Ben JonsonLongmans, Green, and Company, 1886 - Всего страниц: 202 |
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... MANHOOD . III . JONSON'S DRAMATIC STYLE IV . THE MASTERPIECES . V. MASQUES AT COURT AND LYRICS VI . SECOND PERIOD OF MANHOOD VII . OLD AGE PAGE 1 22 22 50 70 70 122 143 172 BEN JONSON . CHAPTER I. BIRTH AND APPRENTICESHIP . BENJAMIN.
... MANHOOD . III . JONSON'S DRAMATIC STYLE IV . THE MASTERPIECES . V. MASQUES AT COURT AND LYRICS VI . SECOND PERIOD OF MANHOOD VII . OLD AGE PAGE 1 22 22 50 70 70 122 143 172 BEN JONSON . CHAPTER I. BIRTH AND APPRENTICESHIP . BENJAMIN.
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... drama as it then existed . He used the theatre as a makeshift in his want of money , and wrote plays to vent his satire on society and human foibles . We do not know for certain how Jonson was em- ployed for the stage during the six ...
... drama as it then existed . He used the theatre as a makeshift in his want of money , and wrote plays to vent his satire on society and human foibles . We do not know for certain how Jonson was em- ployed for the stage during the six ...
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... drama of humanity , from the Creation down to Dooms- day . In course of time minor episodes were detached from these colossal schemes , and treated with rude pathos or coarse humour as the case might be . Thus the germs of tragedy and ...
... drama of humanity , from the Creation down to Dooms- day . In course of time minor episodes were detached from these colossal schemes , and treated with rude pathos or coarse humour as the case might be . Thus the germs of tragedy and ...
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... drama from religious and didactic aims . Inter- ludes , regarded as a special type of early histrionic art , brought real people , distinguished by differences of nature , interests , and callings , into some common action . From them ...
... drama from religious and didactic aims . Inter- ludes , regarded as a special type of early histrionic art , brought real people , distinguished by differences of nature , interests , and callings , into some common action . From them ...
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... drama was threatened with a serious danger . Together with the new learning of the classical revival , came the enthusiasm for Italian culture . Critics like Sir Philip Sidney , poets like Lord Buckhurst , by precept and by practice ...
... drama was threatened with a serious danger . Together with the new learning of the classical revival , came the enthusiasm for Italian culture . Critics like Sir Philip Sidney , poets like Lord Buckhurst , by precept and by practice ...
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actors aforesaid Alchemist Ananias appears Bartholomew Fair Ben Jonson BENJAMIN JONSON Bonario brain Cæsar called Catiline Celia character comedies of humour comedy Corb Corbaccio Corvino Court criticism Cynthia's Revels Dauphine Dekker Devil doth drama Drummond Dryden dupes English entertainments Epicoene Face fancy favour Fletcher genius Gifford hath honour Horace humour Inigo Jones Jonson King's King's Men Lady Frampul Lætitia learned literary live London Lord Lovel lyric Magnetic Lady Mammon manner Marston Masque of Queens masques master Morose Mosca muse noble passion pastoral person personages Philostratus piece play playwright plot poems poet poet's Poetaster poetry possess prose Purecraft Puritans Queen Revels romantic Sad Shepherd scene Sejanus Shakespeare Silent Woman Spanish Tragedy spirit stage stanzas style Subtle sweet taste tavern theatres thee thou thought tion tragedy verses Volpone Volpone's Voltore vulgar words
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Стр. 152 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Стр. 138 - Weep with me, all you that read This little story; And know, for whom a tear you shed Death's self is sorry. Twas a child that so did thrive In grace and feature, As heaven and nature seemed to strive Which owned the creature.
Стр. 27 - So in every human body, The choler, melancholy, phlegm, and blood, By reason that they flow continually In some one part, and are not continent, Receive the name of humours. Now thus far It may, by metaphor, apply itself Unto the general disposition : As when some one peculiar quality Doth so possess a man, that it doth draw All his effects, his spirits, and his powers, In their confluctions, all to run one way, This may be truly said to be a humour.
Стр. 53 - But he has done his robberies so openly, that one may see he fears not to be taxed by any law. He invades authors like a monarch ; and what would be theft in other poets, is only victory in him.
Стр. 25 - I loved the man and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions : wherein he flowed with that facility, that sometimes it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius.
Стр. 162 - He is a great lover and praiser of himself; a contemner and scorner of others; given rather to lose a friend than a jest; jealous of every word and action of those about him (especially after drink, which is one of the elements in which he liveth...
Стр. 148 - England's high Chancellor, the destined heir In his soft cradle to his father's chair ; Whose even thread the fates spin round and full Out of their choicest and their whitest wool.
Стр. 136 - Slow, slow, fresh fount, keep time with my salt tears : Yet slower, yet ; O faintly, gentle springs : List to the heavy part the music bears, Woe weeps out her division, when she sings. Droop herbs and flowers, Fall grief in showers, Our beauties are not ours...
Стр. 45 - I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage; wherein a second pen •' had good share: in place of which, I have rather chosen to put weaker, and, no doubt, less pleasing, of mine own, than to defraud so happy a genius of his right by my loathed usurpation.
Стр. 105 - My meat shall all come in, in Indian shells, Dishes of agate, set in gold, and studded With emeralds, sapphires, hyacinths, and rubies, The tongues of carps, dormice, and camels...