or first establisher of the art of printing. It has been alleged that the exact resemblance of the copies of books published by the latter, when no other mode of multiplying copies was known but by the act of transcribing, was found to be such, as could no way be accounted for by natural means, and that therefore it was imputed to the person who presented these copies, that he must necessarily be assisted by the devil. It has further been stated, that Faust, the printer, swore the craftsmen he employed at his press to inviolable secrecy, that he might the more securely keep up the price of his books. But this notion of the identity of the two persons is entirely groundless. Faustus, the magician, is described in the romance as having been born in 1491, twenty-five years after the period at which the printer is understood to have died, and there is no one coincidence between the histories of the two persons, beyond the similarity of names, and a certain mystery (or magical appearance) that inevitably adheres to the practice of an art hitherto unknown. If any secret reference had been intended in the romance to the real character of the illustrious introducer of an art which has been productive of such incalculable benefits to mankind, it would be impossible to account for such a marvellous inconsistence in the chronology.

Others have carried their scepticism so far, as to have started a doubt whether there was ever really such a person as Faustus of Wittenberg, the al

leged magician. But the testimony of Wierus, Philip Camerarius, Melancthon and others, his contemporaries, sufficiently refutes this supposition. The fact is, that there was undoubtedly such a man, who, by sleights of dexterity, made himself a reputation as if there was something supernatural in his performances, and that he was probably also regarded with a degree of terror and abhorrence by the superstitious. On this theme was constructed a romance, which once possessed the highest popularity, and furnished a subject to the dramatical genius of Marlow, Lessing, Goethe, and others. It is sufficiently remarkable, that the notoriety of this romance seems to have suggested to Shakespear the idea of sending the grand conception of his brain, Hamlet, prince of Denmark, to finish his education at the university of Wittenberg.

And here it may not be uninstructive to remark the different tone of the record of the acts of Ziito, the Bohemian, and Faustus of Wittenburg, though little more than half a century elapsed between the periods at which they were written. Dubravius, bishop of Olmutz in Moravia, to whose pen we are indebted for what we know of Ziito, died in the year 1553. He has deemed it not unbecoming to record in his national history of Bohemia, the achievements of this magician, who, he says, exhibited them before Wenceslaus, king of the country, at the celebration of his marriage. A

waggon-load of sorcerers arrived at Prague on that occasion for the entertainment of the company. But, at the close of that century, the exploits of Faustus were no longer deemed entitled to a place in national history, but were more appropriately taken for the theme of a romance. Faustus and his performances were certainly contemplated with at least as much horror as the deeds of Ziito. But popular credulity was no longer wound to so high a pitch the marvels effected by Faustus are not represented as challenging the observation of thousands at a public court, and on the occasion of a royal festival. They "hid their diminished heads," and were performed comparatively in a corner.

SABELLICUS.

A pretended magician is recorded by Naudé, as living about this time, named Georgius Sabellicus, who, he says, if loftiness and arrogance of assumption were enough to establish a claim to the possession of supernatural gifts, would beyond all controversy be recognised for a chief and consummate sorcerer. It was his ambition by the most sounding appellations of this nature to advance his claim to immortal reputation. He called himself, "The most accomplished Georgius Sabellicus, a second Faustus, the spring and centre of necromantic art, an astrologer, a magician, consummate in chiromancy, and in agromancy, pyromancy and hydro

mancy inferior to none that ever lived." I mention this the rather, as affording an additional proof how highly Faustus was rated at the time in which he is said to have flourished.

It is specially worthy of notice, that Naudé, whose book is a sort of register of all the most distinguished names in the annals of necromancy, drawn up for the purpose of vindicating their honour, now here mentions Faustus, except once in this slight and cursory way.

PARACELSUS.

He

Paracelsus, or, as he styled himself, Philippus Aureolus Theophrastus Bombastus Paracelsus de Hohenheim, was a man of great notoriety and eminence, about the same time as Dr. Faustus. was born in the year 1493, and died in 1541. His father is said to have lived in some repute; but the son early became a wanderer in the world, passing his youth in the occupation of foretelling future events by the stars and by chiromancy, invoking the dead, and performing various operations of alchemy and magic. He states Trithemius to have been his instructor in the science of metals. He was superficial in literature, and says of himself that at one time he did not open a book for ten years together. He visited the mines of Bohemia, Sweden and the East to perfect himself in metallic knowledge. He travelled through Prussia,

Lithuania, Poland, Transylvania and Illyria, conversing indifferently with physicians and old women, that he might extract from them the practical secrets of their art. He visited Egypt, Tartary and Constantinople, at which last place, as he says, he learned the transmutation of metals and the philosopher's stone. He boasts also of the elixir of life, by means of which he could prolong the life of man to the age of the antediluvians. He certainly possessed considerable sagacity and a happy spirit of daring, which induced him to have recourse to the application of mercury and opium in the cure of diseases, when the regular physicians did not venture on the use of them. He therefore was successfully employed by certain eminent persons in desperate cases, and was consulted by Erasmus. He gradually increased in fame, and in the year 1526 was chosen professor of natural philosophy and surgery in the university of Bale. Here he delivered lectures in a very bold and presumptuous style. He proclaimed himself the monarch of medicine, and publicly burned the writings of Galen and Avicenna as pretenders and impostors.

This however was the acme of his prosperity. His system was extremely popular for one year; but then he lost himself by brutality and intemperance. He had drunk water only for the first five-and-twenty years of his life; but now indulged himself in beastly crapulence with the dregs of