he tells us, was coffee; and wine he abhorred worse than poison.' For a time, he even went so far that, following Cornaro's advice, he partook of his meals in strict accordance with fixed weight and measure; but this "mathematical precision " began to tell injuriously on his system, and he was compelled to give it up ere long. Yet, although thus strenuously endeavouring to curb, if not to cure the maladies under which he laboured, he was hardly ever free from suffering throughout the whole period of his life. Excruciating headaches formed one of the chief diseases that afflicted him, so much So, that for two entire years he was obliged to give up everything in the shape of heavy literary labour. And, besides other severe bodily ailments, Holberg was liable to mental trouble in one of its worst forms, we refer to deeply-rooted hypochondria. Strange that he who had contributed so much to the innocent mirth of his fellow-men, should himself have been the victim of this distressing malady; nay more, should have penned some of his most laughter-provoking words while specially under its baleful influence. It may be interesting, however, to mention that in Holberg's features and expression, as transmitted to posterity in his portrait by the contemporaneous Danish artist Roslin, there is scarcely the slightest trace of either bodily or mental anguish. Altogether it is a striking picture. From beneath the ponderous

[ocr errors]

* For much contained in the above summary of the life of Holberg we are indebted to the admirably comprehensive sketch by Professor M. Hammerich, in his Danska og Norska Läsestycken.

here

[ocr errors]

Louis Quatorze peruke there looks out a calm, contemplative, high-browed countenance, as of one possessing world-wide expe rience, and breathing a seren er air than that of the region inhabited by ordinary mortals; marked not by unrest, but rest, the rest, as has been graphically said with regard to Goethe, of a giant after his completed toils. We have frequently compared it with the g likeness of his great dramatic brother Molière, a face in many ways diametrically the reverse of Holberg's. The one is of the northern, the other of the southern type; and the features have assuredly not the shadow of a resemblance. Yet we hardly deem it a mere fancy of our own when we affirm that in the lines at the corners of the mouth, in both portraits, there may be dis covered a certain similarity, suggestive of that keen sense of the humorous which alike distinguished the two, and shadowing forth the bond of brotherhood, which, by common consent, is believed to exist between them.

Although the works of Holberg are so numerous, and embrace such a great variety of different subjects,-forming, in fact, of themselves an entire literature, there is little difficulty in defining the distinctive fea tures of his genius. These, it appears to us, are three in number-breadth and clearness of observation, calmness of reflection, and vivid perception of the humorous. It may perhaps be said that, after all, such a combination has frequently existed in the case of individuals, without resulting in any transcendent intellectual ability, to say nothing of what is strictly styled genius; but the reader must remember that in Holberg the three qualities were, so to speak, potentized-that in him they attained, or at least approximated to, the maximum of their vigour, and that, moreover, in him also they were harmoni ously blended in a way by no means usual. One of Holberg's inborn gifts was a broad and clear capacity of intellectual vision, which enabled him to take in at a glance objects the most dissimilar, to discern their true significance without at the same time confounding them together, and to assign to each its real name and nature, its proper place in the world and in life. And this innate power had been cultivated and intensified by the whole tenor of his existence from a very early period. In his youth he had to encounter difficulty and hardship, and was brought into contact with many scenes. and persons of different, often quite opposite, kind and character; and, as soon as he could accomplish it, he visited foreign lands, made pedestrian excursions through Holland, France, and Italy, and spent his times of rest in the capitals of the most civilized na

[graphic]
« ПредыдущаяПродолжить »